Maximum Overdrive

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Maximum Overdrive

Film poster
Directed by Stephen King
Produced by Martha Schumacher
Written by Stephen King (screenplay and short story Trucks)
Starring Emilio Estevez
Pat Hingle
Laura Harrington
Yeardley Smith
J.C. Quinn
Christopher Murney
Frankie Faison
Leon Rippy
Music by AC/DC
Cinematography Armando Nannuzzi
Editing by Evan Lottman
Distributed by De Laurentiis Entertainment Group
Release date(s) July 25, 1986 (USA)
Running time 97 min.
Country USA
Language English
Budget $10,000,000
All Movie Guide profile
IMDb profile

Maximum Overdrive is a 1986 tongue-in-cheek horror film, written and directed by horror novelist Stephen King. The screenplay was inspired by and loosely based on King's short story, Trucks, which was included in King's first collection of short stories, Night Shift.

Maximum Overdrive is Stephen King's first and only directorial effort. Over a hundred films have been based on King's novels; however to date Maximum Overdrive remains the only film to have ever been directed by King himself. A large number of King's fanbase were disappointed with the black humour elements of Maximum Overdrive, and what some felt to be a general trashy and camp style unbefitting of King's intelligent and sombre literature. The neophyte director was nominated for the title of "Worst Director" by the Golden Raspberry Awards in 1987. King himself described the film as a "moron movie", and stated his intention to never direct again soon after.

However, for the same reasons the film is viewed by some as a form of comedy horror and the film has retained a cult following. In 1988 Maximum Overdrive was nominated for "Best Film" at The International Fantasy Film Awards.[1]

The film has a mid-1980s rock and roll/hard rock soundtrack composed entirely by the group AC/DC, one of Stephen King's favourite bands. AC/DC's album, Who Made Who, was released as the Maximum Overdrive soundtrack. It includes the best-selling singles Who Made Who? and Hells Bells.

Contents

Spoiler warning: Plot and/or ending details follow.

Maximum Overdrive concerns the apocalyptic mayhem that ensues when a strange radiation from a closely passing rogue comet, Rhea-M, causes all manner of mechanical devices and electrical appliances across the planet Earth to become sentient, self-aware and Genocidal.

Marauding big rig trucks trap a small group of desperate rednecks, hitchhikers and employees in a fictional roadside truck stop called "The Dixie Boy" just outside Wilmington, North Carolina. When the trucks begin demanding more than blood (they order the humans to pump diesel), the Dixie Boy survivors realise they will become enslaved by their own machines, and they must escape to Haven Island just off the coast of North Carolina, where there are no machines.

At the end of the movie, a perfunctory title card strongly implies extraterrestials were behind the homicidal machines as part of a preliminary invasion. The machines are stopped and the invasion ends with the destruction of a UFO by a Soviet "weather satellite".

Spoilers end here.

Most iconic among Maximum Overdrive's trucks is a black 1977 White Western Star 4864 with the Green Goblin face mounted on the front, hauling Happy Toyz Co. toys (Happy Toyz Co. is a fictional company). This served as the main "villain" in the film, as it appears to be the ringleader of the trucks, and also because it the only truck with any humanoid feature. Other notable trucks are:

Some other haywire vehicles include:

Some of the murderous electrical appliances include:

In the game room of the Dixie Boy truck stop, there is:

And elsewhere:

The "Dixie Boy" truck stop was a full-scale set constructed ten miles west of Wilmington, North Carolina, on US interstate 74/76. The exact location was just outside of Leland, North Carolina. It was convincing enough that several semi drivers tried to stop in and eat there, and some tried to refuel. Eventually the producers had to put up several signs informing the truckers the set was fake and not a real truck stop. The producers also put announcements in local papers saying that the "Dixie Boy" was just a movie set.

After filming wrapped up (and the set had been partially demolished by explosives), some locals bought the set of the "Dixie Boy" and transformed it into a working truck stop. It was fully functional for three or four years, until it went bankrupt and was torn down sometime in the late 1980s. Some signposts for the Dixie Boy still remain, however.

When filming the scene where the ice cream truck flips over, the stunt didn't go according to plan and almost resulted in an accident. A telephone pole-size beam of wood was placed inside so it would flip end over end, but it only flipped once and slid on its roof, right into the camera. Gene Poole, dolly grip on the film, pulled the cameraman out of the way at the last second.

A second incident, this time leading to serious injury, occurred on 31 July 1985 whilst filming in a suburb of Wilmington, North Carolina. A radio-controlled lawnmower used in a scene went out of control and struck a block of wood used as a camera support, shooting out wood splinters which injured the director of photography, Armando Nannuzzi. As a result of this incident, Nanuzzi lost an eye. Nannuzzi sued Stephen King on February 18, 1987 for $18 million in damages due to unsafe working practices. The suit was settled out of court.

DVD cover
DVD cover
  • Writer and Director Stephen King gives himself a cameo appearance at the very beginning of the film, as the man who is abused by the ATM machine outside the First Bank of Wilmington and cries out, "Honey buns, come over here. This machine just called me an asshole".
  • During the scene with the ferry bridge disaster, a van carrying a tribute rock band can be seen with the AC/DC band's logo. AC/DC performed the music for the movie and is the favorite band of Stephen King.
  • In the ferry bridge disaster scene, some people are visible on a boat in the wide shots. These are actually the members of the real AC/DC.
  • If you listen closely you can hear the ice cream truck's tune is "King of the Road".
  • While shooting the scene where the steamroller rampages across the baseball diamond, Stephen King requested that the SFX department place a bag of fake blood near the dummy of a young player who would be run over by it. The desired effect would be that a smear of blood would appear on the steamroller and be re-smeared on the grass over and over, like a printing press. While filming the scene, however, the bag of blood exploded too soon and sprayed everywhere, making it appear as if the boy's head had also exploded. King was thrilled with the results, but censors demanded the shot be cut.
  • Stephen King was forced to make a number of changes to the film in order to avoid an X rating for violence. Although these scenes probably would have passed today, they were deemed excessive at the time. The cut scenes have not been reinstated in the DVD release and are presumed lost. The scenes are reported to total about 13 seconds and include an extended look at the steamroller running over the kid in the baseball field (as noted above), the bible salesman losing his face and it falling into his lap, and more of the truck stop shoot-out scene. There was also reportedly a matte painting of a major American city utterly in ruins after being destroyed by the haywire machines.

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