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A talent agent is a person who finds jobs for actors, musicians, models, and other people in various entertainment businesses. Agents make their money by making a percentage of the money that their client is paid. There are different regulations that govern different types of agents that are established by artist's unions and the legal jurisdiction in which the agent operates. There are also professional organizations that license talent agencies.

Contents 1 Acting and modeling agents 2 Music agents 3 Writer's agents 4 Cruise ship industry 5 Scam agents 6 Difference between agents and managers 7 References 8 See also

Actors may be interested in working theatrically (stage, film or television) as well as in commercials. Agents will handle all types of acting work while others may specialize in a particular area. There are agents who represent television, voice-overs, or just film and televsion. Typically, the larger the agency, the more specialized the agents.

An agent has two sets of clients: the "talent" (actors, models, voice-over artists, etc) and the "buyer". The buyer can be a casting director, advertising agency, production company, photographer, or direct client if the client has an "in-house" production staff. The agent promotes his talents to his buyers, submitting talents that have the appropriate age, race, sex, look, talent, etc that the buyer is seeking for her project. Usually, an agent submits the actor's head shot or the model's composite card or portfolio to the buyer. The buyer makes her choices and the agent then arranges an audition (or for models, a "look-see" or open call). After the buyer has met the talent, she will contact the agent if she wants to hire any of the talent. The agent will coordinate the details of wardrobe, directions, etc as well as negotiate the contract or pay.

Note that the agent's job is to get the talent auditions; the talent is the only one who can get the job. For their work, the agent takes a 10 to 20% commission of the gross, depending if the job is union (such as SAG-AFTRA) or not. Union jobs are paid per negotiated guidelines, but sometimes non-union jobs the pay is delayed.

A well established agent will have a number of contacts. Also, agents have access to Breakdown Services.^{[citation needed]} Breakdown Services allows them to see many roles that casting directors are seeking, often on a national level. These are not available to the general public.

In the music world, booking agents are different from talent managers. Booking agents are the people that actually book shows for the artists they represent. They make all of the arrangements with the promoters of the shows. The booking agent presents the promoter or producer of the concert with a performance agreement, which stipulates the artist’s requirements. Items may include lighting, sound,meals, hotel accommodations, and transportation. For concert buyers, they work to find the right artist that will fit in the need and available budget.

Many of the major booking agencies refuse to represent clients who are not already signed to a major record label and have national distribution of their music. Because of this, artists on independent record labels often seek representation with an independent booking agency.

Bars and nightclubs that specialize in presenting live music on a regular basis often employ an individual to assemble the schedule of events. These people are the venue’s buyers, and should not be confused with the booking agent, who presents their roster of available acts to the buyer. Booking agents may also have contacts known as free-lance promoters. These are individuals that agree to produce a concert by locating a venue, providing a sound system and assembling a staff. Producing a show in this manner, at a location that is rented out for a single evening, is called “four-walling,” as it entails renting a venue and receiving no additional services or technical equipment other than the space itself. This has often been the only available option for underground musicians lacking enough popular appeal to gain access to more conventional performance venues (see: Punk Rock), but is also used among the genre of raves and various DJ-related events.

The cost factor of having a booking agent [1] has to be weighed against what they can do for clients and buyers alike. Some agents represent several different types of artists, while others represent artists in one main area/genre.

Main article: Literary agent

Booking agents are also used for the cruise ship industry where several different categories of entertainers are needed. These can include individual musicians to be part of the ship's orchestra, small bands and ensembles as well as variety entertainers such as singers, instrumentalists, magicians, comedians and acrobats. Artists looking to work on cruise ships will sign an employment contract with the cruise line and a separate commission contract with the booking agent.

Unfortunately, some people in the entertainment industry try to take advantage of newcomers. New talent is advised to research and find established agencies. No reputable agency charges for representation, but the agent may recommend steps that will cost money, especially when talent is starting out. An Agency may suggest new photos or training, and may have good contacts for you. An advantage of having an agent is she will help choose the best photographers or shots to make into headshots, etc. If you sign with an agency who also offer photography and workshops, be sure to ask for proof of past bookings, such as client lists and current models tearsheets from booked work. No Agency has ever paid for a newcomer's portfolio without being repaid for the costs after the talent begins working, so don't expect to be given handouts.

• Agents have the authority to make deals for their clients. Managers usually can only informally establish connections with producers and studios, but do not have the ability to negotiate the contracts.
• Managers work more in a supportive role, giving advice for career moves.

• Passman, Donald S. All You Need To Know About the Music Business: 6th Edition
• Kerr, Judy, Acting Is Everything: An Actor's Guidebook for a Successful Career in Los Angeles
• Callen, K. The Los Angeles Agent Book

• List of Hollywood agencies and management companies