Psychedelic pop

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Psychedelic pop
Stylistic origins: Psychedelic rock, Baroque pop, Pop
Cultural origins: Circa 1966, UK
Typical instruments: Guitar - Bass - Keyboards - Drums
Mainstream popularity: Large in the 1960s, with a small but loyal cult following today
Derivative forms: Neo-psychedelia, Dream pop
Subgenres
Regional scenes
USA, UK
Other topics
Psychedelic Rock
Psychedelic Soul

Psychedelic pop is a musical style inspired by the harder, louder songs of Psychedelic rock but applied more to a pop music setting.

Contents

Psychedelic rock began as a underground music genre, but it eventually became popular enough to move into the mainstream, through albums like Revolver by The Beatles and Their Satanic Majesties Request by the Rolling Stones.

Although most Psychedelic pop groups were otherwise conventional rock/pop bands (i.e. Strawberry Alarm Clock) that merely ornamented their songs with a host of stereotypical psychedelic dressings (sitars, tape music, fuzz bass, backward tape etc.), many bands and artists did incorporate the style in a more organic fashion, using the conventions to accomplish the "trascendental" ends to which psychedelia originally committed itself. These included such artists as Sagittarius, Donovan, and Love.

While the psychedelic era was introduced to popular culture in the 60s, the conventions as utitlized in psychedelic pop remained in music into the 70s, and have become a permanent, although subtle. part of the musical landscape. The influence can still be heard in many artists, such as Beck, Outkast, Modest Mouse, and Radiohead. In addition, there are many "new psychedelic bands" exploring the same landscape via various routes. Most of these groups skirt mass popularity, and are exemplified by such bands as Bardo Pond, Floorian, Bevis Frond, and Mazinga Phaser. Occasionally groups gain a share of public recognition, such as Mercury Rev, Grandaddy and - perhaps the best example - The Flaming Lips.

The fact seems to be that "psychedelic" is not really a distinct musical genre, as much as a set of musical/studio conventions which tend to push sonic and "trascendent" envelopes. As such, psychedlia can be seen as a permanent pathway for all genres which seek to stretch the boundaries of their own modes of expression, just as the blues was used by Jimi Hendrix to explore more "cosmic" avenues, and mainstream pop was pushed to its limits by The Beatles and The Beach Boys.

As artists like Prince and Lenny Kravitz were making modern Psychedelic soul and bands like Echo & the Bunnymen and Spacemen 3 were making modern mixtures of post-punk and psychedelia, a revived psych pop music scene was revitalizing itself for an alternative rock era.

Bands like XTC released albums under the name The Dukes of Stratosphear under sixties-esque aliases such as Sir John Johns and The Red Curtain. XTC even released a straight-ahead psychedelic pop album under their own name, as Oranges and Lemons.

Dream pop was also a style influenced by its glacial settings and heavy use of mellotrons. It was a style of sort of cold gothic infused psychedelic pop.

The psychedelic pop album revival came fully with the Elephant 6 collective. A label that released Neo-psychedelia albums based heavily on the pscyh pop sounds. Bands like The Apples in Stereo, Chocolate USA, Neutral Milk Hotel and The The Olivia Tremor Control released albums to much critical praise. Although Elephant 6 ended fairly soon after it started, its influence was felt and modern psychedelic pop continued with a cult audience well into the 2000s.

Some Britpop groups from Wales experimented fairly widely while still retaining a Britpop sense which gave them a psych-pop edge. Some groups who followed this trend included Gorky's Zygotic Mynci and the Super Furry Animals.

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