Oberheim Matrix synthesizers
From Wikipedia, the free encyclopedia
Oberheim Matrix synthesizers are a historic product line of analog synthesizers from Oberheim featuring a method of synthesis which Oberheim called "Matrix Modulation" as a method of defining preset and user patches. They are notable for their implementation of DCO's, which maintain a completely analog sound but are controlled by digital circuitry, making them much more stable. Matrix synthesizers continue to be popular due to their characteristic late-1980s analog sound.
| Matrix-6 | Matrix-12 | Matrix-1000 | |
|---|---|---|---|
| Polyphony | 6 voices | 12 voices | 6 voices |
| Oscillators | 12 DCOs (2 per voice) | 24 (2 per voice) | 12 DCOs (2 per voice) |
| Layers | single, split, 2-part multitimbral | single, monotimbral | |
| Filter | 1 low-pass resonant filter | ||
| Memory | 100 patches, 50 splits | 100 patches | 1000 patches (800 preset, 200 user) |
| LFO | 2 (plus 1 for vibrato effect) | 15 types | 2 |
| Rackmount | no | yes | |
| Keyboard | 61-key (velocity & aftertouch) | none | |
| Control | MIDI In/Out/Thru | ||
| Production | 1985 | 1985 | 1987-1994 |
| Notable Users | Orbital, Apollo 440, Philip Glass, The Grid, Future Sound of London, Lux Voltaire, Astral Projection, The Shamen, Mouse on Mars, Tangerine Dream and Cirrus | The Orb, Gravity Kills, Technotronic, Jens Johansson, Van Halen, and Depeche Mode | Apollo 440, Juno Reactor, Moby, Cirrus, Fatboy Slim, Laurent Garnier, ATB, Depeche Mode, Future Sound of London, Pet Shop Boys, Faithless, The Process Void, and Rhythm Method |
- VintageSynth.com has specifications and photos