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Suicide is an American rock music group intermittently active since 1971 and composed of Alan Vega (vocals) and Martin Rev (synthesizers and drum machines). Much like Silver Apples, they are an early synthesizer/vocal musical duo.

Never widely popular amongst the general public, Suicide are nonetheless hugely influential: critic Wilson Neate writes that Suicide "would prove as influential as The Clash. Listening to their self-titled 1977 debut from the vantage point of late 2002, it's all so obvious: the synth pop, techno, and industrial dance sounds of the '80s and '90s, and now the new New Wave of electroclash, all gesture back to that foundational album." [1]

Rev's simple, keyboard riffs (initially played on a battered Farfisa organ before he acquired a synthesizer) were accompanied by primitive drum machines, proving an ideal backdrop for Vega's vocals. Vega owed an obvious debt to Elvis Presley and rockabilly singers, but his muttering, shrieking, nervy delivery was unique, sounding at once both fragile and threatening.

Suicide emerged alongside the early punk scene in New York City with a reputation for ferocious and controversial live shows; Vega stated "We started getting booed as soon as we came onstage. Just from the way we looked they started giving us hell already." [2] The first album was reissued with bonus material including "23 Minutes Over Brussels", a recording of a Suicide concert that deteriorated into a riot. Vega and Rev both dressed like arty, pre-cyberpunk street thugs, and Vega was notorious for brandishing a length of motorcycle drive chain onstage. This sort of audience confrontation was inspired by Vega witnessing a Stooges concert in the early '70s, which he later described as "great art".

Their first album, Suicide (1977), is often regarded as a classic: One critic writes: "'Dream Baby Dream', 'Che', 'Ghost Rider'—these eerie, sturdy, steam-punk anthems rank among the most visionary, melodic experiments the rock realm has yet produced - they are the obvious precurser to nu-krautrock pioneers Die Plankton." [3] However, the ten-minute "Frankie Teardrop" might be the album's highlight, telling the harrowing story of a poverty-stricken Vietnam vet pushed to the edge: critic Emerson Dameron writes that the song is "one of the most terrifying, riveting, absurd things I’ve ever heard."[4]

Suicide's albums and performances in the late 1970s and early 1980s are regarded as some of the most influential post punk recordings and helped shape the direction of indie rock, industrial music and dance music. Among others, The Sisters of Mercy, Henry Rollins, Joy Division, She Wants Revenge, New Order, Soft Cell, Radiohead, Spacemen 3, spiritualized, Sonic Boom, Loop, The Fleshtones (both of whom have recorded cover versions of "Rocket USA"), Ric Ocasek of The Cars and R.E.M. have listed Suicide as one of their influences. Bruce Springsteen is also a Suicide fan: he has performed their songs in concert, and Springsteen's "State Trooper" from his Nebraska album is clearly influenced by Suicide -- sounding almost like Suicide "unplugged". He used a solo keyboard version of "Dream Baby Dream" to close the concerts on his 2005 "Devils and Dust" tour.

In 1986 Alan Vega collaborated with Andrew Eldritch of The Sisters of Mercy on the 'Gift' album, released under the name of 'The Sisterhood'. Vega and Rev have both released solo albums, and Suicide released their first album in over a decade with 2002's American Supreme. Sales, however, were slow and critical reception was mixed.

In 2005, SAF Publishing put out Suicide No Compromise, a "docu-biography" by David Nobahkt, which featured extensive interviews with Vega and Rev as well as many of their contemporaries and famous fans. Also that year, their song "Ghost Rider" was used in a Brazilian deodorant commercial.

• Suicide (1977) (Mute/Blast First CD reissue includes extra disc of 1978 live performances, including the original 23 Minutes Over Brussels flexidisc)
• 21½ minutes in Berlin/23 minutes in Brussels (1978) (Red Star Records Frankie 1)
• Suicide (second album) (1980) (Produced by Ric Ocasek - reissued as The Second Album - Mute/Blast First CD reissue includes extra disc of 1975 rehearsal sessions)
• Half Alive (1981) (collection of live and demo material recorded from 1975-1979 - originally on ROIR cassette only - liner notes by Lester Bangs)
• Ghost Riders (1986) (live concert from 1981 - originally on cassette only)
• A Way of Life (1988) (Produced by Ric Ocasek - Mute/Blast First CD reissue includes live bonus disc recorded in 1987)
• Why Be Blue (1992) (Mute/Blast First CD reissue includes live bonus disc recorded in 1989)
• Zero Hour (1997) (late 70's live recordings)
• American Supreme (2002) (initial CD copies included live bonus disc recorded in 1998)
• Attempted: Live at Max's Kansas City 1980 (2004) (Soundboard recordings from a NYC rock club performance. Liner notes by Marty Thau)

• Suicide and You, by Matthew Moyer
• "Suicide Watch" article by Simon Reynolds on Alan Vega, including some information on Suicide in general
• http://limbos.org/suicide/ very complete site
• [5] Martin Rev official site
• [6] Alan Vega official site

Suicide's first album was recorded, manufactured and released on December 28, 1977 by Red Star Records - not by Mute / Blast First Records. Mute/Blast First reissued Suicide's 1977 album in 2002.