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Das Testament des Dr. Mabuse
The Testament of Dr Mabuse Poster
Directed by	Fritz Lang
Produced by	Fritz Lang Seymour Nebenzal
Written by	Norbert Jacques (novel) Fritz Lang Thea von Harbou
Starring	Oscar Beregi Sr. Paul Bernd
Release date(s)	April 21, 1933
Running time	122 min
Country	Germany
Language	German
Preceded by	Dr. Mabuse, der Spieler
Followed by	The Thousand Eyes of Dr. Mabuse
All Movie Guide profile
IMDb profile

The Testament of Dr Mabuse (Das Testament des Dr. Mabuse) is a 1933 movie by director Fritz Lang, his second sound film, and the second to feature the villain Dr. Mabuse (if the first, Dr. Mabuse, der Spieler, is counted as one movie in two parts rather than as two films). Many modern filmmakers, including Claude Chabrol, have named Testament as the movie which inspired them in turn to make films.

Contents 1 Synopsis 2 Themes and subtexts 3 French version 4 Trivia 5 External links

The film begins with the continuous, cacophonous roar of machinery, as the camera moves slowly through a cluttered workshop of some kind, and finally pans down to show us a clearly nervous young man hiding behind a large trunk with a gun in his hand. Workmen in the shop become aware of his presence, but allow him to think he is leaving undetected until he is outside, when they try to kill him by dropping masonry on him from a great height, and by rolling a barrel at him that explodes upon impact, "accidents" he narrowly avoids.

The next scene fades in with Inspector Lohmann (played by Otto Wernicke) singing opera music as he prepares to leave for the day. His departure is interrupted by a call from the young man we saw in the previous scene, who turns out to be a disgraced police detective named Hofmeister. Despite Lohmann's angry hanging-up, Hofmeister, wound-up and jumping at shadows, calls back trying to tell Lohmann he's been following a huge criminal conspiracy, much larger than the mere counterfeiting ring he at first thought it to be, and he's finally learned the name of the head man who controls the operation. However, before he can disclose the name, Hofmeister's pursuers catch up to him; the lights go out; shots are fired in the dark, and Lohmann's frantic calls for Hofmeister to answer him are finally met ... with the sound of Hofmeister over the phone, singing.

The film is a sophisticated work, and perhaps the most successful movie in the series. It was only Lang's second sound film (the first being M) but its use of sound was highly advanced; a repeated motif in the film is sound that is misidentified by either the characters or the audience (a pocketwatch spring unwinding, intended to simulate a telephone's ring; a gunshot masked by the sound of car horns; a ticking that seems to be a bomb until we see the spoon tapping on an eggshell). It's a motif that fits neatly in with a larger theme of unsuccessful communication of all kinds. Lang also drew on the success of M by bringing back its police detective hero, Inspector Lohmann, to pursue Mabuse.

The film makes many references to the rise of Nazism and was banned in Germany by Joseph Goebbels. Notable citations from the film include "the reign of terror" and "the reign of crime".

Testament was an extremely early sound film, and the cost of adding sound to a movie was still expensive; it was so expensive, in fact, that it was cheaper to actually film the same script with a different cast in a different language than to redub the German version into some other language. This was done with Testament; a German version and a French version were shot at the same time, using the same sets, but with two different casts. The only two actors who appeared in both movies were Rudolf Klein-Rogge (Mabuse), who had few lines, and Karl Meixner (Hofmeister), who spoke both German and French.

Klein-Rogge also starred in Lang's Metropolis, as the mad scientist Rotwang.

• The Testament of Dr. Mabuse at the Internet Movie Database
• Criterion Collection essay by Tom Gunning[[Category:German-language films]