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In Greek mythology, Scylla, or Skylla (Greek Σκύλλα) was a name shared by two characters, a female sea monster and a princess.

Sextus Pompeius denarius, depicting the Pharus of Messina and Scylla.

Scylla is one of the two monsters in Greek mythology (the other being Charybdis) that live on either side of a narrow channel of water. The two sides of the strait are within an arrow's range of each other, so close that sailors attempting to avoid Charybdis will pass too close to Scylla and vice versa. The phrase between Scylla and Charybdis has come to mean being in a state where one is between two dangers and moving away from one will cause you to be in danger from the other. Traditionally the aforementioned strait has been associated with the Strait of Messina between Italy and Sicily, but more recently this theory has been challenged, and the alternative location of Cape Skilla in northwest Greece has been suggested. Scylla is a horribly grotesque sea monster, with six long necks equipped with grisly heads, each of which contained three rows of sharp teeth. Her body consisted of twelve canine legs and a fish's tail. She was one of the children of Phorcys and either Hecate, Crataeis, Lamia or Ceto (where Scylla would also be known as one of the Phorcydes). Some sources cite her parents as Triton and Lamia.

In classical art she was depicted as a fish-tailed mermaid with four to six dog-heads ringing her waist.

In Homer's Odyssey, Odysseus is given advice by Circe to sail closer to Scylla, for Charybdis could drown his whole ship. Odysseus then successfully sails his ship past Scylla and Charybdis, but Scylla manages to catch six of his men, devouring them alive.

According to Ovid Scylla was once a beautiful nymph. The fisherman-turned-sea-god Glaucus fell madly in love with her, but she fled from him onto the land where he could not follow. Despair filled his heart. He went to the sorceress Circe to ask for a love potion to melt Scylla's heart. As he told his tale of love to Circe, she herself fell in love with him. She wooed him with her sweetest words and looks, but the sea-god would have none of her. Circe was furiously angry, but with Scylla and not with Glaucus. She prepared a vial of very powerful poison and poured it in the pool where Scylla bathed. As soon as the nymph entered the water she was transformed into a frightful monster with twelve feet and six heads, each with three rows of teeth. She stood there in utter misery, unable to move, loathing and destroying everything that came into her reach, a peril to all sailors who passed near her. Whenever a ship passed, each of her heads would seize one of the crew.

Three of Scylla's heads as portrayed in The Odyssey (1997) TV miniseries; the film depicts each head striking with snake-like speed and accuracy and devouring men whole.

In a late Greek myth it was said that Heracles encountered Scylla during a journey to Sicily and slew her. Her father, the sea-god Phorcys, then applied flaming torches to her body and restored her to life.

It is said that by the time Aeneas' fleet came through the strait after the fall of Troy, Scylla had been changed into a dangerous rock outcropping which still stands there to this day.

Scylla and Charybdis are believed to have been the entities from which the phrase, "Between a rock and a hard place" (ie: a difficult place) originated.^{[citation needed]}

It has been suggested that the myth of Scylla may have been inspired by real life encounters with giant squid (which are normally dying when near the surface), and she has some similar features to the kraken in Norse mythology and lusca in Caribbean mythology.

• Scylla and Charybdis

• Hanfmann, George M. A., "The Scylla of Corvey and Her Ancestors" Dumbarton Oaks Papers 41 "Studies on Art and Archeology in Honor of Ernst Kitzinger on His Seventy-Fifth Birthday" (1987), pp. 249-260. Hanfman assembles Classical and Christian literary and visual testimony of Scylla, from Mesopotamian origins to his ostensible subject, a ninth-century wall painting at Corvey Abbey.

• Theoi Project, Skylla references in classical literature and ancient art.

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