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The SME playing in Islington, London, 1991. Roger Smith plays guitar and Nigel Coombes plays violin. John Stevens plays drums and cornet out of frame.

The Spontaneous Music Ensemble (SME) was a loose collection of free improvising musicians convened beginning in the mid-1960s by the late South London-based jazz drummer/trumpeter John Stevens and alto and soprano saxophonist Trevor Watts.

SME performances could range from Stephens-Watts duos to gatherings of more than a dozen players. One can loosely divide the group's history into two periods: the more horn-oriented earlier ensembles (typically with some combination of Watts, Evan Parker and Kenny Wheeler), and the later string-based ensembles with guitarist Roger Smith (who became as central to the second edition of SME as Watts was to the first) and violinist Nigel Coombes. (The transitional point is the quartet album Biosystem (Incus, 1977), which also featured cellist Colin Wood.) Countless other musicians passed through the SME over the years, including Derek Bailey, Paul Rutherford, Maggie Nichols, Dave Holland, Barry Guy, Peter Kowald and Kent Carter. The final edition of the group was a trio of Stevens, Smith, and the saxophonist John Butcher, a configuration documented on A New Distance (1994).

Inspired both by American free jazz and by the radical, abstract music of AMM, as well as influences as diverse as Anton Webern and Samuel Beckett (two Stevens touchstones), the SME kept at least a measure of jazz in their sound, though this became less audible in the later "string" ensembles. As critic Brian Olewnick writes, the SME emphasised an "extremely open, leaderless aspect where a premium was placed on careful and considered listening on the part of the musicians. Saxophonist Evan Parker observed that Stevens had two basic rules: (1) If you can't hear another musician, you're playing too loud, and (2) if the music you're producing doesn't regularly relate to what you're hearing others create, why be in the group? This led to the development of what would jocularly become known as 'insect improv' -- music that tended to be very quiet, very intense, arrhythmic, and by and large atonal."[1]

Stevens' death in 1994 brought an end to the SME.

• Karyobin (1968, Island Records; reissued 1993 on Chronoscope) (featuring; John Stevens, Evan Parker, Kenny Wheeler, Derek Bailey, Dave Holland)
• John Stevens/Spontaneous Music Ensemble (1969, Marmalade Records) (featuring; John Stevens, Kenny Wheeler, Derek Bailey, Trevor Watts, Peter Lemer, Johnny Dyani, Maggie Nichols, Carolann Nichols, Pepi Lemer)
• So What Do You Think? (1971, Tangent Records) (featuring; John Stevens, Trevor Watts, Kenny Wheeler, Derek Bailey, Dave Holland)
• birds of a feather (1971, BYG Records (featuring; John Stevens, Trevor Watts, Ron Herman, Julie Tippetts [Driscoll])
• Bobby Bradford, John Stevens and the Spontaneous Music Ensemble (1971, Freedom) (featuring; John Stevens, Trevor Watts, Bobby Bradford, Bob Norden, Ron Herman, Julie Tippetts)
• Face to Face (1973, Emanem Records) (featuring John Stevens and Trevor Watts)
• Biosystem (1977, Incus Records; reissued by Psi Records in 2006 with additional material) (featuring; John Stevens, Nigel Coombes, Roger Smith, Colin Wood)
• Hot and Cold Heroes (1980/91, Emanem Records) (featuring; John Stevens, Nigel Coombes, Roger Smith}
• A New Distance (1994, Acta; reissued by Emanem Records in 2005 with additional material from 1993) (featuring: John Stevens, John Butcher, Roger Smith)

• EFI page for John Stevens
• EFI page for Trevor Watts
• Interview with John Butcher by Jon Morgan (containing detailed discussion of Stevens and SME)
• Interview with Roger Smith (containing anecdotal material on Stevens and SME)