Song of the Flame (film)

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Song of the Flame (1930)
Directed by Alan Crosland
Written by Gordon Rigby
based on the 1925 operetta by Oscar Hammerstein II and Otto A. Harbach.
Starring Alexander Gray
Bernice Claire
Alice Gentle
Noah Beery
Music by George Gershwin
Harry Akst
Jay Chernis
Grant Clarke
David Mendoza
Herbert Stothart
Edward Ward
Cinematography Lee Garmes (Technicolor)
Editing by Alexander Hall
Distributed by First National Pictures: A Subsidiary of Warner Bros.
Release date(s) May 25, 1930
Running time 96 min.
Country Flag of the United States United States
Language English
IMDb profile

Song of the Flame is a 1930 musical operetta film photographed entirely in Technicolor. It was the first color film to feature a widescreen sequence using a process called Vitascope (a Warner Bros. wide screen process). The film was nominated for an Oscar for "Best Sound Recording."

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Alice Gentle, has the sinister rôle of Natasha.

The story, such as it is, runs from St. Petersburg to a small town where there is a fête. It happens at a time when The Flame is exhorting the populace to rebellion. As in most such narratives, the man who falls in love with this heroine is the Prince and the individual who would snare her away with the valuables he has pocketed for himself is the rascal Konstantin. Konstantin, however, as has been told, meets an inglorious end and the Prince becomes one of the masses to win the love of Aniuta, The Flame.

Noah Beery was widely praised for his deep bass voice, which he first exhibited it this film in the song "One Little Drink." This song was satirized in a Bosko cartoon entitled: The Booze Hangs High (1930). Based on the success of this song, the Warner Bros. subsequently cast Beery in a number of musical films, most notably in Golden Dawn (1930). The public was so enthralled by his singing abilities that Brunswick Records hired Noah Beery to record songs from both of these films which were issued in their popular series.

The film is believed to be lost. Only the soundtrack, which was recorded separately on Vitaphone disks, survives. The extant sound discs from this film reveal a very high quality Vitaphone sound - round, warm and clear with good sound effects and a quality reproduction of speaking and singing voices as well as orchestrations. It would seem it fully deserved its Academy Award nomination for Best Sound. The score is a marvelously operatic one. All nine songs are preserved in the sound disc performances. There were four choruses as well, three of traditional Russian folk tunes and one drawn from Tchaikovsky's The Nutcracker.

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