Moodswinger

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In 2006 luthier Yuri Landman built the Moodswinger, a 12 string overtone zither for Aaron Hemphill of the noiseband Liars
In 2006 luthier Yuri Landman built the Moodswinger, a 12 string overtone zither for Aaron Hemphill of the noiseband Liars

The Moodswinger is a custom made string instrument made by Yuri Landman. Although it closely resembles an electric guitar, it is actually a zither, as it has neither frets nor a proper neck.

In March 2006 Landman contacted Liars to make an instrument for them. After 6 months he finished 2 copies of The Moodswinger, an electric 12-string 3rd bridge overtone zither, one for guitarist/drummer Aaron Hemphill and one for himself.

The tuning of this instrument is a circle of fourths:

E-A-D-G-C-F-A#-D#-G#-C#-F#-B, arranged in 3 clusters of 4 strings each. The pickup and electronics are built into the neck instead of in the body like usual electric guitars.

Contents

The 3rd bridge divides the strings into two segments with different pitches. Depending on where the string is played, a bell-like harmonic second tone is created. The string resonates more or less when the back side is struck, depending on the position of the 3rd bridge along the string. This can be explained by acoustic resonance and microtonality. At harmonic nodal positions, the string resonates more than at other positions. For instance, dividing the string 1/3 + 2/3 creates a clear overtone, while 24/33 + 9/33 creates an indistinct overtone.

The fretboard has 3 different scales:

  • The normal guitar (equal-tempered) scale
  • An inverse scale (large steps between the frets at the top of the neck, small ones at the body bridge)
  • A microtonal scale which shows "logical" string divisions in the following color-coded groups:
    • White dot: 1/2
    • Red dot: 1/3+2/3
    • Orange dot: 1/4+3/4
    • Yellow dot: 1/5-4/5
    • Green dot: 1/6+5/6
    • Blue dot: 1/7-6/7
    • And a smaller subscale for the higher-pitched overtones near the body bridge in colored lines:
      • Grey line: 1/8
      • Red line: 1/9
      • Orange line: 1/10
      • Yellow line: 1/11
      • Green line: 1/12
      • Blue line: 1/16

The sound of a 3rd bridged string is a combination of 3 tones. A soft sounding attack tone of the string part hit at the body side, the corresponding overtone of both sides and a resonating low fundamenal tone of the counterpart of the string at the head side. The diagram below shows the tone combinations of the overtone (above) and the low tone of the counterpart (below). The attack tone is in most postions exact the same note as the overtone. Exceptions are 3/4, 3/5, 3/7 and 5/7. In the 3/... positions the overtone is a perfect fifth of the attack tone, in the 5/7 positions the overtone is a major third of the attack tone.

Click for full-size image
Click for full-size image
Bridge position Colour codes Cents Resonating fundamental

of the counterpart related to open string

Corresponding overtone

related to open string

Corresponding overtone

related to fundamental of the counterpart

0
0.00
Unison
1/16 Grey line
111.73
Diatonic semitone 4 Octaves Augmented fourth 21ma
1/12 Green line
150.64
Lesser undecimal neutral second Just Perfect fifth 21ma Just Perfect fourth 21ma
1/11 Yellow line
165.00
Greater undecimal neutral second Greater septimal tritone 21 ma Just major third 21ma
1/10 Orange line
182.40
Just minor tone Just major third 21ma Just minor tone 21ma
1/9 Red line
203.91
Major second or Just minor tone Just minor tone 21ma 3 Octaves
1/8 Grey line
231.17
Diminished third 3 Octaves Just Major sixth 15ma
1/7 Blue dot
266.87
Septimal minor third Augmented sixth 15ma Just Perfect fifth 15ma
1/6 Green dot
315.64
Just minor third Just perfect fifth 15ma Just major third 15ma
1/5 Yellow dot
386.31
Just major third Just major third 15ma 2 Octaves
1/4 Orange dot
498.04
Just perfect fourth Fifteenth Twelfth
2/7 Blue dot
582.51
Augmented fourth or tritone Augmented sixth 15ma Just major third 15ma
1/3 Red dot
701.96
Just perfect fifth Twelfth Octave
2/5 Yellow dot
884.36
Just major sixth Just major third 15ma Just Perfect fifth 8va
3/7 Blue dot
968.83
Augmented sixth Augmented sixth 15ma 2 Octaves
1/2 Grey dot
1200.00
Octave Octave Unison
4/7 Blue dot
Septimal minor third 8va Augmented sixth 15ma Just Perfect fifth 8va
3/5 Yellow dot
Just major third 8va Just major third 15ma Octave
2/3 Red dot
1901.96
Twelfth Twelfth Unison
5/7 Blue dot
Augmented sixth 8va Augmented sixth 15ma Octave
3/4 Orange dot
2400.00
Fifteenth or 2 Octaves Fifteenth Unison
4/5 Yellow dot
2786.3
Just major third 15ma Just major third 15ma Unison
5/6 Green dot
3102.0
Just Perfect fifth 15ma Just Perfect fifth 15ma Unison
6/7 Blue dot
3368.8
Augmented sixth 15ma Augmented sixth 15ma Unison

In December 2006 he met Lee Ranaldo of Sonic Youth. Currently Landman is building an instrument for him too.

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