The Wages of Fear

From Wikipedia, the free encyclopedia

(Redirected from The Wages of Fear (film))
Jump to: navigation, search
The Wages of Fear
(Le Salaire de la peur)

original film poster
Directed by Henri-Georges Clouzot
Produced by Raymond Borderie
Written by Georges Arnaud
Henri-Georges Clouzot
Starring Yves Montand
Charles Vanel
Peter van Eyck
Antonio Centa
Music by Georges Auric
Release date(s) Flag of France 22 April 1953
Flag of the United States 16 February 1955
Running time 131 min
Language French
All Movie Guide profile
IMDb profile

The Wages of Fear (French: Le Salaire de la peur) is a 1953 film directed by Henri-Georges Clouzot and starring Yves Montand. It tells the story of four desperate men hired by an oil company to drive two trucks packed with volatile explosives along a rickety road through a jungle to extinguish an oil well fire.

Contents

The film centers on the fates of a handful of men who are stuck in a South American town. The town, Las Piedras, is isolated due to the surrounding desert but it maintains contact with the outside world through a small airport. The airfare, however, is beyond the means of the main characters (many of whom are also noncitizens without proper paperwork for work or travel). There is little opportunity for employment aside from the American corporation that dominates the town. The company, called SOC, operates the nearby oil fields and owns a walled compound within the town. SOC is accused of unethical practices such as exploiting local workers and taking the law into its own hands.

The first half of the film develops the main characters by examining their daily struggles. Most of the action takes place in the town's cantina. The four most prominent characters are: the Frenchmen Mario and M. Jo, the German Bimba and the Italian Luigi. Mario is the main character, a usually optimistic Corsican playboy. Jo is an aging ex-gangster who ran bootleg, and just recently found himself stranded in the town. Bimba is an intense, quiet individual whose father was murdered by the Nazis, and who himself worked for three years in a salt mine. Luigi, Mario's roommate, is a jovial, hardworking individual, who just learned that he is dying from lung disease. Mario befriends Jo due to their common background of having lived in Paris, but a rift develops between Jo and the other cantina regulars because of his tendency to want to come off as a bigshot.

The catalyst to the film's action sequence is a massive fire at one of the SOC oil fields. The only means to extinguish the flames and cap the well is nitroglycerine. With short notice and lack of proper equipment, the only means of transportation are jerrycans placed in two large trucks. Due to the poor condition of the roads and the highly volatile nature of nitroglycerine, the job is considered too dangerous for the unionized SOC employees.

The company recruits drivers from the local community. Despite the dangers, many of the locals volunteer, lured by the high pay--$2,000 per driver. This is a fortune to them, and the money is seen by some as the only way out of their dead-end lives. The pool of applicants is narrowed down to four handpicked drivers. All the main characters except for M. Jo are chosen. One of the chosen drivers, however, fails to appear on the appointed day and Jo is substituted in his place. It is insinuated, but never shown, that Jo murdered the driver in order to usurp his place. The final half of the film is an extended action sequence focusing on the drive to the oil field. M. Jo and Mario are in one vehicle, and Luigi and Bimba are in the other, with thirty minutes separating them in order to limit potential casualties. The drivers are forced to deal with a series of physical and mental obstacles, including a stretch of road called "the washboard", a construction barricade that forces them to teeter around a rotten platform above a precipice, and a boulder blocking the road. Jo finds that his nerves are not what they used to be in his younger age, and the others confront him with his increasing cowardice. Finally, Luigi and Bimba's truck explodes without warning.

Mario and Jo arrive at the scene only to find a large crater rapidly filling up with oil from a severed pipeline. Jo exits the vehicle in order to help Mario navigate it through the crater. The vehicle, however, is in danger of becoming bogged down and during their frantic attempts to prevent it, Mario runs over Jo. Although the vehicle is ultimately freed from the muck, Jo is mortally wounded. On their arrival at the oil field they are hailed as heroes, but Jo is dead and Mario collapses from exhaustion. Upon his recovery, Mario heads home in the same truck, now freed of its dangerous cargo. He collects double the wages following his friends' deaths, and refuses the appointed chauffeur SOC offers.

The final scene shows him jubilantly driving down a mountain road, intercut with a party at the cantina. He swerves recklessly and intentionally, having cheated death so many times on the same road. He takes one corner too fast and plunges to his death many feet below.

On its original release, The Wages of Fear was hailed by many prominent critics. Bosley Crowther of the New York Times wrote "The excitement derives entirely from the awareness of nitroglycerine and the gingerly, breathless handling of it. You sit there waiting for the theatre to explode."[1]

Subsequent critics have been equally flattering. Pauline Kael called it "the most original and shocking French melodrama of the 50s" [2], and Roger Ebert has stated that "The film's extended suspense sequences deserve a place among the great stretches of cinema." [3]. Empire (magazine) has placed the film in its masterpiece list.[citation needed]

Due to the negative portrayal of the American oil company SOC, the film was accused of anti-Americanism and several scenes were cut for the U.S. release.[citation needed]

The depiction of Véra Clouzot's character as an easily manipulated simpleton, has led to accusations of sexism.[citation needed]

The film was remade in 1977 by William Friedkin as Sorcerer.

  • In the American television show Lost, the minor (unseen) character "Montand" is named after actor Yves Montand. This was confirmed as a tribute to the movie and its suspense plotline (mirrored on the show in the dynamite transport scene) in the 5/19/06 Official Lost Podcast by executive producers Damon Lindelof and Carlton Cuse.

Preceded by
Hon dansade en sommar
Golden Bear winner
1953
Succeeded by
Hobson's Choice
Preceded by
Forbidden Games
BAFTA Award for Best Film from any Source
1955
Succeeded by
Richard III
Advanced Search
Included Web Search Engines


Safe Search

close

Top Matching Results

Occasionally Search.com will highlight specialized results that are based on the context of your query. Examples of specialized results include specific links to news, images, or video.

Top Matching Results may highlight information from other Search.com pages, content from the CNET Network of sites, or third party content. The listings are based purely on relevance. Search.com does not receive payment for listings in this section but our partners that provide this data may get paid for listing these products.

Sponsored Links

This section contains paid listings which have been purchased by companies that want to have their sites appear for specific search terms and related content. These listings are administered, sorted and maintained by a third party and are not endorsed by Search.com.

Search Results

Search.com sends your search query to several search engines at one time and integrates the results into one list which has been sorted by relevance using Search.com's proprietary algorithm. You can customize the list of search engines included in your metasearch from the preferences.

The search engines that are used in your metasearch may allow companies to pay to have their Web sites included within the results. To view the Paid Inclusion policy for a specific search engine, please visit their Web site. Search.com does not accept payment or share revenue with any search engine partner for listings in this section.