The Good Son (album)

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The Good Son
The Good Son cover
Studio album by Nick Cave and the Bad Seeds
Released April 17, 1990
Recorded October 1989
Genre Post-punk, Alternative
Length 45:12
Label Mute Records
Producer Flood, Gareth Jones
Professional reviews
Nick Cave and the Bad Seeds chronology
Tender Prey
(1988)
The Good Son
(1990)
Henry's Dream
(1992)

The Good Son is the sixth album by Nick Cave and the Bad Seeds, released in 1990 (see 1990 in music). It was preceded by the release of "The Ship Song/The Train Song" single. "The Weeping Song/Cock's 'n' Asses" was later also released as a single. After an album as dark and intense as Tender Prey, some fans were disappointed to hear a relaxed and loving Nick Cave on this record. The change of mood was due in great deal to Nick Cave falling in love with Brazilian stylist Viviene Carniero, and an apparently salutary spell in rehab which purged the despair and squalour of the previous two albums. However, today, most fans consider this album as a classic that was unfairly judged at the time. Indeed, 'The Weeping Song' and 'The Ship Song' are now Bad Seeds standards, and the relatively obscure closing track 'Lucy' was resurrected in '93 as a b-side of 'What A Wonderful World', a collaboration of the Bad Seeds and the Pogues' Shane MacGowan (who gives an exemplary vocal performance on the re-worked 'Lucy').

Contents

All songs written by Cave unless otherwise stated

  1. "Foi Na Cruz" – 5:39
    • Singers - Clovis Trindade, Rubinho
  2. "The Good Son" – 6:01
  3. "Sorrow's Child" – 4:36
  4. "The Weeping Song" – 4:21
    • "Father" Vocal by Blixa Bargeld
  5. "The Ship Song" – 5:14
  6. "The Hammer Song" – 4:16
    • Guitars by Mick Harvey
  7. "Lament" – 4:51
  8. "The Witness Song" – 5:57
  9. "Lucy" – 4:17 (words: Cave. Music: Cave/Bargeld/Wolf)
    • Piano on reprise section by Roland Wolf

"Foi Na Cruz" is based partly upon the traditional Brazilian Protestant hymn of the same title. The title translates roughly as "On the Cross".

"The Good Son" - the opening is based loosely upon the African-American traditional song "Another Man Done Gone". A recording of this traditional song, by Odetta, later appeared on Original Seeds Vol. 1.

"The Witness Song" is based loosely upon the traditional American gospel song "Who will be a witness?".

Four of the songs on the album were left with their working titles ("The Ship Song", "The Weeping Song", "The Hammer Song", "The Witness Song").

  • Arranged by Mick Harvey and Bill McGee
  • Violins - Alexandre Ramirez, Altamir Tea Bueno Salinas, Helena Akiku Imasoto, Lea Kalil Sadi
  • Violas - Akira Terazaki, Glauco Masahiru Imasoto
  • Cellos - Braulio Marques Lima, Cristina Manescu
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