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Singjaying is a Jamaican style of reggae combining toasting and singing in an elastic scat format that encourages a lot of rhythmically compelling and texturally impressive vocal embellishments. The artist is called singjay, a combination of singer and deejay.

The fusion of singing and deejaying happened early in reggae music. Artists like Big Youth combined singing and toasting on tracks like “Sky Juice”, “Every Nigger Is A Star” and “Hit The Road Jack”. But the term “singjay” doesn’t really apply to deejays gone singing, but rather singers gone deejaying. For some reason this phenomenon happened years after the deejay style had gone mainstream. Among the earliest performers, of what would later be known as singjaying, is Michael Rose who used to integrate the highly rhythmic, but completely meaningless deejay “scatting” in his roots songs. As the rhythm of reggae changed in the late 70’s and became what we now know as rockers, the theme changed as well. The classic roots themes were slowly being replaced by songs inspired by the life at the dancehall. With this thematical change also came a change in the vocal delivery. Artists such as Barrington Levy, Echo Minott and Little John represent this rockers singjay style. Half Pint, though mostly known for his lovers-style, also did a singjay style on his classic hit “Greetings”. Around the mid 80’s the singjay style became the dominant and mainstream way of expression in Jamaican music. Tenor Saw, Eek-A-Mouse, Anthony Red Rose, King Kong, Pinchers, Wayne Smith, Courtney Melody, Conroy smith, Lilly Melody, Sanchez, Wayne Palmer, Thriller U, Eccleton Jarrett, Nitty Gritty and Yami Bolo are all original singjays.

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