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Severe Greek Revival in the tomb of the German actor Bogumil Dawison, died 1872, Dresden

Neo-Grec is a term referring to late manifestations of Neoclassicism, early Neo-Renaissance now called the Greek Revival style, which was popularized in architecture, the decorative arts, and in painting during France's Second Empire, or the reign of Napoleon III, a period that lasted approximately between 1848 and 1865. It was one of many "Revival styles" of the mid to late 19th century, and just one among several concurrent modes of Classicism. The Neo-Grec vogue took as its starting point the earlier expressions of the Neoclassical style inspired by 18th-century excavations at Pompeii, which resumed in earnest in 1848, and similar excavations at Herculaneum.

In the decorative arts, Neo-Grec was based on the standard repertory of Greco-Roman ornament, combining motifs drawn from Greek vase-painting and repetitive architectural motifs like anthemions, palmettes, Greek key with elements from the Adam and Louis XVI styles of early Neoclassicism (c. 1765-1790), and Napoleonic Egyptian styles; it can be identified by the frequent use of isolated motifs of Classical heads and figures, masks, winged griffins, sea-serpents, urns, medallions, arabesques and lotus buds confined within panels, shaped reserves or multiple borders of anthemion, guilloche, and Greek fret pattern. Neo-Grec was eclectic, abstracted, polychromatic, and sometimes bizarre. Its treatment was intentionally dry and linear. Its vignettes and repeating patterns lent themselves to stencilling. Typical "Neo-Grec" color harmonies were rich and harsh: black motifs and outlines against "Pompeian" red, powder blue and puce, bistre and olive drab might be combined in a single decor.

Bibliothèque Sainte-Geneviève, Paris, by Henri Labrouste, 1843-50)

Main article: Greek Revival architecture

In architecture the Neo-Grec is not always clearly distinguishable from the Neoclassical designs of the earlier part of the century, in buildings such as the Church of the Madeleine, Paris. The classic example of Neo-Grec architecture is Henri Labrouste's innovative Bibliothèque Sainte Genevieve in Paris, 1843-50, generally seen as the first major public building in this later mode of classicism.

Not only was the Neo-Grec popular in France, but also in Victorian England and especially in the United States, where its severity accorded with the "American Renaissance". The architectural historian Neil Levine has explained the style as a reaction against the rigidity of classicism. According to Levine, Neo-Grec was a somewhat looser style, which "replaced the rhetorical form of classical architectural discourse by a more literal and descriptive syntax of form." It was meant to be a "readable" architecture.

The Cock Fight by Jean-Léon Gérôme, 1847

In painting, the Neoclassical style continued to be taught in the French Academy des Beaux-Arts, inculcating crisp outlines, pellucid atmosphere, and a clear, clean palette. However, a formal Neo-Grec group of artists was created in the mid 19th century after growing interest in Ancient Greece and Rome, and especially the later excavations at Pompeii. The Paris Salon of 1847, an art exhibition, revealed the academic painter Jean-Léon Gérôme, who in The Cock Fight depicted a composition in which, in a scene of antiquity, a young boy and a girl attend the combat of two cocks. Gérôme gained fame from this exhibition, and in the next year formed the Neo-Grec group with Jean-Louis Hamon and Henri-Pierre Picou—all three pupils in the same atelier under Charles Gleyre. Soon after, many other artists joined the group. Because they were inspired by discoveries at Pompeii, they were also called néo-pompéiens. The highlight and most important painting of the néo-pompéiens style is The Last Day of Pompeii by Karl Briullov.

Karl Briullov, The Last Day of Pompeii (1833).

The paintings of the Neo-Grecs sought to capture everyday, anecdotal trivialities of ancient Greek life, in a manner of whimsy, grace, and charm, and were often realistic, sensual, and erotic. For this reason they were also called "anacreontic" after the Greek poet Anacreon, who wrote sprightly verses in praise of love and wine. Alfred de Tanouarn describes one of Hamon's paintings as "clear, simple and natural, the idea, the attitudes and the aspects. It leads the lips a soft smile; it causes us an inexpressible feeling of pleasure in which one is happy to stop and view the painting". It can perhaps be said the motto of this group was "the goal of art is to charm". Many Neo-Grec paintings were also done in a horizontal composition as in a frieze decoration or Greek vases.

The Neo-Grec school was criticized in many respects; for its attention to historical detail it was said by Baudelaire "the scholarship is to disguise the absence of imagination", and the subject matter was considered by many as trivial. The painters were also charged with selectively adopting the ancient Greek style, in that they left out noble themes and only focused on trivial daily life--leading to the accusation that they were creating art that supported the ideologies of the bourgeoisie, or comfortable middle class.

The Neo-Grec vogue even made its way into French music through the works of the composer Erik Satie in a series of pieces called Gymnopédies--the title a reference to dances performed by the youths of ancient Sparta in honour of Diana and Apollo at ceremonies commemorating the dead of the Battle of Thyrea. Their archaic melodies float above a modally oriented harmonic basis. The melodies of the Gnossiennes go further in this direction--they use ancient Greek chromatic mode (A - G flat - F - E - D flat - C - B - A) and an arabesque ornamentation.

• Adam style
• Empire style
• Federal architecture
• American Empire style
• Greek Revival architecture
• Neoclassical influenced fashions
• Neoclassicism (music)
• List of neoclassical pieces

• Greek Revival - Buffalo Architecture and History Neo-Grec features and examples from Buffalo
• Antique Room Neo-Grec furniture furniture gallery
• Bradbury & Bradbury Wallpapers Neo-grec roomset and links to wallpapers showing typical neo-grec patterns