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The Deep Blue Sea (1952) is a play by Terence Rattigan. Premiering in London on March 6, 1952, it was praised by critics and audiences who saw it as evidence that Rattigan's view of life was growing deeper and more complex. It also won praise for its star, Peggy Ashcroft. Its Broadway premiere on November 5, 1953, starring Margaret Sullavan, was not nearly so well-received, and ran for only 132 performances. Later revivals have starred Isabel Dean, Penelope Keith and Blythe Danner.

In creating the play, Rattigan was inspired by the suicide of a young (male) actor with whom he had some time previously had a relationship. This has encouraged some commentators to speculate that the play is secretly about gay men. This is not true; the play is undoubtedly animated by Rattigan's lifelong homosexuality, and his experience of hidden 'antisocial' passion, but he has written a very strong and vital part for a woman. Peggy Ashcroft claimed to hate the part: 'I feel I'm walking around the stage naked'. Her comment serves to indicate how emotionally revealing, how unabashed, and unrepressed this play is. It is probably the finest example of what 'well-made' playwriting could achieve.

For the 1955 film, see The Deep Blue Sea.

The Deep Blue Sea begins with neighbours discovering the body of Hester Collyer who has tried and failed to commit suicide. Some time before, she left her husband, a respectable High Court Judge, for a semi-alcoholic former R.A.F. pilot. The relationship was physical and passionate but his ardour has cooled, leaving her emotionally stranded and desperate. The aftershocks of her attempted suicide unravel even the remnants of this relationship, but by the end she is brought to a hard decision to live, partly through the intercession of another resident of the tenement house, Mr Miller, an ex-doctor, struck off for what seems to have been a homosexual offence. These two outcasts, socially ostracised for their 'excessive' loves, find a curious and moving kinship.