Related Directory Categories
- Film (5983)
- Titel (4700)
- Films (669)
- S (538)
- M (427)
- Film Festivals (388)
- F (386)
- Film (383)
- Video and Film (378)
- A (373)
Sources
Help build the largest human-edited directory on the web.
Submit a site - Become an editor
Wikipedia. Licensed under the GNU Free Documentation License.
Are you an expert in this subject? Join the discussion and share your knowledge at Wikipedia.org.
The Servant (film)
From Wikipedia, the free encyclopedia
| The Servant | |
|---|---|
 The Servant DVD cover |
|
| Directed by | Joseph Losey |
| Produced by | Joseph Losey Norman Priggen |
| Written by | Harold Pinter (screenplay) from Robin Maugham's novel |
| Starring | Dirk Bogarde Sarah Miles James Fox Wendy Craig |
| Music by | John Dankworth |
| Cinematography | Douglas Slocombe |
| Distributed by | Landau Releasing Organization Elstree Film Distributors |
| Release date(s) | November, 1963 (premiere) |
| Running time | 112 min. |
| Country |  United Kingdom |
| Language | English |
| IMDb profile | |
The Servant is a 1963 British film, directed by Joseph Losey and starring Dirk Bogarde, Sarah Miles, Wendy Craig, and James Fox. The film was adapted for the screen by Harold Pinter (the first of his three collaborations with Losey) from the novel of the same name by Robin Maugham. It is a tightly woven psychological drama that focuses on the relationships between the four central characters. The intricacies of class, servitude, ennui and Pyrrhic victory are examined and exploded.
Tony (James Fox), a wealthy young Londoner, hires Hugo Barrett (Dirk Bogarde) as his manservant. Initially, Barrett appears to easily take to his new job, and he and Tony form a quiet bond while, nevertheless, maintaining their social roles; however, relationships begin shifting, and they change with the introduction of Susan (Wendy Craig), Tony's emotionally stilted girlfriend, who seems to loathe Barrett and all he represents. Adding to the problems is Vera (Sarah Miles), Barrett's supposed sister, whom Barrett takes into the household as a maidservant; in fact, Vera is his lover.
Nothing being what it seems, the characters manoeuvre around each other until roles reverse and Tony emerges as a very different person. In a scenario where the major players appear bored with playing their social roles, it could be regarded as a sinister version of Jeeves and Bertie Wooster.
The evocative soundtrack by John Dankworth, along with the song "All Gone" sung by Cleo Laine, complements the mood of the film.