Pagoda

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A pagoda at Sibu, Sarawak, Malaysia
A pagoda at Sibu, Sarawak, Malaysia

A pagoda is the general term in the English language for a tiered tower with multiple eaves common in China, Japan, Korea, Vietnam, and other parts of Asia. Most pagodas were built to have a religious function, most commonly Buddhist, and were often located in or near temples. This term may refer to other religious structures in some countries. In Thailand, "pagoda" usually means the same as stupa while in Vietnam, "pagoda" is a more generic term referring to a place of worship. The modern pagoda is an evolution of the Ancient Indian stupa, a tomb-like structure where sacred relics could be kept safe and venerated.[1] The architectural structure of the stupa has spread across Asia, taking on many diverse forms as details specific to different regions are incorporated into the overall design.

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The etymological origins of the word pagoda are obscure, but it is a Western term arising during the colonial encounter with the East. The original Chinese is ta which is an abbreviated translation (from tapo) of the Sanskrit stupa. Despite its more recent development, the term pagoda is widely used in scholarship, even though some scholars argue that it should be replaced by the more authentic words stupa and ta. Generally speaking, the three terms refer to the same thing.[2]

A pagoda in Japan
A pagoda in Japan

The pagoda's original purpose was to house relics and sacred writings. [3] This purpose was popularized due to the efforts of Buddhist missionaries, pilgrims, rulers, and ordinary devotees to seek out, distribute, and extol Buddhist relics.[2]

Seokgatap pagoda at Bulguksa, South Korea
Seokgatap pagoda at Bulguksa, South Korea

Chinese iconography is noticeable in Chinese pagoda architecture. The image of the Shakyamuni Buddha in the abhaya mudra is also noticeable in some Pagodas. Buddhist iconography can be observed throughout the pagoda symbolism.[4]

In an article on Buddhist elements in Han art, Wu Hung suggests that in these tombs, Buddhist iconography was so well incorporated into native Chinese traditions that a unique system of symbolism had been developed.[5]

One Pillar Pagoda, Hanoi, Vietnam
One Pillar Pagoda, Hanoi, Vietnam

Pagodas attract lightning strikes because of their height. This tendency may have played a role in their perception as spiritually charged places. Many pagodas have a decorated finial at the top of the structure. The finial is designed in such a way as to have symbolic meaning within Buddhism; for example, it may include designs representing a lotus. The finial also functions as a lightning rod, and thus helps to both attract lightning and protect the pagoda from lightning damage. Early pagodas were constructed out of wood, but steadily progressed to sturdier materials, which helped protect against fires and rot.

Pagodas traditionally have an odd number of floors, a famous exception being the eighteenth century pagoda "folly" designed by Sir William Chambers at Kew Gardens in London.

The Iron Pagoda of Kaifeng, China, built in 1049 AD.
The Iron Pagoda of Kaifeng, China, built in 1049 AD.

Modern skyscrapers that evoke pagoda architecture:

  1. ^ The Columbia Encyclopedia, Sixth Edition. Columbia University Press
  2. ^ a b The Impact of Buddhism on Chinese Material Culture By John Kieschnick. Published 2003. Princeton University Press . ISBN 0691096767. pg 31
  3. ^ A World History of Architecture By Michael W. Fazio, Marian Moffett, Lawrence Wodehouse. Published 2003. McGraw-Hill Professional. ISBN 0071417516.
  4. ^ The Impact of Buddhism on Chinese Material Culture By John Kieschnick. Published 2003. Princeton University Press . ISBN 0691096767. page 83
  5. ^ The Impact of Buddhism on Chinese Material Culture By John Kieschnick. Published 2003. Princeton University Press . ISBN 0691096767. page 84

  • The Impact of Buddhism on Chinese Material Culture By John Kieschnick. Published 2003. Princeton University Press . ISBN 0691096767.
  • A World History of Architecture By Michael W. Fazio, Marian Moffett, Lawrence Wodehouse. Published 2003. McGraw-Hill Professional. ISBN 0071417516.
  • Psycho-cosmic symbolism of the Buddhist stupa, AB Govinda, 1976, Emeryville, California. Dharma Publications.

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