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Sir Richard Rodney Bennett, CBE (born March 29, 1936, Broadstairs, Kent, England) is a British composer renowned for his film scores and his jazz performance as much as for his challenging concert works. He has lived in New York City since 1979.

Contents 1 Biography 2 Music 3 Selected works 3.1 Instrumental works 3.2 Operas 3.3 Choral works 4 References 5 External links

Richard Rodney Bennett was a pupil at Leighton Park School, the Quaker school in Reading, studied at the Royal Academy of Music with Howard Ferguson and Lennox Berkeley. During this time, he attended some of the Darmstadt summer courses, where he was exposed to serialism. He later spent two years in Paris as a student of the arch-serialist Pierre Boulez.

Bennett taught at the Royal Academy of Music between 1963 and 1965, and the Peabody Institute in Baltimore, United States from 1970 to 1971, and was later International Chair of Composition at the Royal Academy of Music between 1994 and the year 2000. He received a CBE in 1977, and was knighted in 1998.^[1]

As one of Britain’s most respected and versatile musicians, Bennett has produced over two hundred works for the concert hall, and fifty scores for film and television, as well as having been a writer and performer of jazz songs for fifty years. Studies with Boulez in the 1950s immersed him in the techniques of the European avant-garde, though he subsequently developed his own distinctive dramato-abstract style. In recent years, he has adopted an increasingly tonal idiom.

In 1995, to celebrate its 200th issue, Gay Times magazine published list of people regarded as important to the British lesbian and gay community. Bennett was named as one of the key musical figures on the list.^[2]

Despite his early studies in modernist techniques, Bennett's tastes are catholic, and he has written in a wide range of styles, being particularly fond of jazz. Early on, he found success by writing music for feature films, although he considered this to be subordinate to his concert music. Nevertheless, he has continued to write music for films and television; among his best-known scores are the Doctor Who story The Aztecs (1964), Far from the Madding Crowd (1967), Nicholas and Alexandra (1971), Murder on the Orient Express (1974), Enchanted April (1992) and Four Weddings and a Funeral (1994). He is also a prolific composer of orchestral works, piano solos, choral works and operas. Despite this eclecticism, Bennett's music rarely involves crossover of styles.

• Concerto for alto saxophone
• Concerto for Stan Getz (ten sax & piano)
• Elegy for Davis
• A Little Suite, based on selections from his song cycles The Insect World and The Aviary.
• Farnham Festival Overture (1964) for orchestra
• Morning Music for wind band
• Reflections on a Sixteenth Century Tune for string orchestra or double wind quintet (1999)
• Sonata for solo guitar (1983)
• Sonatina for solo clarinet
• Summer Music for flute and piano
• Trumpet Concerto for trumpet and wind orchestra

• The Ledge - 1961
• The Midnight Thief (with libretto by Ian Serraillier) - 1964
• The Mines of Sulphur - 1965
• A Penny for a Song - 1967
• Victory - 1970

• Missa Brevis - 1990
• Sea Change - 1983
• Spells, written for soprano Jane Manning
• Out of Your Sleep
• On Christmas Day (to my heart), written for A Festival of Nine Lessons and Carols in 1998.
• The Garden - A Serenade to Glimmerglass, commissioned by Nicholas Russell for Glimmerglass Opera in honour of Stewart Robertson for its Young American Artists Program - 2006

1. ^ http://news.bbc.co.uk/1/hi/special_report/for_christmas/_new_year/new_year_honours/43509.stm
2. ^ http://www.knittingcircle.org.uk/gaytimeslist1995.html

• Timothy Reynish, "British Wind Music", paper presented to the 2005 CBDNA National Conference

• Biography and list of works
• Richard Rodney Bennett at the Internet Movie Database
• Richard Rodney Bennett at All Music Guide