Mohamed Hamri
From Wikipedia, the free encyclopedia
| This article needs additional citations for verification. Please help improve this article by adding reliable references. Unsourced material may be challenged and removed. (January 2007) |
| Mohamed Hamri | |
|---|---|
Mohamed Hamri
|
|
| Background information | |
| Born | 1932 |
| Origin | |
| Died | 2000 |
| Genre(s) | Sufi music |
| Occupation(s) | Painter |
Mohamed Hamri (1932 - 2000) commonly known as Hamri also called himself Hamri the Painter of Morocco. [1] He was a Moroccan painter and author and one of the few Moroccans to participate in the Tangier and Beat generation. [2]
He was born in 1932 in Joujouka or Jajouka near the northern Moroccan town of Ksar-el-Kebir, at the southern end of the Rif Mountains.[3][4] His father was a ceramics artist who painted his pieces following an ancient tradition. Hamri's mother was born into the Attar family of Jajouka musicians. His uncle was the leader of the musicians there Master Musicians of Joujouka and the music of the village was a strong influence on Hamri.[5]
Contents |
After World War II life in the village was very difficult, as there was very little food available. Hamri helped the Master Musicians of Joujouka survive by bringing them to Tangier to play. In 1951, writer Paul Bowles, met the 18-year-old Hamri at Tanger train station. He later met the painter Brion Gysin inventor of The Cut-up technique who tutored him and introduced him to modern European painters. Gysin and Hamri had a joint exhibition in 1952. After Hamri introduced Gysin to the Joujouka village, Gysin became a life-long promoter of the Sufi trance master musicians who lived there. Together with Gysin, Hamri set up the 1001 Nights Restaurant in Tangier and employed the Master Musicians of Joujouka to play there.[6]. In 1958 Gysin bought out Hamri's interest in 1001 Nights for $10,000 but he soon lost the resturant himself.[7]. The master musicians were led at the time by Hamri's uncle Sherkin. He soon opened a new 1001 Nights in Aisliah which was where he first met Brian Jones and subsequently brought him to Joujouka.[8]
When Rolling Stones lead guitarist Brian Jones visited Morocco 1967 he met Hamri and they developed a close friendship leading to Jones subsequent visit to record Master Mucicians of of Joujouka. [9]. In 1968, Gysin and Hamri took Jones to the village to record the master musicians in the ground-breaking release Brian Jones Presents The Pipes Of Pan At Joujouka, whose original cover featured a painting of Jones and The Master Musicians of Joujouka by Hamri before a 1990s redesign.[10] Hamri had assisted the group during that first production by Jones. In an article in Rolling Stone published in October of 1971 to publicize the new release, journalist Robert Palmer mentioned Hamri's role translating some of the old chief's comments to Palmer during his visit to the village. From 1974–79 Hamri lived and painted in Los Angeles;
In 1975 his book Tales of Joujouka, containing Hamri's tales from his home village including "The Lengend of Boujeloud" which tells the story of Boujelod the half-goat/half-man beast celebrated in the annual ritual of the Master Musicians of Joujouka was published by Capra Press in Santa Barbara.[11]
From 1980 onwards, Hamri divided his time between Tangier and Jajouka. After the death of one of Master Musicians of Joujouka Hadj Abdesalam Attar in 1982, Attar's son Bachir Attar led a group of his father's musicians, eventually recording with them as Master Musicians of Jajouka featuring Bachir Attar. Hamri continued his work with the Master Musicians of Joujouka musicians continuing his efforts to presevre their traditions.
In 1992, Hamri participated in The Here to Go Show in Dublin, Ireland. This show, a celebration of William Burroughs, Brion Gysin and the Tangier Beat Scene, was documented in the documentary Destroy all Rational Thought, directed by Joe Ambrose and Frank Rynne. In 1994 a group of master musicians managed by Hamri recorded a CD called Joujouka Black Eyes under the band name Master Musicians of Joujouka, using another spelling for the village used both on the famous Brian Jones production and in Hamri's own 1975 book title. The recording was produced by Frank Rynne under the supervision of Hamri.[12]
Hamri had over fifty exhibitions of his paintings in Morocco, Spain, Germany, the United States, and Ireland during his lifetime. [13]
Hamri continued to promote the music of Joujouka until his death in August 2000. He is buried in the center of the village, close to the tomb of the Muslim saint Sidi Ahmed Sheikh. His posthumous reputation as a painter is growing, and a recent retrospective was held at the Laurence-Arnott Gallery in Tangier. A large collection of his 1950s paintings has recently been discovered in the United States.
His youngest daughter Sanaa Hamri is the first Moroccan woman to direct a Hollywood movie.
- ^ Le Matin du Sahara et du Maghreb,(Tangier, Morocco 15/02/2002)
- ^ Obituary of Hamri from The Independent (London, 19 Oct 2000)
- ^ Clandermond, Andrew, MacCarthy Terence, Hamri the painter of Morocco , (Tangier,2004, p.2
- ^ Clandermond, Andrew, MacCarthy, Terence,A Dictionary of the Painters of tangier 1669-2003, (Tangier, 2003), P.144
- ^ Clandermond, Andrew, MacCarthy Terence, Hamri the painter of Morocco , (Tangier,2004)pp 1-3,
- ^ Greene, Michelle, The Dream at the End of the World, (New York, 1991), p.123, p.201
- ^ Greene, Michelle, The Dream at the End of the World, (New York, 1991), p.201
- ^ Clandermond, Andrew, MacCarthy Terence, Hamri the painter of Morocco , (Tangier,2004), p.9
- ^ Clandermond, Andrew, MacCarthy Terence, Hamri the painter of Morocco , (Tangier,2004), p.9
- ^ Sleeeve Note Brian Jones pesents the >Pipes of Pan at Jououka, 'Roling Stones Records, 1971)
- ^ Hamri, Mohamed, Tales of Joujouka, (Santa Barbara, 1975)
- ^ Campion, Chris, "Night Spirit Masters" The Wire, August 1995
- ^ Clandermond, Andrew, MacCarthy Terence, Hamri the painter of Morocco , (Tangier,2004), pp 39-42.
- Ambrose, Joe; Wilson, Terry; and Rynne, Frank (1992). Man from Nowhere: Storming the Citadels of Enlightenment With William Burroughs and Brion Gysin. Autonomedia. ISBN 0-9520217-0-6.
- Clandermond, Andrew and MacCarthy, Dr. Terence (2004). Hamri: The Painter of Morocco / Le Peintre du Maroc. Lawrence Arnott Art Gallery (Tangier). ISBN 0-9523838-6-1.
- Hamri, Mohamed (1975), Tales of Joujouka. Capra Press.
- Palmer, Robert (March 23, 1989). "Into the Mystic". Rolling Stone.
- Palmer, Robert (October 14, 1971). "Jajouka: Up the Mountain". Rolling Stone, p. 39–40.
- Palmer, Robert (June 11, 1992). "Up the Mountain". Rolling Stone, p. 42–43.
- Ranaldo, Lee (August 1996). "Into The Mystic". The Wire
- Strauss, Neil (October 12, 1995). "The Pop Life: To Save Jajouka, How About a Mercedes in the Village?". The New York Times.
- Brion Gysin biography. The Knitting Circle.
- French language article on Hamri from Le Matin du Sahara et du Maghreb, (15/02/2002) retrived 13/4/2007
- Tales of Joujouka
- Brian Jones Presents The Pipes Of Pan At Joujouka
- Joujouka Black Eyes
- Boujeloud
- Jajouka
- Paul Bowles
- Brion Gysin
- William S. Burroughs
- Timothy Leary
- Master Musicians of Joujouka
- Master Musicians of Jajouka
- Pan (mythology)
- Master Musicians of Joujouka site
- Obituary of Hamri from The Independent (London, 19 Oct 2000) pdf download of original article at bottom of text. Retrieved 06/08/2007
- Joe Ambrose site, includes documents related to Hamri, with whom he sometimes collaborated
- Part 1 of an interview in which Hamri and The Master Musicians of Joujouka`s work and influence are discussed - The Brink (New York, April 2007)
- Part 2 - The Brink (New York, April 2007)
- The guiding influence of Hamri in Joujouka - The Lazarus Corporation (UK, Nov. 2007)
- Campion, Chris (August 1995). "Night Spirit Masters", "The Wire". Article about Hamri and the Joujouka/Jajouka musicians. Click link for article pdf