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This article is about the 1975 movie. For the 2007 remake, see Ram Gopal Varma Ki Aag.

Sholay (Flames)
Directed by	Ramesh Sippy
Produced by	G.P. Sippy
Written by	Salim Khan, Javed Akhtar
Starring	Dharmendra, Amitabh Bachchan, Sanjeev Kumar, Hema Malini, Jaya Bhaduri, Amjad Khan
Music by	Rahul Dev Burman
Cinematography	Dwarka Divecha
Release date(s)	1975
Running time	188 min / India:204 min (director's cut) / USA:162 min
Country	India
Language	Hindi
IMDb profile

Sholay (Hindi: शोले, Urdu: شعلے) (advertised in English as Embers or Flames) is the biggest blockbuster in the history of Bollywood, India's Hindi film industry. It was released in 1975 and starred Dharmendra, Amitabh Bachchan, Hema Malini, Sanjeev Kumar, Jaya Bhaduri and Amjad Khan as the timeless villain, Gabbar Singh.

It is the highest grossing film of all time in India. It has earned Rs. 2,36,45,00,000 equivalent to US$ 60 million, after adjusting for inflation.^[1]

When first released, the film was declared a commercial disaster. Word of mouth convinced movie-goers to give the film a chance and soon it became a box-office phenomenon. It ran for 286 weeks straight (more than five years) in one Mumbai theatre, the Minerva. Sholay racked up a still record 60 golden jubilees across India, and doubled its original gross over reruns during the late 1970s, 1980s, 1990s and early 2000s.^[1] Sholay was the first film in the history of Indian cinema to celebrate silver jubilee (25 weeks) at over a hundred theatres across India.^[1]

In 1999, BBC India declared it the "Film of the Millennium"; Indiatimes movies ranks the movie amongst the Top 25 Must See Bollywood Films.^[2] In that same year, the judges of the 50th annual Filmfare awards awarded it with a special award called Filmfare Best Film of 50 Years.

Contents 1 Synopsis 1.1 The Thakur recruits Veeru and Jai 1.2 The tyranny of Gabbar 1.3 Village life 1.4 The climax 1.5 Aftermath 2 Alternate Versions 3 Credits 4 Production 4.1 Inspiration 5 Response 6 Awards 6.1 Bengal Film Journalists' Association Awards 7 Legacy 8 Soundtrack 9 Trivia 10 References 11 External links

Former police chief Thakur Baldev Singh employs two petty criminals Veeru and Jai to apprehend a psychotic bandit Gabbar Singh who has been terrorising the Thakur's village of Ramgarh.

Veeru and Jai are close pals, who work together as small-time thieves and share everything. They had encountered the Thakur in the past (as seen in a flashback), where after being caught by him trying to rob a train, he let them free temporarily to help him fight off bandits. The three succeeded in doing so, but as the Thakur lay unconscious after sustaining a wound, Veeru and Jai disputed over leaving him for dead and escaping (Veeru) or letting him live and facing jail (Jai). The call was decided over a coin toss, which Jai won.

Remembering that experience, Veeru and Jai are reluctant to help the Thakur in catching Gabbar, but the reward for bringing Gabbar to the Thakur alive is too great to ignore. After some difficulty in trusting each other, the Thakur demands Veeru and Jai's word and eventually Jai promises that they will do the job and he and Veeru decide to stay in Ramgarh to repel attacks from Gabbar's large gang.

Following one such attack, Jai and Veeru threaten to walk away from Ramgarh, leaving the villagers to defend themselves, after the Thakur simply stands stationary when he had the chance to help Veeru by throwing him a gun. The Thakur finally tells them the real reason why he wants Gabbar.

Some time ago, the Thakur had caught Gabbar and had him imprisoned only for the dacoit to escape and plot an evil revenge against him. Gabbar made his way to the Thakur's home and cold-bloodedly, killed his two sons, daughter, daughter-in-law and his only grandson. The only person in the family to survive this massacre was the Thakur's younger daughter-in-law, Radha.

The Thakur tracked down Gabbar but this time, the tyrant held the upper hand thanks to his gang and tortured him, ruthlessly amputating both his arms with a sword. Thakur had shrouded his disability from Veeru and Jai, but now it was clear why he could not physically help them.

In Gabbar's camp, the tyrant interrogates the three survivors from the last battle over why they were defeated by only two men. Displaying his psychotic nature once more, he subjects his men to a twisted version of Russian Roulette where all three survive against the odds. Laughing uncontrollably at the bizarre occurrence, Gabbar shows signs of humour and forgiving as the three men express sheer relief as everybody begins to laugh. Gabbar then suddenly uses the three remaining bullets to shoot the three men dead.

Back in Ramgarh, the cynical young Jai and lively Veeru find themselves growing fond of the villagers, taking pity on their sufferings under dacoit tyranny. Some of the villagers evoke more than fondness. Veeru is attracted to Basanti, a feisty, talkative young woman who makes her living driving a horse-cart. Jai is drawn to Radha, the Thakur's reclusive widowed daughter-in-law, who very subtly returns his affections but neither Jai or Radha ever act on their attraction.

The duo also befriend other villagers and instill a belief of freedom from Gabbar's villainous regime. Among these are the blind imam and his son, Ahmed, and Basanti's aunt, who takes a liking to Veeru and hopes that he will marry her niece.

However, there is another group of villagers who oppose the presence of Veeru and Jai and claim that Gabbar has terrorised Ramgarh even more ever since their arrival. Stating that they will not risk their children's lives, they demand that Veeru and Jai leave, until the Thakur berates them for their cowardice.

As both Gabbar Singh and Ramgarh suffer casualties, the battle approaches its climax when Basanti is abducted and Veeru and Jai follow. As Basanti is forced to dance on broken glass. Jai and Veeru steadily break through Gabbar's defences. Soon Veeru is able to get to Basanti, freeing her and escaping, while Jai holds back the dacoits from a distance with a rifle. Once Veeru and Basanti are safe, Jai slowly draws back and heads for his friends, only to be wounded grievously by a bullet as he is running away.

Jai is reunited with Veeru and Basanti where they realise they are running out of ammunition. As Veeru is unaware of his fatal condition, Jai orders him to go back to the village where he can take Basanti and then return with ammo. Veeru doesn't want Jai to face the bandits alone, so he suggests that Jai should go. The two dispute once more and resort to what has been their only method of resolution over the years - the coin. As it was earlier in the film, Veeru loses the toss and goes back to the village.

Jai, slowly dying and with only a few bullets, manages to fend off advances by the bandits, who have hidden under a small bridge and have thrown a stick of dynamite that has failed to explode. Jai uses his courage to deceive the bandits to get close enough to the dynamite and use his last bullet to detonate it, taking out the bridge and a number of enemies.

Veeru returns to find Jai dying and sadly talks with him before he dies in his arms. Some of the villagers rush to the scene, including Radha, who once again must endure the anguish of losing someone. As Veeru wipes a tear, he notices Jai's old coin in his pocket and then it dawns on him that he had been tricked by Jai all along. The coin was double-headed and Jai had manage to manipulate every situation that they disagreed on to his favour. Angry at his friend for sacrificing his life to save him, Veeru becomes hell-bent on revenge and goes after Gabbar.

Veeru catches Gabbar and beats him up badly, about to finish him off. But before he can kill him, the Thakur appears and reminds him of the promise to bring Gabbar to him - alive. Veeru is ready to break his word to avenge Jai when he is told that it was Jai who made the promise. Unwilling to break Jai's promise, Veeru hands Gabbar over to the Thakur who reveals his spike-soled shoes, made to make Gabbar beg for a quick death.

Gabbar is saved in the nick of time by the police, who tell the Thakur that Gabbar must be arrested and dealt with by the law. As Gabbar is taken away, the Thakur is denied vengeance, but knows that Ramgarh is free once again.

All alone, Veeru decides to leave Ramgarh and gives his best wishes to the Thakur before departing on a train, not knowing his own destiny. But as he looks up, he sees that he is not alone. Basanti has also boarded the train and both she and Veeru leave Ramgarh together.

The film has two known endings. The original ending (shown in the Eros-released DVD) has Thakur Baldev Singh killing Gabbar Singh, trampling him with spike-soled shoes. The C.B.F.C. (Central Board of Film Certification) however, found the ending unacceptable as they thought that any police officers, should not be shown to commit murder. For this reason, a new ending was filmed, in which the police only arrest Gabbar Singh. The original ending can be seen on some television broadcasts and on some versions of the DVD.

Cast

• Sanjeev Kumar as Thakur Baldev Singh
• Dharmendra as Veeru
• Amitabh Bachchan as Jaidev
• Hema Malini as Basanti
• Jaya Bhaduri as Radha
• Amjad Khan as Gabbar Singh
• Iftekhar as Radha's father
• Jagdeep as Soorma Bhopali
• Asrani as the comic jailor
• Viju Khote as Kalia
• Mac Mohan as Sambha
• A.K. Hangal as the blind imam
• Sachin as Ahmed, the imam's son
• Leela Mishra as mausi, Basanti's aunt
• Satyen Kappu as Ramlaal (Thakur's servant)
• Helen as a Gypsy dancer
• Jalal Agha as a Gypsy singer

Crew

The film was produced by G.P. Sippy and directed by his son Ramesh Sippy. It was written by scriptwriters Salim-Javed. R. D. Burman contributed the music. Anand Bakshi was the lyricist. It was the first Hindi (and possibly Indian) movie to have a stereophonic soundtrack.

The film was a lavish production for its time. It took two and a half years to make; it went Rs. 300,000 over budget. Much of the film was set in the rocky terrain of Ramanagaram, a village near Bangalore. The filmmakers had to build a road from the Bangalore highway to Ramanagaram for convenient access to the sets.

In fact, one part of Ramanagaram town was renamed "Sippynagar" after the director of the movie. Even to this day, a visit to the "Sholay rocks" (where the movie was shot) is offered to tourists travelling through Ramanagaram (on the road between Bangalore and Mysore).

Critics and movie-goers agree that the film was not totally original.

• It drew from the conventions of Western films, especially Sergio Leone's Spaghetti Westerns. The massacre of a family near the middle of the film is similar to a scene from Leone's Once Upon a Time in the West as well as a scene from John Ford's The Searchers.
• Sholay's extensive use of slow-motion in shoot-outs was influenced by the westerns of Sam Peckinpah, films such as The Wild Bunch (1969) and Pat Garrett and Billy the Kid (1973)
• The first film to show a village hiring mercenaries to protect itself from bandits was Japanese director Akira Kurosawa's Seven Samurai. Hollywood re-made the film as, The Magnificent Seven.
• Butch Cassidy and the Sundance Kid (1969) featured two appealing outlaws, similar to Jai and Veeru.
• Gabbar Singh was modeled on a real-life dacoit of the same name who menaced the villages around Gwalior in the 1950s. He terrorized the local police. Any policeman captured by the real Gabbar Singh had his ears and nose cut off, and was then released as an object lesson to other policemen.
• The music for the song "Mehbooba" was inspired by a Western tune, "Say You Love Me" by Demis Roussos, a singer-songwriter of Greek origin.
• The protagonist of the western One-Eyed Jacks (1960) played by Marlon Brando has a double-sided coin which he uses to his advantage much like the Jai character in Sholay.

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Box-Office Gross:

Nett Gross: Rs. 15 crores (US$ 3.4 million)

All time Adjusted Nett Gross: Rs. 157 Crores ($35.2 million)^[3] Sholay was released on August 15, 1975 in the Bombay region. Audiences were light at first, and the critics were harsh.

• The critic K.L. Amladi of India Today called the film a "dead ember" and added, "Thematically, it's a gravely flawed attempt."^[4]
• Filmfare said that the film was an unsuccessful mincing of Western style with Indian milieu, making it a "...imitation western—neither here nor there."^[4]

Trade journals and columnists called the expensive film a flop.^[4]

Then a curious thing happened. The cinema halls started to fill up. People weren't buying tickets in advance — at the start — but they were coming to the theatre to see a film that their friends had liked. Before long, the film became a popular craze. All shows were sold out.

• Ticket scalpers could get outrageous prices for tickets.
• At some theaters, the queue to ticket counters stretched more than a kilometer.^[4] Fans stood in line during monsoon rains to buy tickets.
• There are some fans who saw the film thirty, forty, even a hundred times.^[4]

Watching Sholay in theatres became something like a karaoke experience. Many fans in the audience had memorized all the dialogues and spoke them out loud, in chorus with the characters in the film. Some fans had even memorised the sound-effects.^[4]

Ten weeks after its release, the film was declared a superhit. On 11 October, 1975, the film was released in several other Indian film distribution districts. Sholay grossed about 35 crore rupees in its first run, a record that remained unbroken for the next nineteen years. Sholay ran for more than five years. At Mumbai's Minerva theater, it was shown in regular shows for three continuous years, and then in matinee shows for two more years. Even in 240th week of its release, Sholay was packing the theaters.

Sholay is the all time highest grosser in India with 157 crores gross till date.

• When it was first released, Sholay won only one Filmfare award: film editor M. S. Shinde won for Best editing. He had edited 300,000 feet of film into 20,000 feet of theatrical release.^[5] After the censors mandated cuts, the film was 18,000 feet and ran for 3 hours and 20 minutes.
• Nevertheless, at the 50th Filmfare Awards, it received the prestigious award as the Best Film of 50 Years. Ramesh Sippy was there to receive the trophy.
• It was declared "Film of the Millennium" by BBC India and internet polls in 1999. [1]
• In 2006, Sholay was voted best film in Iran. [2]

• Best Actor in Supporting Role - Amjad Khan [3]
• Best Cinematographer (Colour)- Dwarka Divecha [4]
• Best Art Director - Ram Yadekar [5]

Sholay has inspired many imitations, in cinema and television, and has spawned a whole sub-genre of films whimsically dubbed Curry Westerns as a tribute to Spaghetti Westerns. None of them has had the success of the original film. The latest attempt to trade on Sholay's fame was Ram Gopal Varma's film Aag (2007), which was pulled from theaters after two weeks. It is now considered one of the biggest flops in Bollywood's history.^[6] "Aag" was originally also called "Sholay" and was apparently meant to be a tribute to and "in the spirit of Sholay." The name was changed to "Aag" after legal action was taken by the makers of the original "Sholay." Amitabh Bachchan, who had one of the lead roles in the original "Sholay" plays a villain in "Aag."

The stars of the film appeared in other films; they did not seem to be limited by their roles in Sholay. Amitabh Bachchan went on to become one of the biggest stars in the Indian film industry. However, some of the supporting actors never escaped the shadow of their hit film.

Amjad Khan, who played the bandit Gabbar Singh played many more villainous roles afterwards. He played Gabbar Singh again in the 1991 spoof Ramgarh Ke Sholay. He also reprised the role in a commercial for biscuits.

Comedian Jagdeep, who played Soorma Bhopali in the film, also attempted to capitalize on his Sholay success; he directed and played the lead role in the 1988 film Soorma Bhopali; Dharmendra and Amitabh Bachchan also played cameos.^[7] The film was not a success.

Sholay is out of the theaters, but thanks to television, VCRs, and DVDs, it is widely available and still extremely popular. In the year 1996, "Sholay" was first shown on the Indian government-run Doordarshan television channel; streets were virtually empty during the show. Young Indians who had not been born when Sholay was released will still have seen the film and know the dialogues and characters.

R. D. Burman, who composed the music for the film, was one of the most sought after composers in 1975, when the film was released. However, out of the twelve soundtracks he composed that year, Khushboo and Aandhi were critical successes and Deewar and Khel Khel Mein mild commercial hits. No other Burman film soundtrack that year attained the resounding critical and commercial success of Sholay.

The songs picturized in the film were the following:

1. Jab Tak Hai Jaan, sung by Lata Mangeshkar
2. Koi Haseena, sung by Kishore Kumar and Hema Malini
3. Holi Ke Din, sung by Kishore Kumar and Lata Mangeshkar
4. Yeh Dosti, sung by Kishore Kumar and Manna Dey
5. Mehbooba Mehbooba, sung by Rahul Dev Burman

A qawwali, Aa Shuru Hota Hai Phir, was also recorded, but it was never picturized or released.

However, at the time, the songs from Sholay attracted less attention than the dialogues — a rarity for Bollywood. This prompted the producers to release audio-cassettes with only dialogues.^[8]

Another aspect of the soundtrack that was widely appreciated and has gone through a number of re-releases were the instrumental scores. The title track, which has a particular emphasis on acoustic guitar and brass sections is still well anthologized and is an example of Burman's foray into fusing Indian sounds with Latin and Afro-Cuban elements. Burman also created some disparate segments including a sparse track to augment the ferocity of Gabbar Singh amidst the desolate location and one to highlight the Thakur's shock at seeing his family exterminated.^[9]

Among the songs, two versions of Yeh Dosti were released, an extended version which was cited as the "happy version" and a shorter one called the "sad version". For many years this device became a mainstay of Hindi film soundtracks, with the sad concise version of the "happy song" played during the sad scenes.

No mention of the soundtrack is complete without a discussion of Mehbooba Mehbooba. This song was a copy of the song "Say You Love Me" by Demis Roussos. This song displayed Burman's impressive vocal skills as a singer, and courage to introduce gypsy elements into Indian film music, as a composer. This song has been highly anthologized, remixed, and recreated. A notable recent version being one created by the Kronos Quartet for their Grammy-nominated album You've stolen my heart.^[10]

Trivia sections are discouraged under Wikipedia guidelines. The article could be improved by integrating relevant items and removing inappropriate ones.

• A remake starring Amitabh Bachchan, Mohanlal, and Ajay Devgan has been released on 30th August, 2007 but has got poor responses from the critics as well as the Viewers.
• The now legendary RD Burman song "Mehbooba Mehbooba" is based on Demis Roussos's "Say You Love Me". The original can be heard at YouTube.
• Gabbar Singh's look resembles the rustic villain in For a Few Dollars More. Dharmendra's water tank scene is a direct lift from The Secret of Santa Vittoria.
• Sanjeev Kumar wanted to play Gabbar Singh, but the producers insisted that he play the police officer.
• Dharmendra was interested in playing Gabbar Singh, but changed his mind when Ramesh Sippy told him Basanti was to be played by Hema Malini.
• The director's original choice for Jaidev too was different. Shatrughan Sinha was almost signed, when Dharmendra convinced the producers that Amitabh would be the right choice.
• The producers wanted Danny Denzongpa to play the bandit chief, but he was committed to Feroz Khan's "Dharmatma". Amjad Khan was a second choice.^[11]
• The scene in which Thakur's family is killed was cut by the censor board; the murder of a small child was deemed too horrific to show.
• The film showcased two real life romances. Amitabh married Jaya Bhaduri, who played the widowed daughter-in-law, in 1973, during the filming. Dharmendra married Hema Malini in 1980, five years after the release of the film.
• Amjad Khan prepared to play a bandit chief by reading a book titled Abhishapth Chambal, which told of the exploits of Chambal dacoits. The book was written by Taroon Bhaduri, who happened to be the father of Jaya Bhaduri.
• The screenwriters, Salim-Javed, named Veeru and Jai after a couple of Salim's college friends.^[12]
• According to some sources Sholay has always been the number one grossing film of all time, in the Indian film industry.^[13]
• From September 1 through September 5, 2006, the Walter Reade Theater of New York City's Lincoln Center, held screenings of "Sholay." The film is said to be one of the favorite's of the Theater's program director, Richard Peña.
• The basic plot of the movie was lifted from the 1972 Hindi movie Bindiya Aur Bandook produced by Joginder and Joginder later on filed a lawsuit against Ramesh Sippy.
• The plot also seems to have been inspired from the 1960 western film, The Magnificent Seven and The Long Riders. The Magnificent Seven in turn was inspired from Akira Kurosawa's 1954 film, Seven Samurai.
• There is a water tank in the village ( Veeru climbs on the water tank) but no electricity( Thakur's daughter in law lights all candles in the evening).
• MacMohan is most remembered for his role as the dacoit Sambha, though the character had only one dialogue in the edited version of the whole film! The Unedited version saw him had one more dialogue with his colleagues while playing cards and just before kidnapping Sachin.
• In a 2007 regional remake of the film, Shalindra Sen’s Malwa Ke Sholay, 'Gabbar' the dacoit falls in love with the female protagonist Basanti, who is forced to submit to his advances. She is not accepted back into her family. Gabbar feels guilty for "victimising" and decides to reform himself. The movie, Sen claims, addresses the social evil of the traditional ostracisation of women.^[14]

• Sholay at the Internet Movie Database
• Why Sholay is a Cult Classic?.
• BBC Asian Network
• University of Iowa article
• Sholay complete media
• Sholay Photostory with trivia
• Evidence of Musical Plagiarism by RD Burman
• Watch Movie

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