Sources
Help build the largest human-edited directory on the web.
Submit a site - Become an editor
Wikipedia. Licensed under the GNU Free Documentation License.
Are you an expert in this subject? Join the discussion and share your knowledge at Wikipedia.org.
The Black Cat (1934 film)
From Wikipedia, the free encyclopedia
| The Black Cat | |
|---|---|
 Original 1934 theatrical poster |
|
| Directed by | Edgar G. Ulmer |
| Written by | Edgar G. Ulmer |
| Starring | Bela Lugosi Boris Karloff |
| Music by | Heinz Eric Roemheld |
| Distributed by | Universal Pictures |
| Country |  United States |
| Language | English |
| All Movie Guide profile | |
| IMDb profile | |
The Black Cat is a 1934 horror film that became Universal Pictures' biggest box office hit of the year. It was the first of eight movies to pair actors Bela Lugosi and Boris Karloff. Edgar G. Ulmer both wrote the screenplay and directed the film. Although Edgar Allan Poe is credited, the film has little to do with Poe’s 1843 story. The extreme art deco sets, women's corpses on display, and depiction of devil worship rites remain striking today. The classical music soundtrack, composed by Heinz Eric Roemheld, is unusual for its time, because there is an almost continuous background score throughout the entire film.
Contents |
Two young honeymooners, Peter and Joan Alison, are vacationing in Hungary when they learn that due to a mix up in the reservations, they must share a train compartment with Dr. Vitus Werdegast (Bela Lugosi), a psychiatrist. The doctor explains that he is traveling to see an old friend, Hjalmar Poelzig (Boris Karloff), an Austrian architect. Werdegast had left his wife to go to war eighteen years ago, and has spent the last fifteen years in an infamous prison camp. Later, when the bus the three share crashes and Joan is injured, they take her to Poelzig's home, built upon the ruins of Fort Marmorus, which Poelzig commanded during the war. After Werdegast treats Joan's injury, he accuses Poelzig of betraying the fort to the Russians, resulting in the death of thousands of Hungarians. He also accuses Poelzig of stealing his wife while he was in prison. Poelzig plans to sacrifice Joan Alison in a satanic ritual. Werdegast is the nominal hero, seeking to rescue her and to exact his revenge on Poelzig.
The Black Cat was part of a boom in horror "talkies" following the release of Dracula and Frankenstein in 1931. The film exploited the popularity of Poe and the horror genre, having little in common with the original story, as well as a sudden public interest in psychiatry.[1]
The opening titles and the closing credits do not mention Boris Karloff's first name. Also the advertisements (for example, the poster in this article's info box) referred to him only as "Karloff".
The film — and by extension, the character of Hjalmar Poelzig — draws inspiration from the life of occultist Aleister Crowley.[2] The name Poelzig was borrowed from architect Hans Poelzig, who worked on the sets for Paul Wegener's silent film The Golem.
This film was #68 on Bravo's 100 Scariest Movie Moments for its "skinning" scene.
For many years, it was believed that during the Black Mass scene, Boris Karloff could be heard saying "Reductio ad absurdum est (loosely, this is ridiculous)", a sort of honage to the bizarre humor found in James Whale's horror films of the time.
- ^ Neimeyer, Mark. "Poe and popular culture" as collected in The Cambridge Companion to Edgar Allan Poe, Kevin J. Hayes, editor. Cambridge University Press, 2002. ISBN 0521797276 pp. 216-7
- ^ Everson, William K. (1974). Classics of the Horror Film. Citadel Press, pp. pp. 121–124. ISBN 0-8065-0595-8.
 |
This 1930s horror film-related article is a stub. You can help Wikipedia by expanding it. |