Necktie
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The necktie (or tie) is a long piece of cloth worn around the neck. It rests under the shirt collar and is knotted at the throat. The modern necktie, ascot, and bow tie, descended from the cravat.
Men and women (to a far lesser extent) wear neckties as part of regular office attire, formal wear, or uniforms. Neckties are also worn as part of a uniform (e.g. military, school, waitstaff).
Variants include the bow tie, ascot tie, bola tie, and the clip-on tie.
The history of neckwear can be traced back to China in the tomb of The first Emperor of china, Ch’in Shi Huang-Ti. All of the terracotta warriors uncovered wore neckerchiefs. The modern necktie however, can be traced back to the Thirty Year War, which was fought from 1618 to 1648. There were many Croatian horsemen fighting for the French and they wore small, knotted neckerchiefs. That started a fashion craze in Europe where both men and women wore pieces of fabric around their necks. In the late seventeenth century, the men wore lace cravats that took a large amount of time and effort to arrange. These cravats were often tied in place by cravat strings, arranged neatly and tied in a bow.
The Battle of Steenkerque took place in 1692. In this battle, the princes, while hurriedly dressing for battle, just wound these cravats around their necks. They twisted the ends of the fabric together and passed the twisted ends through a jacket buttonhole. These cravats were generally referred to as Steinkirks.
In 1715, another kind of neckwear, called "Stocks" made its appearance. Stocks were initially just a small piece of muslin folded into a narrow band wound a few times round the shirt collar and secured from behind with a pin. It was fashionable for the men to wear their hair long, past shoulder length. The ends were tucked into a black silk bag worn at the nape of the neck. This was known as the bag-wig hairstyle and the neckwear worn with it was, the stock.
A variation of the bag wig would be the solitaire. This form had matching ribbons stitched around the bag. After the stock was in place, the ribbons would be brought forward and tied in a large bow in front of the wearer.
Sometime in the late eighteenth century, Cravats began to make an appearance again. This can be attributed to a group of young men called the Macaronis (of Yankee Doodle fame). These were young Englishmen who returned from Europe and brought with them new ideas about fashion from Italy. The French contemporaries of the Macaronis were the Incroyables.
At this time, there was also much interest in the way to tie a proper cravat and this led to a series of publications. This began with Neckclothitania, which is a book that contained instructions and illustrations on how to tie 14 different cravats. It was also the first book to use the word ‘tie’ in association with neckwear.
It was about this time that black stocks made their appearance. Their popularity eclipsed the white Cravat, except for formal and evening wear. These remained popular through to the 1850s. At this time, another form of neckwear worn was the scarf. This was where a neckerchief or bandanna was held in place by slipping the ends through a finger or scarf ring at the neck instead of using a knot. This is the classic sailor neckwear and may have been adopted from them.
The industrial revolution created a need for neckwear that was easy to put on, comfortable and would last an entire workday. The modern necktie, as is still worn by millions of men today, was born. It was long, thin and easy to knot and it didn’t come undone.
The English called it the “four in hand” because the knot resembled the reins of the four horse carriage used by the British upper class. By this time, the sometimes complicated array of knots and styles of neckwear gave way to the neckties and bow ties, the latter a much smaller, more convenient version of the cravat. In formal dinner parties and when attending races, another type of neckwear was considered de rigueur; this was the Ascot tie, which had wide flaps that were crossed and pinned together on the chest.
This was until[when? — see talk page] a New York tie maker, Jesse Langsdorf came up with a method of cutting the fabric on the bias and sewing it in three segments. This technique improved elasticity and facilitated the fabric's return to its original shape. Since that time, most men have worn the “Langsdorf” tie. Yet another development of that time was the method used to secure the lining and interlining once the tie had been folded into shape. Richard Atkinson and Company of Belfast claim to have introduced the slipstitch for this purpose in the late 1920s.
After the Second World War, hand-painted ties became an accepted form of decoration in America. The widths of some of these ties went up to 4.5 inches. These loud, flamboyant ties sold very well all the way through the 1950s.
On the other side of the pond, Regimental stripes have been continuously used in tie designs since the 1920s. Traditionally, English stripes ran from the left shoulder down to the right side; however, when Brooks Brothers introduced the striped ties in the States a century ago, they had theirs cut in the opposite direction.
The 1960s brought about an influx of pop art influenced designs. The first was designed by Michael Fish when he worked at Turnbull & Asser. The term kipper, was a pun on his name. The exuberance of the styles of the late 1960s and early 1970s gradually gave way to more restrained designs. Ties became narrower, returning to their 2-3 inch width with subdued colors and motifs, traditional designs of the 1930s and 1950s reappeared, particularly Paisley patterns. Ties began to be sold along with shirts and designers slowly began to experiment with bolder colors.
This grew till the 1980s and 1990s where there developed a taste for increasingly unusual designs. There was an increased number of deliberately kitsch designs and joke ties. These ties were often made of plastic or even wood and were more statement pieces than fashion.
In 1660, in celebration of its hard-fought victory over Turkey, a crack regiment from Croatia visited Paris. There, the soldiers were presented as glorious heroes to Louis XIV, a monarch well known for his eye toward personal adornment. It so happened that the officers of this regiment were wearing brightly colored handkerchiefs fashioned of silk around their necks. These neck cloths, struck the fancy of the king, and he soon made them an insignia of royalty as he created a regiment of Royal Cravattes. The word "cravat," incidentally, is derived from the word "Croats."
The four-in-hand necktie (as distinct from the four-in-hand knot) was fashionable in Great Britain in the 1850s. Early neckties were simple, rectangular cloth strips cut on the square, with square ends. The term "four-in-hand" originally described a carriage with four horses and a driver; later, it also was the name of a London gentlemen's club. Some etymologic reports are that carriage drivers knotted their reins with a four-in-hand knot (see below), whilst others claim the carriage drivers wore their scarves knotted 'four-in-hand', but, most likely, members of the club began wearing their neckties so knotted, thus making it fashionable. In the latter half of the 19th century, the four-in-hand knot and the four-in-hand necktie were synonymous. As fashion changed from stiff shirt collars to soft, turned-down collars, the four-in-hand necktie knot gained popularity; its sartorial dominance rendered the term "four-in-hand" redundant usage, shortened "long tie" and "tie".
In 1926, Jesse Langsdorf from New York introduced ties cut on the bias (US) or cross-grain (UK), allowing the tie to evenly fall from the knot without twisting; this also caused any woven pattern such as stripes to appear diagonally across the tie.
Today, four-in-hand ties are part of men's formal clothing in both Western and non-Western societies, particularly for business.
Four-in-hand ties are generally made from silk, cotton, polyester or, common before World War II but not as popular nowadays, wool. They appear in a very wide variety of colours and patterns, notably striped (often diagonally), club ties (often with a small motif repeated regularly all over the tie) and solids. "Novelty ties" featuring icons from popular culture (such as cartoons, actors, holiday images), sometimes with flashing lights, have been quite prevalent since the 1990s, as have paisley ties.
The sevenfold tie is a construction variant of the four-in-hand necktie revived after the austerity of the Great Depression.[citation needed] A square yard of silk (usually two or more pieces sewn together) is folded to seven sections of silk between the folds. Its weight and body derive exclusively from the layering of silk. It can require an hour or more to construct.
There are newly designed spinoffs to sevenfold ties, often referred to as four folds, or lined seven folds. These imposters frequently have the folds of the silk ending halfway through the middle of the inside of the tie. These ties, while very thick, are essentially the same as regular lined ties, with the exception of the decorative origami like folds at the ends of the tie. They are most easily identified by the bottom square, the part of the back of the tie that hangs in front of the belt, which is not one single sheet of silk-normally the introverted pattern is exposed-but is two pieces of the silk with the liner in between. In contrast to authentic sevenfolds, these ties' heft and body are derived by a standard lining, not folds of silk.
The clip-on necktie is permanently knotted bow tie or four-in-hand style affixed with a metal clip to the front of the shirt collar. This 20th-century innovation is considered by some to be stylistically inferior, but may be considered by some for wear in occupations (e.g., law enforcement, service clerks, airline pilots, engineers etc.) where a proper necktie could pose a choking risk in the course of doing his or her job.
- See also Category:Necktie knots
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There are four main knots used to knot neckties. The simplest, the four-in-hand knot, may be the most common. The others (in order of difficulty) are:
The Windsor knot is named after the Duke of Windsor, although he neither invented nor used it. The Duke did favour a voluminous knot; however, he achieved such by having neckties specially made of thicker cloths. In the late 1990s, two researchers, Thomas Fink and Yong Mao of Cambridge's Cavendish Laboratory, used mathematical modeling to discover that eighty-five (85) knots are possible with a conventional tie (limiting the number of moves to nine).[1]
The two variants of the school tie for Phillips Academy. The striped version uses American-style stripes (high side of stripe on wearer's right).
The use of coloured and patterned neckties indicating the wearer's membership in a club, military regiment, school, et cetera, dates only from late-nineteenth century England. The first definite occurrence was in 1880, when Exeter College, Oxford rowers took the College-colour ribbons from their straw boaters and wore them as neckties (knotted four-in-hand), and then went on to order a proper set of ties in the same colours, thus creating the first example of a college necktie. Soon other colleges followed suit, as well as schools, universities, and clubs. At about the same time, the British military moved from dressing in brightly and distinctively coloured uniforms to subdued and discreet uniforms, and they used neckties to retain regimental colours. Almost all secondary schools in the United Kingdom maintain the wearing of a tie as part of their school uniforms, with its design being specified. Some primary schools also permit pupils to wear ties. The most common pattern for such ties in the UK and most of Europe consists of diagonal stripes of alternating colours running down the tie from the wearer's left. Note that neckties are cut on the bias (diagonally), so the stripes on the source cloth are parallel or perpendicular to the selvage, not diagonal. The colours themselves may be particularly significant. The dark blue and red regimental tie of the Household Cavalry is said to represent the blue blood of the Royal Family, and the red blood of the Guards. In the United States, diagonally striped ties are commonly worn with no connotation of group membership. Typically, American striped ties have the stripes running downward from the wearer's right (the opposite of the European style). However, when Americans wear striped ties as a sign of membership, the European stripe style may be used. An alternative membership tie pattern to diagonal stripes is either a single emblem or a crest centred and placed where a tie pin normally would be, or a repeated pattern of such motifs. Sometimes, both types are used by an organisation, either simply to offer a choice or to indicate a distinction among and levels of membership. Occasionally, a hybrid design is used, in which alternating stripes of colour are overlaid with repeated motif pattern. Many British schools use variations on their basic necktie to indicate the wearer's age, house, status (e.g. prefect), or participation in competition (especially sports). Usually, the Old Boys and Girls (alumni) wear a different design. The debate between proponents and opponents of neckties generally centre on issues of conformity, expectation, and expression. Frank Lloyd Wright said of great architecture (quoting another great architect, Louis Sullivan), "Form follows function". Applied to fashion, the tie's function as decoration stands criticised by the same principle. Arizona State University recently passed a resolution (2005) to have no discrimination based upon gender preferences, including cross-gender choices. However, as it takes some time to change policies and sentiments, they retained a rule requiring all men to wear ties and all women to wear hose and heels in the Office of the President for any ambassadorship visits or official meetings. Some men have been turned down for employment and even fired with or without explanation after appearing without the "expected" tie.[citation needed] Opponents of necktie wearing have cited risks associated with the wearing of neckties as an argument for discontinuing the practice. These risks have primarily involved entanglement, infection, and vascular constriction. The risk of entanglement is generally well understood by people working around machinery or in situations where person-to-person confrontation may occur (e.g., police and prison personnel, and in certain medical fields).[2] The answer is generally to avoid wearing ties, or use the clip-on variety which detach from the wearer when grabbed. The risk of vascular constriction, in cases where ties are worn with over-tight collars, has been noted. Studies have shown an increase in intraocular pressure in these cases which can worsen the condition of people with already weakened retinas.[3] There may be additional risks for people with glaucoma. In all cases sensible precautions can mitigate these risks; the danger lies in lack of awareness of the risks. Paramedics performing basic life support remove the tie from a victim as one of the very first steps when a victim is unconscious or has difficulty breathing to ensure it does not compromise the airway. Ties can also be a health risk for persons other than the wearer. Ties worn by people working in medical professions are known as major vectors in the transmission of disease within hospitals. Notwithstanding this problem, doctors and dentists traditionally wear ties to project a professional image. The risk of cross-infection of patients by doctors wearing ties is being treated seriously by hospitals,[4] it being noted that ties are cleaned less often than most items of clothing and can carry bacteria. In fact, on September 17, 2007, new rules were published for British hospitals to ban neckties.[5] Doctors routinely lean across patients and ties frequently come into contact with patients — although this can be countered somewhat by a tie bar. As a result, bow ties have traditionally been popular with doctors. Medical professionals can mitigate this problem by changing into a newly washed tie each day.
In the early 20th century, the number of office workers began increasing. Many such men and women were required to wear neckties, because it was perceived as improving work attitudes, morale, and sales. Removing the necktie as a social and sartorial business requirement (and sometimes forbidding it) is a modern trend often attributed to the rise of popular culture. Although it was common as everyday wear as late as 1966, over the years 1967–69, the necktie fell out of fashion almost everywhere, except where required. There was a resurgence in the 1980s, but in the 1990s, ties again fell out of favor, with many Internet-based (i.e. dot-com) companies having very casual dress requirements. Casual Fridays has become a very popular tradition, in which employees were not required to wear ties on Fridays, and then — increasingly — on other, announced, special days. Some businesses extended casual-dress days to Thursday, and even Wednesday; others required neckties only on Monday (to start the work week). At the furniture company IKEA, neckties are not allowed. An extreme example of anti-necktie sentiment is found in Iran, whose theocratic rulers have denounced the accessory as a decadent symbol of Western oppression. In the late 1970s (at the time of the Islamic Revolution) members of the US press even metonymized Iran's hardliners as turbans and its moderates as neckties. To date, most Iranian men have retained the Western-style long-sleeved collared shirt and three-piece suit, while excluding the necktie.[citation needed] Most designer labels release a collection of neckwear each season, however some popular UK designers are renowned for their neckties. These include; Turnbull & Asser, Paul Smith, Duchamp, Ted Baker, Drake's of London, and Thomas Pink. Specialist tie designers include KJ Beckett who offer unique silk knitted ties; and Carlo Franco, who offer sevenfold silk ties, which, unlike most silk neck ties, use only silk and no separate inner lining (see above). Within the US many of the designers mentioned above are available from Neiman Marcus. Within the UK silk neck ties are available from John Lewis Partnership, House of Fraser, Selfridges, Liberty of London, Harrods and many other menswear stores. Many clubs, associations, schools, churches and businesses will have custom woven and printed ties manufactured in specific colors, patterns and designs to signify membership. They are available internationally from companies like Bowler & Blake and American fashion designer Marisol Deluna in addition to their own signature collections.
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