Outsider music

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Outsider music is music performed either by social outsiders, who have no or few associates in the mainstream music business, or by musicians who choose to live and work in seclusion, often due to compromising behavioral or psychological conditions. Outsider music reflects these conditions in various ways. Lyrics are often bizarre or emotionally stark and songs may show a great ignorance or disregard for structural conventions or popular trends in mainstream music. Also, outsider musicians frequently have no formal training and/or significant music skills in the traditional sense. The end result is music that is much stranger and more abrasive than more popular musical styles. Outsider music is a form of outsider art.

By definition, outsider music has very few outlets and most outsider musicians (save those such as Syd Barrett and Skip Spence who became popular before becoming recluses) come to be known through word of mouth, usually among communities of music collectors. Only a few, including Tiny Tim and Wesley Willis, have achieved much renown outside of a small coterie of devotees. Outsider music is frequently praised by musicians with experimental leanings, such as avant-garde jazz saxophonist John Zorn. Kurt Cobain of Nirvana famously wore a shirt designed by outsider Daniel Johnston, whom Cobain admired.

Some outsider musicians are famously awful and most of their audience considers them to be a surreal comedy act, something many of these performers realize and embrace. Examples include Florence Foster Jenkins, an American soprano who sang ear-splitting renditions of compositions far outside her range and Eilert Pilarm, a Swedish Elvis impersonator known for his utter lack of resemblance to Elvis Presley, as well as his questionable singing abilities and shaky command of the English language (which he just barely speaks). A majority of outsider artists, however, are honestly appreciated for their unique and uncompromising styles of music.

A comprehensive guide to outsider music is Songs in the Key of Z: The Curious Universe of Outsider Music (2000) by music journalist and radio personality Irwin Chusid. The book profiles several relatively well known outsider musicians and gives a definition to the term. The book inspired two companion compilation CDs, sold separately.

Notable outsider musicians include,

See also list of outsider musicians.

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