Related Directory Categories
- Individual Poems (88)
- Specific Poems (30)
- Stories and Poems (19)
- Exeter Book Riddles (16)
- Stories and Poems (8)
- Metrical Charms (8)
- Wanderer (7)
- Stories and Poems (6)
- Poems (6)
- Cynewulf (6)
Sources
Help build the largest human-edited directory on the web.
Submit a site - Become an editor
Wikipedia. Licensed under the GNU Free Documentation License.
Are you an expert in this subject? Join the discussion and share your knowledge at Wikipedia.org.
Tamerlane (poem)
From Wikipedia, the free encyclopedia
"Tamerlane" is an epic poem by Edgar Allan Poe, first published in the 1827 collection Tamerlane and Other Poems. That collection, with only 50 copies printed, was not credited with the author's real name but by "A Bostonian." The poem's original version was 403 lines but trimmed down to 223 lines for its inclusion in Al Aaraaf, Tamerlane, and Minor Poems.
Contents |
The poem itself follows a Mongol conqueror named Tamerlane. The name is a Latinized version of Timur, a historical 14th century warlord, though the poem is not historically accurate.
Tamerlane ignores the young love he has for a peasant in order to achieve power. On his deathbed, he regrets this decision to create "a kingdom [in exchange] for a broken-heart." The peasant is named Ada in most of Poe's versions of the poem until its inclusion in his fourth collection of poems, 1845's The Raven and Other Poems, where Tamerlane's love is no longer named. The name "Ada" is likely a reference to the daughter of Lord Byron, a renowned poet which Poe admired. In fact, the line "I reach'd my home -- my home no more" echoes a line in Byron's work "Don Juan."[1]
The main themes of "Tamerlane" are loss and exile.[2] Poe may have wrote the poem based on his own loss of his early love, Sarah Elmira Royster.[3] his birth mother Eliza Poe or his foster-mother Frances Allan.[4] The poem may also mirror Poe's relationship with his foster-father John Allan; similar to Poe, Tamerlane is of uncertain parentage, with a "feigned name."[5] Only 19 when he wrote the poem, Poe's own sense of loss came from the waning possibility of inheritance and a college education after leaving the University of Virginia.[6]
Poe may have identified with the title character. He used "TAMERLANE" as a pseudonym attached to two of his poems on their first publication, "Fanny" and "To ——," both published in the Baltimore Saturday Visiter in 1833.
In its initial publication in the collection Tamerlane and Other Poems, Poe included endnotes explaining some of his allusions from "Tamerlane." He also confesses early on that he knows little about the historical Tamerlane, "and with that little, I have taken the full liberty of a poet." These endnotes do not appear in any other collection that includes "Tamerlane."
- ^ Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. Harper Perennial, 1991. p. 41.
- ^ Hoffman, Daniel. Poe Poe Poe Poe Poe Poe Poe. Baton Rouge: Louisiana State University Press, 1972. p. 27. ISBN 0807123218
- ^ Sova, Dawn B. Edgar Allan Poe: A to Z. Checkmark Books, 2001.
- ^ Hoffman, Daniel. Poe Poe Poe Poe Poe Poe Poe. Baton Rouge: Louisiana State University Press, 1972. p. 27. ISBN 0807123218
- ^ Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. Harper Perennial, 1991. p. 39.
- ^ Hoffman, Daniel. Poe Poe Poe Poe Poe Poe Poe. Baton Rouge: Louisiana State University Press, 1972. p. 27. ISBN 0807123218
| Works of Edgar Allan Poe |
|---|
| Poems |
|
Poetry (1824) • O, Tempora! O, Mores! (1825) • Song (1827) • Imitation (1827) • Spirits of the Dead (1827) • A Dream (1827) • Stanzas (1827) (1827) • Tamerlane (1827) • The Lake (1827) • Evening Star (1827) • A Dream (1827) • To Margaret (1827) • The Happiest Day (1827) • To The River —— (1828) • Romance (1829) • Fairy-Land (1829) • To Science (1829) • To Isaac Lea (1829) • Al Aaraaf (1829) • An Acrostic (1829) • Elizabeth (1829) • To Helen (1831) • A Paean (1831) • The Sleeper (1831) • The City in the Sea (1831) • The Valley of Unrest (1831) • Israfel (1831) • The Coliseum (1833) • Enigma (1833) • Fanny (1833) • Serenade (1833) • Song of Triumph from Epimanes (1833) • Latin Hymn (1833) • To One in Paradise (1833) • Hymn (1835) • Politician (1835) • May Queen Ode (1836) • Spiritual Song (1836) • Bridal Ballad (1837) • To Zante (1837) • The Haunted Palace (1839) • Silence, a Sonnet (1839) • Lines on Joe Locke (1843) • The Conqueror Worm (1843) • Lenore (1843) • Eulalie (1843) • A Campaign Song (1844) • Dream-Land (1844) • Impromptu. To Kate Carol (1845) • To Frances (1845) • The Divine Right of Kings (1845) • Epigram for Wall Street (1845) • The Raven (1845) • A Valentine (1846) • Beloved Physician (1847) • An Enigma (1847) • Deep in Earth (1847) • Ulalume (1847) • Lines on Ale (1848) • To Marie Louise (1848) • Evangeline (1848) • A Dream Within A Dream (1849) • Eldorado (1849) • For Annie (1849) • The Bells (1849) • Annabel Lee (1849) • Alone (1875) |
| Tales |
| Metzengerstein (1832) • The Duc De L'Omelette (1832) • A Tale of Jerusalem (1832) • Loss of Breath (1832) • Bon-Bon (1832) • MS. Found in a Bottle (1833) • The Assignation (1834) • Berenice (1835) • Morella (1835) • Lionizing (1835) • The Unparalleled Adventure of One Hans Pfaall (1835) • King Pest (1835) • Shadow - A Parable (1835) • Four Beasts in One - The Homo-Cameleopard (1836) • Mystification (1837) • Silence - A Fable (1837) • Ligeia (1838) • How to Write a Blackwood Article (1838) • A Predicament (1838) • The Devil in the Belfry (1839) • The Man That Was Used Up (1839) • The Fall of the House of Usher (1839) • William Wilson (1839) • The Conversation of Eiros and Charmion (1839) • Why the Little Frenchman Wears His Hand in a Sling (1840) • The Business Man (1840) • The Man of the Crowd (1840) • The Murders in the Rue Morgue (1841) • A Descent into the Maelström (1841) • The Island of the Fay (1841) • The Colloquy of Monos and Una (1841) • Never Bet the Devil Your Head (1841) • Eleonora (1841) • Three Sundays in a Week (1841) • The Oval Portrait (1842) • The Masque of the Red Death (1842) • The Landscape Garden (1842) • The Mystery of Marie Roget (1842) • The Pit and the Pendulum (1842) • The Tell-Tale Heart (1843) • The Gold-Bug (1843) • The Black Cat (1843) • Diddling (1843) • The Spectacles (1844) • A Tale of the Ragged Mountains (1844) • The Premature Burial (1844) • Mesmeric Revelation (1844) • The Oblong Box (1844) • The Angel of the Odd (1844) • Thou Art the Man (1844) • The Literary Life of Thingum Bob, Esq. (1844) • The Purloined Letter (1844) • The Thousand-and-Second Tale of Scheherazade (1845) • Some Words with a Mummy (1845) • The Power of Words (1845) • The Imp of the Perverse (1845) • The System of Doctor Tarr and Professor Fether (1845) • The Facts in the Case of M. Valdemar (1845) • The Sphinx (1846) • The Cask of Amontillado (1846) • The Domain of Arnheim (1847) • Mellonta Tauta (1849) • Hop-Frog (1849) • Von Kempelen and His Discovery (1849) • X-ing a Paragrab (1849) • Landor's Cottage (1849) |
| Other works |
| Essays: Maelzel's Chess Player (1836) • The Daguerreotype (1840) • The Philosophy of Furniture (1840) • A Few Words on Secret Writing (1841) • The Rationale of Verse (1843) • Morning on the Wissahiccon (1844) • Old English Poetry (1845) • The Philosophy of Composition (1846) • The Poetic Principle (1846) • Eureka (1848) Hoaxes: • The Balloon-Hoax (1844) Novels: The Narrative of Arthur Gordon Pym of Nantucket (1837) • The Journal of Julius Rodman (1840) Plays: Scenes From 'Politian' (1835) Other: The Conchologist's First Book (1839) • The Light-House (1849) |
 |
This poetry-related article is a stub. You can help Wikipedia by expanding it. |