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Morrie Ryskind (born Morris Ryskind 20 October 1895 in New York City, New York, USA - 24 August 1985 in Washington, DC), was an American Hollywood and Broadway writer, lyricist, and director. He collaborated with the famous George S. Kaufman on many Broadway hits, and wrote or co-wrote many of the Marx Brothers' screenplays.

His Broadway shows included:

• Merry-Go-Round (1927) (co-lyricist and bookwriter with Howard Dietz to music by Henry Souvaine and Jay Gorney
• Animal Crackers (1929) (co-bookwriter with George S. Kaufman to music and lyrics by Bert Kalmar and Harry Ruby and starring the Marx Brothers)
• Ned Wayburn's Gambols (1929) - revue - (lyricist with music by Walter G. Samuels)
• Strike Up the Band (1930) (bookwriter with music by George Gershwin and lyrics by Ira Gershwin)
• The Gang's All Here (1931) (contributing bookwriter)
• Pardon My English (1933) (co-bookwriter with Herbert Fields to music by George Gershwin and lyrics by Ira Gershwin)
• Of Thee I Sing (1933) (co-bookwriter with George S. Kaufman to music by George Gershwin and lyrics by Ira Gershwin) - Pulitzer Prize of Drama
  • Revived in 1933 and 1952
• Let 'Em Eat Cake (1934 sequel to "Of Thee I Sing") (co-bookwriter with George S. Kaufman to music by George Gershwin and lyrics by Ira Gershwin)
• Louisiana Purchase (1941) (bookwriter to music and lyrics by Irving Berlin)
• The Lady Comes Across (1942) (director)

His movies included:

• The Cocoanuts (1929) (starring the Marx Brothers)
• Animal Crackers (1930) (starring the Marx Brothers)
• A Night at the Opera (1935) (starring the Marx Brothers)
• My Man Godfrey (1936) - Oscar nomination
• Stage Door (1937) - Oscar nomination
• Room Service (1938) (starring the Marx Brothers)
• Penny Serenade (1941)

Ryskind was suspended shortly before he was due to graduate from Columbia University in 1917 because he had called president Nicholas Murray Butler "Czar Nick" in the pages of the humor magazine Jester for refusing to allow Count Nikolai Tolstoy, nephew of Leo Tolstoy, to speak on campus.

Something of a socialist in his youth, but frustrated by the left's apparent sympathy for communism and disturbed by Roosevelt seeking an unprecedented third term, he abandoned the Democrats for the Republicans, even going so far as the write the campaign song for Wendell Willkie's 1940 presidential run.

Later, he found the tactics and the slavish devotion to Stalin by Hollywood communists so appalling that he appeared before the House Committee on Un-American Activities as a friendly witness to detail their activities. For this he was blacklisted and never sold another script.

He went on to become an articulate promoter of conservatism with a feature column in the Hearst newspaper, the Los Angeles Herald Examiner. He was even a member of the John Birch Society for a short time but disassociated himself from the group when they started to claim that Roosevelt, Truman, and Eisenhower were part of the Soviet conspiracy. His son, Allan H. Ryskind, was the longtime editor of the conservative Washington weekly Human Events.

It is, in fact, far from clear that Ryskind's testimony and "naming names" was focused on people who actually WERE communists, much less people who might actually have been engaged in activities on behalf of a foreign power. It is ironic indeed that Ryskind, who testified before HUAC as a friendly witness and helped propel the Hollywood Blacklist, ultimately claimed that he too was blacklisted, presumably by those who found his actions contemptible.

• George Kaufman et al., Kaufman & Co.: Broadway Comedies, Laurence Maslon, ed. (New York: The Library of America, 2004) ISBN 1-931082-67-7. Includes The Royal Family (1927, with Edna Ferber); Animal Crackers (1928, with Morrie Ryskind); June Moon (1929, with Ring Lardner); Once in a Lifetime (1930, with Moss Hart); Of Thee I Sing (1931, with Morrie Ryskind and Ira Gershwin); You Can't Take it With You (1936, with Moss Hart); Dinner at Eight (1932, with Edna Ferber); Stage Door (1936, with Edna Ferber); The Man Who Came To Dinner (1939, with Moss Hart).