Susan Hayward
From Wikipedia, the free encyclopedia
| Susan Hayward | |
from the film Smash-Up: The Story of a Woman (1947) |
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| Birth name | Edythe Marrenner |
| Born | June 30, 1917 Brooklyn, New York |
| Died | March 14, 1975, aged 57 Hollywood, California |
| Academy Awards | |
|---|---|
| Best Actress 1958 I Want to Live! |
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Susan Hayward (June 30, 1917 – March 14, 1975) was an Academy Award-winning American actress.
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Hayward was born Edythe Marrenner in Brooklyn, New York to Walter Marrenner and Ellen Pearson. Her maternal grandparents were from Sweden.[1] She began her career as a photographer's model. She went to Hollywood in 1937, aiming to secure the role of Scarlett O'Hara in Gone with the Wind. Her screen name was chosen by her management because it was "as close to Rita Hayworth as we can get away with."
Although she was not given the role, Hayward found employment playing bit parts until she was cast in Beau Geste (1939) opposite Gary Cooper. She was also one of the many actresses who auditioned for the part of Scarlett O'Hara in Gone with the Wind. During the war years, she played leading lady to John Wayne twice in Reap the Wild Wind (1942) and The Fighting Seabees (1944). Post-war, she established herself as one of Hollywood's most popular leading ladies in films such as Tap Roots (1948), My Foolish Heart (1949), David and Bathsheba (1951), and With a Song in My Heart (1952).
In 1947, she received the first of her five Academy Award nominations for her role of the alcoholic and fast-rising night-club singer in Smash-Up, the Story of a Woman.
During the 1950s she won acclaim for her dramatic performances as President Andrew Jackson's melancholic wife in The President's Lady (1953); the alcoholic actress, Lillian Roth, in I'll Cry Tomorrow (1955), based on Roth's best-selling autobiography of the same name; and the real-life California killer Barbara Graham in I Want to Live! (1958). Hayward's unglamorous and gritty portrayal of Graham won her an Oscar as Best Actress.
She received good reviews for her performance in a Las Vegas production of Mame, but left the production because she felt unprepared for the demands the role made on her voice. She blamed herself for not having wanted to spend the money on voice lessons that might have allowed her to keep the role. Loretta Swit played "Agnes Gooch" in the same production.
After Hayward was forced to withdraw from the production, she was replaced by the talented, but prickly, Oscar-winning actress and singer Celeste Holm. Hayward warned Holm that if she mistreated the "great" company she was now joining, then she (Hayward) would "kick your a** back to Toledo" (though Holm was not a Toledo native).
She continued to act throughout the 1960s and into the early 1970s, when she was diagnosed with brain cancer. Her final film role was as Dr. Maggie Cole in the 1972 made-for-TV drama Say Goodbye, Maggie Cole. (The film was actually planned as a pilot for a possible weekly television series, but due to Hayward's cancer diagnosis and failing health, the TV series was never produced.) Her last public appearance was at the 1974 Oscar telecast to present the "Best Actress" award, despite the fact she was very ill. With Charlton Heston supporting her, and having been given massive doses of dopamine, she managed to get through it. Hayward later stated, "that's the last time I do that".
Hayward died at age 57 on March 14, 1975, of pneumonia-related complications of her brain cancer, having survived considerably longer than doctors had originally predicted. She was cremated and buried next to her second and final husband, Eaton Chalkley, with whom she had converted to Roman Catholicism, in Carrollton, Georgia. She was survived by her two sons. Chalkley was by all accounts the love of Hayward's life, and they had lived together happily in Carrollton for years before his death in 1966.
In December 1964, she was baptized a Catholic at SS Peter & Paul's Roman Catholic Church on Larimar Avenue, in the East Liberty section of Pittsburgh, by Father McGuire. She had met Father McGuire while in China and promised him that if she ever converted, he would be the one to baptize her.
Some theorize that Hayward’s cancer was a result of having been exposed to nuclear fallout during the filming of The Conqueror (1956) near St. George, Utah. (Deaths of other cast members have been cited in the same context.) During the 13 weeks of filming in the summer of 1955, the cast and crew were probably dusted with the fallout from the Zucchini test (May 15, 1955) and possibly the Tesla test (March 1, 1955). By this time, St. George had already received most of the fallout that would later make it the most famous of the "downwinder" cities (see DOE/NV 374).
However, the number of cases of cancer detected (91) and the number of deaths from cancer (46) in the cast and crew (220) are in line with the average lifetime risk of cancer in whites (around 40%) and the average lifetime risk of dying of cancer for whites (around 20%), as published by the National Cancer Institute SEER Cancer Statistics Review, 1975-2001.
- 1958 - Won Best Actress in a Leading Role - I Want to Live!
- 1956 - Nominated Best Actress in a Leading Role - I'll Cry Tomorrow
- 1953 - Nominated Best Actress in a Leading Role - With a Song in My Heart
- 1950 - Nominated Best Actress in a Leading Role - My Foolish Heart
- 1948 - Nominated Best Actress in a Leading Role - Smash-Up, the Story of a Woman
Hayward has a star on the Hollywood Walk of Fame at 6251 Hollywood Blvd.
| Awards | ||
|---|---|---|
| Preceded by Joanne Woodward for The Three Faces of Eve |
Academy Award for Best Actress 1958 for I Want to Live! |
Succeeded by Simone Signoret for Room at the Top |
| Preceded by Joanne Woodward for The Three Faces of Eve |
Golden Globe Award for Best Actress - Motion Picture Drama 1959 for I Want To Live! |
Succeeded by Elizabeth Taylor for Suddenly, Last Summer |
- Pictorial Short (Vitaphone, 1936)
- Hollywood Hotel (Warner Brothers, 1937)
- The Amazing Dr. Clitterhouse (Warner Brothers, 1938)
- Campus Cinderella (Warner Brothers, 1938) (short subject)
- The Sisters (Warner Brothers, 1938)
- Girls on Probation (Warner Brothers, 1938)
- Comet Over Broadway (Warner Brothers, 1938)
- Beau Geste (Paramount, 1939)
- Our Leading Citizen (Paramount, 1939)
- $1,000 a Touchdown (Paramount, 1939)
- Adam Had Four Sons (Columbia, 1941)
- Sis Hopkins (Republic, 1941)
- Among the Living (Paramount, 1941)
- Reap the Wild Wind (Paramount, 1942)
- A Letter from Bataan (Paramount, 1942) (short subject)
- The Forest Rangers (Paramount, 1942)
- I Married a Witch (United Artists, 1942)
- Star Spangled Rhythm (Paramount, 1942)
- Young and Willing (United Artists, 1943)
- Hit Parade of 1943 (Republic, 1943)
- Jack London (United Artists, 1943)
- The Fighting Seabees (Republic, 1944)
- Skirmish on the Home Front (Paramount, for the U.S. Office of War Information, 1944) (short subject)
- The Hairy Ape (United Artists, 1944)
- And Now Tomorrow (Paramount, 1944)
- Deadline at Dawn (RKO, 1946)
- Canyon Passage (Universal, 1946)
- Smash-Up: The Story of a Woman (Universal-International,1947)
- They Won't Believe Me (RKO, 1947)
- The Lost Moment {Universal-International, 1947)
- Tap Roots (Universal-International, 1948)
- The Saxon Charm (Universal-International, 1948)
- Tulsa (Eagle-Lion, 1949)
- House of Strangers (20th Century-Fox, 1949)
- My Foolish Heart (Goldwyn-RKO, 1949)
- I'd Climb the Highest Mountain (20th Century-Fox, 1951)
- Rawhide (20th Century-Fox, 1951)
- David and Bathsheba (20th Century-Fox, 1951)
- I Can Get It for You Wholesale (20th Century-Fox, 1951)
- Snows of Kilimanjaro (20th Century-Fox, 1952)
- With a Song in My Heart (20th Century-Fox, 1952)
- The Lusty Men (RKO, 1952)
- The President's Lady (20th Century-Fox, 1953)
- White Witch Doctor (20th Century-Fox, 1953)
- Demetrius and the Gladiators (20th Century-Fox, 1954)
- Garden of Evil (20th Century-Fox, 1954)
- Untamed (20th Century-Fox, 1955)
- Soldier of Fortune (20th Century-Fox, 1955)
- I'll Cry Tomorrow (MGM, 1955)
- The Conqueror (RKO, 1956)
- Top Secret Affair (Warner Brothers, 1957)
- I Want to Live! (United Artists, 1958)
- Thunder in the Sun (Paramount, 1959)
- Woman Obsessed (20th Century-Fox, 1959)
- The Marriage-Go-Round (20th Century-Fox, 1961)
- Ada (MGM, 1961)
- Back Street (Universal-International, 1961)
- I Thank a Fool (MGM, 1962)
- Stolen Hours (United Artists, 1963)
- Where Love Has Gone (Embassy-Paramount, 1964)
- Think Twentieth (20th Century-Fox, 1967) (short subject)
- The Honey Pot (United Artists, 1967)
- Valley of the Dolls (20th Century-Fox, 1967)
- Heat of Anger (CBS/Stonehedge-Metromedia, 1972) (made-for-TV movie)
- The Revengers (Cinema Center, 1972)
- Say Goodbye, Maggie Cole (ABC/Spelling-Goldberg, 1972)
- ^ For directors, cast lists and running times, see the filmography in McClelland, Susan Hayward
- Doug McClelland, Susan Hayward, The Divine Bitch, New York: Pinnacle Books, 1973. McClelland is one of the foremost scholars of the American sound film. He disclaims this book as a "biography," preferring to refer to it as a "critography".
- Susan Hayward at the Internet Movie Database
- Article about the radioactive film set (from The Straight Dope)
- Susan Hayward @ FashionState.com
- Susan Hayward's Gravesite
Categories: 1917 births | 1975 deaths | American film actors | American models | Best Actress Academy Award winners | Best Drama Actress Golden Globe (film) | Best Musical or Comedy Actress Golden Globe (film) | Brain tumour deaths | Deaths by pneumonia | Hollywood Walk of Fame | People from Brooklyn | People from New York City | Converts to Roman Catholicism | Swedish-Americans | Erasmus Hall High School alumni