The Leopard Man

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The Leopard Man
Directed by Jacques Tourneur
Produced by Val Lewton
Written by Cornell Woolrich novel Black Alibi
Ardel Wray
Edward Dein
Starring Dennis O'Keefe
Margo
Jean Brooks
Music by Roy Webb
Cinematography Robert De Grasse
Editing by Mark Robson
Distributed by RKO Radio Pictures Inc.
Release date(s) May 8, 1943 (U.S. release)
Running time 66 min .
Language English
IMDb profile

The Leopard Man is a 1943 horror movie directed by Jacques Tourneur based on book "Black Alibi" by Cornell Woolrich.

The story, set in New Mexico, begins as Jerry Manning hires a leopard as a publicity stunt for his night-club performing girlfriend, Kiki. Her rival at the club, Clo-Clo, not wanting to be upstaged, startles the animal and it escapes the club into the dark night. Soon people are being found mauled to death. Manning and his girlfriend, guilty about the monster they unleashed, try to help hunt down the giant cat. A particularly haunting scene involves a young girl who, on returning from an errand to a local store for corn meal, is mauled by the cat after her mother won't let her in the house. Upon hearing the screams, the mother clamors to open the door as dark blood seeps under the door.

Contents

The black leopard was the same one used in Cat People, another Val Lewton-produced film.

Most reviews of the film are positive, while noting that it is less challenging or thematically dense than the other Lewton/Tourneur films such as Cat People.

TV Guide's review of the film praises the low budget effort: "this film, along with Lewton and Tourneur's other collaborations, proves once again that money is not the most essential element in good filmmaking. Robert de Grasse's gorgeously fluid camerawork creates the absolutely chilling mood of this film."

Turner Classic Movies review of the film also notes the $150,000-budgeted film looked more expensive on screen: "Much credit for the Lewton/Tourneur successes is owed to the talented craftsmen of RKO -- under the guidance of cinematographer Robert de Grasse and art directors Albert D'Agostino and Walter Keller -- who were adept at transforming cheap underlit sets into the stuff of nightmares, where every darkened nook housed a potential menace."

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