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For other meanings of Syrinx, see Syrinx (disambiguation).

In classical mythology, Syrinx (Greek Συριγξ) was a nymph and a follower of Artemis, known for her chastity. Pursued by the amorous Greek god Pan, she ran to the river's edge and asked for assistance from the river nymphs. In answer, she was transformed into hollow water reeds that made a haunting sound when the god's frustrated breath blew across them. Pan cut the reeds to fashion the first set of pan pipes, which were thence forth known as syrinx. (Ovid, Metamorphoses 1.689ff) The word syringe originated from this word.

The Canadian rock band Rush wrote "The Temples of Syrinx", part of their twenty-minute epic track, 2112. The name is ironic because the Priests of the Temples in the dystopian society depicted in the lyrics are opposed to music and advocate the destruction of musical instruments.

Although the premise may seem ironic, Neil Peart, who titled the track and wrote the lyrics understood the history of the dystopian society. Upon listening to the lyrics it becomes obvious that it is the anthem of one man's legacy to fight the priests at all costs and bring music to the people. The epic piece parallels Ayn Rand's "Anthem" very closely but substitutes a guitar for the electric light brought to the elders in Rand's novella.

In the song "10001110101" by Clutch, The Temples of Syrinx is said to be 'having the bake sale of the year.'

Claude Debussy wrote "Syrinx (La Flute De Pan)" based on Pan's lament over losing his love. This piece was the first unaccompanied flute solo of the 20th century, and remains a very popular addition to the modern flutist's repertoire. It was used as incidental music in the play Psyché by Gabriel Mourey.

Danish composer Carl Nielsen composed "Pan and Syrinx" (Pan og Syrinx), Op. 49, FS 87.

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