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The Gingerbread Man (film)
From Wikipedia, the free encyclopedia
- For other uses of the word, see Gingerbread Man (disambiguation).
| The Gingerbread Man | |
|---|---|
 Theatrical poster |
|
| Directed by | Robert Altman |
| Produced by | Jeremy Tannenbaum |
| Written by | Clyde Hayes (screenplay) John Grisham (original story) |
| Starring | Kenneth Branagh Embeth Davidtz Robert Downey Jr Tom Berenger Daryl Hannah Robert Duvall |
| Music by | Mark Isham |
| Cinematography | Gu Changwei |
| Editing by | Geraldine Peroni |
| Distributed by | Universal Pictures |
| Release date(s) | January 23, 1998 |
| Running time | 114 minutes |
| Country |  United States |
| Language | English |
| Budget | $25,000,000 |
| Gross revenue | $1,534,569 (USA) |
| All Movie Guide profile | |
| IMDb profile | |
The Gingerbread Man is a 1998 legal thriller film directed by Robert Altman and based on a discarded John Grisham manuscript. The film stars Kenneth Branagh, Embeth Davidtz, Robert Downey Jr, Tom Berenger, Daryl Hannah, and Robert Duvall.
Contents |
Divorced lawyer Rick Magruder (Branagh) stumbles drunk out of a party hosted by his firm one night and has a chance meeting with a woman named Mallory Doss (Davidtz), who was a waitress at the party and seems to have lost her car. Rick drives the woman to her home and there they discover that her car has been already parked there, seemingly by her father, Dixon Doss (Duvall). Rick and Mallory walk into the house arguing about the situation when Mallory carelessly undresses in front of Rick, and he then spends the night with her.
Rick wakes up in the morning and Mallory encounters him later in the day, asking him to file suit against her father because of his dangerous behavior. Rick, now obsessed with Mallory and willing to do anything for her, is successful in having Dixon put on trial and sent to prison, but when he is freed by his local friends, Rick finds himself in a trouble, trying to protect himself and his children from the danger he has unknowingly brought to life.
Kenneth Branagh as Rick Magruder
Embeth Davidtz as Mallory Doss
Robert Downey Jr. as Clyde Pell
Daryl Hannah as Lois Harlan
Tom Berenger as Pete Randle
Famke Janssen as Leeanne Magruder
Robert Duvall as Dixon Doss
The film was based on an original story by John Grisham that subsequently adapted into screenplay form. Kenneth Branagh liked the story and agreed to do the movie but only if a highly-regarded director signed on as well. Robert Altman wanted to work with the British actor but only, as he told him, "If we can fool the audience by not making you the hero, by making you flawed."[1]
Once Altman came on board, he and his screenwriter, Al Hayes, heavily reworked the script. Altman said in an interview, "I just wanted to change the elements of these kinds of stories as much as I could. And then I wanted to stay out of the courtroom."[1] Altman changed the setting to Savannah, Georgia and added the threat of a hurricane throughout the movie.
For the look of the film, Altman was inspired by The Night of the Hunter.
In August 1997, after an audience test screening reportedly went badly, Polygram Films brought someone else in to re-edit the movie without informing Altman and claimed that his version, "lacked tension and suffered from an inappropriate music score."[2] At one point, the publicized squabble between the studio and the filmmaker got so bad that he wanted his name taken off the film.[3] According to Branagh, the film previewed well but not up to the expectations of the studio. He said in an interview, "There's this enormous pressure to wrap everything up neatly and to resist things that stray from formula. Anything that suggests complexity in a character makes them unsympathetic in the eyes of the some people, and they see that as a great crime."[3] Polygram backed down when their version tested worse than Altman's in a preview. The studio was upset that Altman had completely rewritten Grisham's script so that it was more critical about lawyers.[2]
Years later, Ray Pride interviewed Altman about the post-production debacle and he replied, "Well, it's criminal, their treatment of that film. There was a vindictive order from the guy who was running (Polygram Films), he was so pissed off with me, he literally told them, 'I want that movie killed.' We're talking to lawyers, but it's almost impossible to win a lawsuit. You can't prove what a film could have done. They were just pissed off because it didn't test the way they wanted it to with the teenagers, y'know, in those malls."[4]
In his review for the San Francisco Chronicle, Mick LaSalle wrote, "If it weren't for Altman's touches, The Gingerbread Man would be a mediocre thriller. Even with them, it can't be more than a top-notch genre film, but top-notch is top-notch."[5] Jay Carr of the Boston Globe said that the film "is fun junk...We're talking claptrap here, but it's more enjoyable than it has any business being, thanks to director Robert Altman and star Kenneth Branagh."[6] In his review for The Independent, Boyd Tonkin wrote, "It does not sprawl or wander as the Altman of old would have. Neither does it ever really catch alight. This is a waterlogged venture in more ways than one."[7]
- ^ a b Chollet, Laurence. "Forget the Author - This is an Auteur", The Record, January 22, 1998.
- ^ a b Clarke, Roger. "A Right Dust-Up in Tinseltown", Financial Times, August 1, 1998.
- ^ a b Portman, Jamie. "Working with Altman Sweet Treat for Branagh", Calgary Herald, April 9, 1998.
- ^ Pride, Ray. "Robert Altman: putting my gloves in a shoe box", Movie City Indie, November 22, 2006. Retrieved on 2007-05-30.
- ^ LaSalle, Mick. "Altman's Sure Touch is Gingerbreads Best Thrill", San Francisco Chronicle, March 6, 1998.
- ^ Carr, Jay. "Gingerbread Man has the Altman Taste", Boston Globe, March 6, 1998.
- ^ Tonkin, Boyd. "The Big Picture: Shiftless in Savannah", The Independent, July 23, 1998.
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