Mr. Tambourine Man (album)

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Mr. Tambourine Man
Mr. Tambourine Man cover
Studio album by The Byrds
Released June 21, 1965
Recorded January 20April 22, 1965
Genre Folk rock
Length 31:35
Label Columbia
Producer Terry Melcher
Professional reviews
The Byrds chronology
Mr. Tambourine Man
(1965)
Turn! Turn! Turn!
(1965)

Mr. Tambourine Man is the debut album by the American folk-rock band, The Byrds. It peaked at #6 on the Billboard Top Pop Albums chart, staying on the charts for 38 weeks; it also went to #7 in Great Britain. The single of the same name, Bob Dylan's "Mr. Tambourine Man," had been released on April 12, 1965, and went to #1 on both the Billboard Hot 100 and in the UK; another single and Dylan cover from the album, "All I Really Want to Do," just made the Top 40, peaking at #40.

The single instantly established the band on both sides of the Atlantic, introducing the new genre of folk rock. Its most distinctive features were the vocal harmonies of Gene Clark, Jim McGuinn and David Crosby, and McGuinn's twelve-string Rickenbacker guitar playing (which complemented the lyric's "jingle jangle morning"). This combination became the band's signature sound in this early period.

Of the album tracks, most of the band originals were penned by Clark, the group's central songwriter over its first eighteen months of existence, including "Here Without You" and "I'll Feel a Whole Lot Better" (the latter becoming a rock and roll standard, inspiring many cover versions). There was also an abundance of Dylan material, with three songs taken from his Another Side of Bob Dylan LP, leading to accusations of the band being too reliant on his work. Other covers included an expansive arrangement of Pete Seeger's "The Bells Of Rhymney", stressing the band's folk music roots, and Vera Lynn's war years standard "We'll Meet Again," given a very sardonic reading influenced by the song's appearance in the final scene of Stanley Kubrick's movie Dr. Strangelove.

The label had replaced the band with session musicians for the single and its b-side, "I Knew I'd Want You". By the time the album was recorded, the group had polished their sound to producer Terry Melcher's satisfaction, and The Byrds themselves played on the remaining tracks.

Rolling Stone selected this album as number 232 for their List of Rolling Stone's 500 Greatest Albums of All Time.

Contents

  1. "Mr. Tambourine Man" (Bob Dylan) –2:29
  2. "I'll Feel a Whole Lot Better" (Gene Clark) –2:32
  3. "Spanish Harlem Incident" (Bob Dylan) –1:57
  4. "You Won't Have to Cry" (Gene Clark/Jim McGuinn) –2:08
  5. "Here Without You" (Gene Clark) –2:36
  6. "The Bells of Rhymney" (Idris Davies/Pete Seeger) –3:30
  7. "All I Really Want to Do" (Bob Dylan) –2:04
  8. "I Knew I'd Want You" (Gene Clark) –2:14
  9. "It's No Use" (Gene Clark/Jim McGuinn) –2:23
  10. "Don't Doubt Yourself, Babe" (Jackie DeShannon) –2:54
  11. "Chimes of Freedom" (Bob Dylan) –3:51
  12. "We'll Meet Again" (Ross Parker/ Hughie Charles) –2:07

  1. "She Has a Way" (Gene Clark) – 2:25
  2. "I'll Feel a Whole Lot Better" (Gene Clark) – 2:28 (alternate version)
  3. "It's No Use" (Gene Clark/Jim McGuinn) – 2:24 (alternate version)
  4. "You Won't Have to Cry" (Gene Clark/Jim McGuinn) – 2:07 (alternate version)
  5. "All I Really Want to Do" (Bob Dylan) – 2:02 (single version)
  6. "You and Me" (David Crosby/Gene Clark/Jim McGuinn) – 2:11 (instrumental)

  1. "Mr. Tambourine Man" b/w "I Knew I'd Want You" (Columbia 43271) 12 April 1965
  2. "All I Really Want To Do" (alternate version) b/w "Feel A Whole Lot Better" (Columbia 43332) 14 June 1965

Country Date Label Format Catalog Notes
United States June 21, 1965 Columbia Mono LP CL 2372
Stereo LP CS 9172
1987 CD CK 9172
April 30, 1996 Columbia/Legacy CD CK 64845 Remixed stereo plus bonus tracks.
United Kingdom 1965 CBS Mono LP BPG 62571
Stereo LP SBPG 62571
May 6, 1996 Columbia/Legacy CD COL 483705 Remixed stereo plus bonus tracks.

Mr. Tambourine Man was one of five Byrds albums that were remixed as part of their re-release on Columbia/Legacy. The reason for the remix was stated by Bob Irwin (who produced these re-issues for compact disc) during an interview:

The first four Byrds albums had sold so well, and the master tapes used so much that they were at least two, if not three generations down from the original. In most cases, a first-generation master no longer existed. They were basically played to death; they were worn out, there was nothing left of them.

He further states:

Each album is taken from the original multi-tracks, where they exist, which is in 95% of the cases. We remixed them exactly as they were, without taking any liberties, except for the occasional song appearing in stereo for the first time.

Irwin's assertions that no liberties were taken have been proven false in many instances. For one, there is a short section of "Chimes of Freedom" that exists in the stereo remix that never existed in the original mix. The song "Mr. Tambourine Man" appears in a radically different, super-wide stereo remix whereas the original stereo mix was so narrow as to almost be mono. The fades are different on almost every song as well.

Many fans enjoy the remixed album because it's very close to the original mix in most cases and offers noticeably better sound quality. However, there are also a lot of fans who dismiss the remix as revisionist history and prefer to listen to the original mix on vinyl or the 1987 CD release.

  • Fricke, David. Liner Notes, Mr. Tambourine Man, Columbia/Legacy CK 64845 1996.
  • AllMusicGuide.com
  • Whitburn, Joel. "Top Pop Albums 1955-2001," ISBN 0-89820-147-0
  • Bob Irwin remarks from ICE #108, March, 1996
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