The Village (film)
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| The Village | |
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The Village Theatrical Poster |
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| Directed by | M. Night Shyamalan |
| Produced by | Sam Mercer Scott Rudin M. Night Shyamalan |
| Written by | M. Night Shyamalan |
| Starring | Bryce Dallas Howard Joaquin Phoenix Adrien Brody |
| Music by | James N. Howard featuring Hilary Hahn, violinist |
| Cinematography | Roger Deakins |
| Editing by | Christopher Tellefsen |
| Distributed by | Touchstone Pictures |
| Release date(s) | July 30, 2004 |
| Running time | 108 minutes |
| Language | English |
| Budget | - Production - 71.6 million USD - Marketing - 40 million USD |
| All Movie Guide profile | |
| IMDb profile | |
The Village is a 2004 film written and directed by M. Night Shyamalan that explores the dynamics of an insular turn-of-the-20th-century village and the collective fears of its members. Although The Village ranked number one in box office sales on its opening weekend in the United States, it was not as successful as some of Shyamalan's earlier movies.
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The film opens on the funeral of a child in a small village. The death date on the tombstone establishes the date as 1897. As the story progresses it is revealed that the villagers live in fear of nameless creatures in the woods that surround the village. They have built a barrier of oil lanterns and watch towers that are constantly manned to keep watch for Those We Don't Speak Of. It is explained that the villagers have a long-standing truce with Those We Don't Speak Of; the villagers don't go into their woods, and the creatures don’t enter their village. Even so, dead, skinned bodies of small animals are starting to appear around the village.
After the death of the child, Lucius Hunt (Joaquin Phoenix) asks the Elders (the village's governing leaders) for permission to pass through the woods to get medical supplies from "the towns". His request is turned down and later he is admonished by his mother Alice (Sigourney Weaver) for wanting to go to the towns, described as "wicked places where wicked people live". It is revealed in that scene that the Elders seem to keep dark secrets of their own in the form of black boxes, the contents of which they keep hidden from their own offspring. After Lucius makes a short venture into the woods the creatures leave warnings around the village in the form of splashes of red paint (referred by the villagers only as "the bad color") on all the villagers' doors.
Meanwhile, Ivy Walker (Bryce Dallas Howard), the blind daughter of the head Elder, Edward Walker (William Hurt), informs Lucius that she has strong feelings for him, and he returns her affections. They arrange to be married, but things go horribly wrong when Noah Percy (Adrien Brody), a friend of Ivy and Lucius who is mentally disabled and apparently enamored of Ivy, jealously attacks Lucius with a knife, seriously wounding him.
Edward goes against the wishes of the other Elders, agreeing to allow Ivy to pass through the forest and seek out medicine for Lucius. Before she leaves the first plot twist is revealed when Edward explains the secret of the creatures — they are fabrications created by the Elders in an attempt to keep any of their children from leaving the village. The Elders are also responsible for the skinning of animals and red crosses on the doors. He does mention though that he had heard rumors of "real creatures" living in the woods.
While Ivy is traveling through the forest, one of the beasts suddenly attacks her. She cunningly tricks it into falling into a hole in the ground where it is killed by the fall. It is then the second plot twist is revealed — the creature is actually Noah in a creature costume that he had found under the floor of the room he had been locked in (which was owned by the Elders).
Ivy eventually finds her way to the edge of the woods where she encounters a large wall. After she climbs over the wall the final plot twist is revealed — the film is set in the present day (a newspaper in one scene has July 30th 2004 on it, the date of the film's release). A park ranger named Kevin, driving a Land Rover with the words "Walker Wildlife Preserve" on the side spots Ivy and is shocked to hear that she has come out of the woods. After hearing Ivy's last name is "Walker" he agrees to help her.
Once Ivy has the medicine she is looking for, she returns to the village. This sequence is intercut with brief segments showing the Elders opening their black boxes, which are revealed to contain mementos from their lives in the outside world, including one or more items related to the traumatic events in their past.
It is revealed that the village was actually founded some time in the late 1970s, when Edward Walker, professor of American History at the University of Pennsylvania, approached other people he met at a grief counseling clinic after his father had been murdered in a violent crime. He asked them if they wished to join him in "an idea" he had. From this apparently grew "the village", a secluded town in the middle of a wildlife preserve purchased with Edward's dead father's fortune, a place where they would be protected from any aspect of the outside world, even airplanes (Kevin's superior, who can briefly be seen in a reflection as being Shyamalan himself, puts forward the information that the government is bribed to keep the entire wildlife preserve a "no-fly-zone"). Once the village was created, it appears the original "elders" rolled the clock back to what they thought was a simpler, more peaceful time.
The film was originally titled The Woods, but the name was changed because a film directed by Lucky McKee, The Woods, already had that title.[1]. Like other Shyamalan productions, this film was had high levels of secrecy surrounding it, needed to protect the expected twist ending that was a known Shyamalan trademark. Despite that, the script written by Shyamalan for this film was stolen over a year before the film was released, prompting many "pre-reviews" of the film on several Internet film sites[2][3] and much fan speculation about plot details. Most of the movie was filmed in several fields south of Chadds Ford Pennsylvania, following Shymalan’s predilection for staging his plots and filming his movies in or near Philadelphia, Pennsylvania. The village seen in the film was built in its entirety in one field. Another field contained an on location temporary sound stage.[4]. Production on the film started in October of 2003 with delays because some scenes needing fall foliage could not be shot because of a late fall season. Principal photography was wrapped up in mid December of that year. In April/May of 2004 several of the lead actors were called back to the set. Reports noted that this seemed to have something to do with a change to the films ending[5][6], and in fact the film's final ending differs from the ending in the script stolen a year earlier.
The movie received mostly negative reviews[7]. Roger Ebert gave the film one star and wrote: "The Village is a colossal miscalculation, a movie based on a premise that cannot support it, a premise so transparent it would be laughable were the movie not so deadly solemn... To call the ending an anticlimax would be an insult not only to climaxes but to prefixes. It's a crummy secret, about one step up the ladder of narrative originality from It was all a dream. It's so witless, in fact, that when we do discover the secret, we want to rewind the film so we don't know the secret anymore." There were also comments that the film, while raising questions about conformity in a time of "evil", did little to "confront" those themes.[8] Slate's Michael Agger commented that Shyamalan was continuing in a pattern of making "sealed-off movies that fell apart when exposed to outside logic."[9]
Fans and critics alike noted the film's (perhaps purposely) deceptive ad campaign that portrayed it as a horror film instead of the drama/love story that it was, something that may have added to the film's negative word of mouth.[citation needed] The movie did have a number of admirers, though, particularly among established fans of Shyamalan's work. Critic Jeffrey Westhoff commented that though the film had its shortcomings, these did not necessarily render it a bad movie, and that "Shyamalan's orchestration of mood and terror is as adroit as ever".[10]
The film also was noted for Bryce Dallas Howard's performance as Ivy Walker, which received award nominations from the Online Film Critics Society and others.[citation needed] The soundtrack by Newton-Howard has also been widely praised.[citation needed]
Simon & Schuster, publishers of the 1995 children's book Running Out of Time by Margaret Peterson Haddix, claimed that the film had stolen ideas from the book, which features a village whose inhabitants pretend to be living in the 1830s when the year is actually 1996.[11]
Despite bad reviews and a rapidly falling off box-office the film ended up pulling in a modest $114 million USD, although when compared to its $71.6 million production cost and $40 million advertising campaign it probably failed to make a profit on its opening run. It went on to collect another $140 million worldwide.
As is usual in his films, M. Night Shyamalan is seen in a brief cameo. In one of the final scenes his voice is heard for a time and his reflection can be seen.
| Actor | Role |
|---|---|
| Bryce Dallas Howard | Ivy Elizabeth Walker |
| Joaquin Phoenix | Lucius Hunt |
| Adrien Brody | Noah Percy |
| William Hurt | Edward Walker |
| Sigourney Weaver | Alice Hunt |
| Brendan Gleeson | August Nicholson |
| Cherry Jones | Mrs. Clack |
| Celia Weston | Vivian Percy |
| John Christopher Jones | Robert Percy |
| Frank Collison | Victor |
| Jayne Atkinson | Tabitha Walker |
| Judy Greer | Kitty Walker |
| Fran Kranz | Christop Crane |
- 2005 ASCAP Film and Television Music Awards
- Won - Top Box Office Film — James Newton Howard
- 2005 Academy Awards (Oscars)
- Nominated - Best Original Score — James Newton Howard
- Nominated - Best Actress — Bryce Dallas Howard
- Nominated - Best Newcomer — Bryce Dallas Howard
- Nominated - Best Director — M. Night Shyamalan
- Won - Best Technical/Artistic Achievement — Roger Deakins
- 2005 MTV Movie Awards
- Nominated - Best Breakthrough Female Performance — Bryce Dallas Howard
- 2005 Motion Picture Sound Editors (Golden Reel Award)
- Nominated - Best Sound Editing in a Feature: Music, Feature Film — Thomas S. Drescher
- 2004 Online Film Critics Society Awards
- Nominated - Best Breakthrough Performance — Bryce Dallas Howard
- 2005 Teen Choice Awards
- Nominated - Choice Movie Scary Scene — Bryce Dallas Howard, Ivy Walker waits at the door for Lucius Hunt.
- Nominated - Choice Movie: Thriller
- ^ Lycos review of the Village
- ^ Pre-review of The Village
- ^ Pre-review of The Village at horrorlair.com
- ^ IMdb.com - FAQ for The Village "Where exactly was the movie filmed? Did they use historical buildings or did they build everything?"
- ^ Change to ending of The Village
- ^ More views of The Village - aerial
- ^ Rotten Tomatoes: The Village
- ^ The Reel Deal: The Village
- ^ Slate.com: "Village Idiot"
- ^ Northwest Herald's The Village review
- ^ Stolen idea in The Village?
- The Village at the Internet Movie Database
- M. Night Fans - The Village
- The Village at Rotten Tomatoes
- The Smoking Gun - Hollywood By The Numbers Article on Shyamalans movie expenses featuring the full budget of "The Village"
- American Cinematographer Magazine, August of 2004. Interview with Roger Deakins on The Village's cinematography.
- "Disney and Shyamalan in your back yard" - Website by a local resident describing the filming of "The Village" in Chadds Ford, Pennsylvania.
- Movie stills
- Movie's official website
| Preceded by The Bourne Supremacy |
Box office number-one films of 2004 (USA) August 1, 2004 |
Succeeded by Collateral |
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| Praying with Anger • Wide Awake • The Sixth Sense • Unbreakable • Signs • The Village • Lady in the Water • The Happening |
Categories: All articles with unsourced statements | Articles with unsourced statements since July 2007 | 2004 films | American films | Touchstone Pictures films | Drama films | Mystery films | Films directed by M. Night Shyamalan | Fictional towns and cities in Pennsylvania | English-language films