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The Merseburg Incantations (German: die Merseburger Zaubersprüche) are two medieval magic spells, charms or incantations, written in Old High German. They are the only known examples of Germanic pagan belief preserved in this language. They were discovered in 1841 by Georg Waitz,^[1] who found them in a theological manuscript from Fulda, written in the 9th or 10th century,^[2] although there remains some speculation about the date of the charms themselves. The manuscript (Cod. 136 f. 85a) was stored in the library of the cathedral chapter of Merseburg, hence the name.

Contents 1 Form 2 History 3 Incantations 3.1 1. Liberation of prisoners 3.2 2. Horse cure 4 Notes 5 Adaptations 6 Other 7 References 8 External links

Each charm is divided into two parts: a preamble telling the story of a mythological event; and the actual spell in the form of a magic analogy (just as it was before... so shall it also be now...). In their verse form, the spells are of a transitional type; the lines show not only alliteration but also the end-rhymes developed in the Christian verse of the 9th century.

Among the preliterate early Germanic tribes, incantations had the function "of rendering usable, through binding words, the magic powers which people wished to make serve them"^[3] They have survived in large numbers, particularly from the area of the Germanic languages. However, they all date from the Middle Ages and therefore bear the stamp or show the influence of Christianity. What is unique about the Merseburg Incantations is that they still reflect very clearly their pre-Christian origin (from before the year 750.^[4][5] They were written down for an unknown reason in the 10th century by a literate cleric, possibly in the abbey of Fulda, on a blank page of a liturgical book, which later passed to the library at Merseburg. The incantations have thus been transmitted in Caroline minuscule on the flyleaf of a Latin sacramentary.

The spells became famous in modern times through the appreciation of the Grimm brothers, who wrote as follows:

Lying between Leipzig, Halle and Jena, the extensive library of the Cathedral Chapter of Merseburg has often been visited and made use of by scholars. All have passed over a codex which, if they chanced to take it up, appeared to offer only well-known church items, but which now, valued according to its entire content, offers a treasure such that the most famous libraries have nothing to compare with it..."

The spells were published later by the Brothers Grimm in On two newly-discovered poems from the German Heroic Period (1842) and are now preserved in the library of Merseburg Cathedral.

The first spell is a "Lösesegen" (blessing of release), describing how a number of "Idisen" (Valkyrie women^[2] ) free from their shackles warriors caught during battle. The last two lines contain the magic words "Leap forth from the fetters, escape from the foes" that are intended to release the warriors.

Eiris sazun idisi sazun hera duoder. suma hapt heptidun, suma heri lezidun, suma clubodun umbi cuoniouuidi: insprinc haptbandun, inuar uigandun.

Once the Idisi set forth, to this place and that. Some fastened fetters, Some hindered the horde, Some loosed the bonds from the brave: Leap forth from the fetters, escape from the foes.

Once sat women, They sat here, then there. Some fastened bonds, Some impeded an army, Some unraveled fetters: Escape the bonds, flee the enemy! [1]

Phol (possibly another name for Baldr^[2]) is with Wodan (Odin) when Balder's horse dislocates its foot while riding through the forest (holza). Odin is saying as a result: "Bone to bone, blood to blood, limb to limb, as if they were glued". Images from the 5th-6th century show Odin healing a horse. Unfortunately, the other gods' names cannot be identified with certainty; the only clear names are "Uuôdan" (Wodan, Wotan, Odin) and "Frîia" (Freyja). As for the other names, it is not even sure whether they really are names of gods, since different interpretations of their translation are available.

Phol ende uuodan uuorun zi holza. du uuart demo balderes uolon sin uuoz birenkit. thu biguol en sinthgunt, sunna era suister; thu biguol en friia, uolla era suister; thu biguol en uuodan, so he uuola conda: sose benrenki, sose bluotrenki, sose lidirenki: ben zi bena, bluot zi bluoda, lid zi geliden, sose gelimida sin.

Phol and Odin rode into the woods, There Balder's foal sprained its foot. It was charmed by Sinthgunt, (so did) her sister Sunna. It was charmed by Frija, (so did) her sister Volla. It was charmed by Odin, as he well knew how: Bone-sprain, like blood-sprain, Like limb-sprain: Bone to bone, blood to blood, Limb to limb, As though they were glued.

Phol and Wodan rode to the woods, Then, Balder's foal wrenched his foot. Then did Sinthgunt enchant it, (so did) Sunna her sister, then did Freya enchant it. (so did) Fulla her sister, then did Wodan enchant it, as he well could: If a bone-wrenching, if a blood-wrenching, if a limb-wrenching: Bone to bone, blood to blood, Limb to limb, As if bonded. [1]

• Idisen: Dísir, female deities from Norse mythology, used for both Norns and Valkyries, the ones that decide who should fall on the battlefield.

• Balder: the god of the light in northern mythology. The word can also merely mean lord, so the identification of Phol with Balder is contested. Some think that here we have Balder's personal name which can be translated as Apollo.^{[citation needed]}

• Sinthgunt: Although written above as "Sinthgunt", the handwritten manuscript has "Sinhtgunt". She is not known from Scandinavian sources.

• Uuôdan: Wodan, the Old High German form of Odin.

• Frija: Frige, a goddess of love. It's unclear whether German mythology carried the same distinctions between Freyja (the Van goddess of fertility, love and magic) and Frigg (Odin's wife, goddess of fertility, love, marriage and motherhood) as Norse mythology. See Connection between Frigg and Freyja.

• Volla: Maybe Fulla, written in the Prose Edda as one of Frigg's handmaids.

• Sunna: the goddess Sol.

Many German rock groups and musicians have been inspired by the Merseburg Incantations and produced their own settings. The already "classic" adaptation of the first incantation comes from the group Ougenweide; it is a free invention based on no real musical tradition. The group In Extremo, whose song Küss mich (Kiss me) was in the 2003 charts, included a version of the first incantation in their album Verehrt und angespien (Adored and spat at) in 1999 and of the second in their album Sünder ohne Zügel (Sinners without reins) in 2001. Also in that year they did the same in the project Helium Vola in a quite different context. The band Corvus Corax features both charms in a single song on the album Ante Casu Peccati (Before the Fall). Yet another adaptation was featured by Tanzwut, a musical project of Corvus Corax, in the album of the same title. A further band, Nagelfar, has included the incantations on Die Sprüche auf Virus West. The German group eirisproject presents both charms as a Mantra on the MCD called ["GERMANIC MANTRA"][1] in 2007

None of these reinterpretations is based on the medieval melodies.

The manuscript of the Merseburg Incantations was on display until November 2004 as part of the exhibition "Between Cathedral and World - 1000 years of the Chapter of Merseburg", at Merseburg cathedral. They were previously exhibited in 1939.

The incantations can be found "freely translated" into English by D. L. Ashliman at his website.

Grimm, Jacob. 'Über zwei entdeckte Gedichte aus der Zeit des deutschen Heidentums' In 'Abhandlungen der kgl. preussischen Akadamie,phil.-hist. Klasse'. Berlin 1842. pp. 1-24.

• http://www.sunnyway.com/runes/merseburger.html
• http://uweb.cas.usf.edu/~clopez/CAL/AV/DIS/ch1a.htm
• (German) http://www.darkweb.de/mystik/merseburger_zaubersprueche1.html
• (German) http://www.mysterium-scribendi.de/merse.html
• (German) http://www.fh-augsburg.de/~harsch/germanica/Chronologie/08Jh/Merseburg/mer_intr.html