The Big Combo

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The Big Combo

Theatrical Poster
Directed by Joseph H. Lewis
Produced by Sidney Harmon
Written by Philip Yordan
Starring Cornel Wilde
Richard Conte
Brian Donlevy
Jean Wallace
Music by David Raksin
Cinematography John Alton
Editing by Robert S. Eisen
Distributed by Allied Artists Pictures Corporation
Release date(s) February 13, 1955
Running time 89 minutes
Country United States
Language English
All Movie Guide profile
IMDb profile

The Big Combo is an American film noir released in 1955 and directed by Joseph H. Lewis.[1]

According to film critics, The Big Combo' stands with others like Fritz Lang's The Big Heat as one of the great film noir classics.

The dark film is a tormented story of violence and dangerous obsession.

Photographed by cinematographer and noir icon John Alton with music by David Raksin.

Contents

Spoiler warning: Plot and/or ending details follow.

Policeman Leonard Diamond (Cornel Wilde) is on a personal crusade to bring down sadistic gangster Mr. Brown (Richard Conte). He's also obsessed with a woman (Jean Wallace), Brown's captive lover.

Mr. Brown taunts Diamond every step of the way which seems to make Diamond more obsessed. He says:

I'm gonna break him so fast he won't have time to change his pants.

Brown's right-hand man, over the hill, hard of hearing and shifty-eyed McClure (Brian Donlevy) plots with gangsters (and possibly lovers) Fante (Lee Van Cleef) and Mingo (Earl Holliman) to overthrow Mr. Brown but ends up getting tortured in a violent scene rare for its time.

Meanwhile Diamond has found a witness that could finally nail the elusive gangster, Mr. Brown's wife - a woman who was thought to have died years ago. The film ends dramatically in a classic foggy airplane hangar shootout.

Spoilers end here.

Actors Wallace and Wilde were married when the film was shot. In fact, they were married from 1951 until their divorce in 1981.

Reviews of the movie today are mostly positive. Chris Dashiell on the website Cinescene finds the dialog "run of the mill" but praises the films director: "... Lewis had a remarkable ability to infuse poetry into the most banal material, and The Big Combo is one of his best efforts... it's not as startlingly inventive as Lewis's best film, Gun Crazy (1949), but it's a quality B-film, satisfying and dark."[2]

Foggy airport conclusion to The Big Combo (1955)
Foggy airport conclusion to The Big Combo (1955)

  • Leonard Diamond: She's under arrest, Mr. Brown. Mr. Brown: What's the charge? Leonard Diamond: Homicide. Mr. Brown: That's ridiculous, she wouldn't kill a fly. Leonard Diamond: She tried to kill herself Mr. Brown: Is that a crime? Leonard Diamond: It happens to be against two laws: God's and Man's. I'm booking her under the second.
  • Rita: A woman doesn't care how a guy makes a living, just how he makes love.
  • Mr. Brown: What is it the kids say? You have no personality.

This film noir is considered by many film critics as possibly the best work of legendary cinematographer John Alton.

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