The Warriors (film)

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The Warriors

Theatrical poster
Directed by Walter Hill
Produced by Lawrence Gordon
Written by Sol Yurick (novel)
David Shaber
Walter Hill (screenplay)
Starring Michael Beck
James Remar
Dorsey Wright
Deborah Van Valkenburgh
David Patrick Kelly
Edward Sewer
Music by Barry De Vorzon
Joe Walsh
Cinematography Andrew Laszlo
Editing by David Holden
Distributed by Paramount Pictures
Release date(s) February 9, 1979
Running time 93 minutes
Country Flag of the United States United States
Language English
Gross revenue $22,490,039
All Movie Guide profile
IMDb profile

The Warriors is a cult classic 1979 film directed by Walter Hill and based on the 1965 novel by Sol Yurick. The film also borrows certain elements from the Anabasis by Xenophon.

Contents

Cyrus (Roger Hill), the powerful gang leader of the Gramercy Riffs, calls a midnight summit for all the New York City area gangs, with all gangs asked to send nine unarmed representatives for the conclave. The Warriors, a gang based in Coney Island, Brooklyn, is one such gang.

The eloquent and intelligent Cyrus tells the assembled gangs that a citywide truce is needed, and that the gangs can unite to control the city and capitalize on the dwindling power of the NYPD. The gangs cheer Cyrus's ideas, but during the speech a nearby man pulls out a gun and kills Cyrus. Panic ensues. The murderer - revealed to be Luther (David Patrick Kelly), head of the Rogues gang - screams that the Warriors are responsible for killing Cyrus. While the Riffs beat Cleon (Dorsey Wright), the leader of the Warriors, and the police arrive to break up the gathering, the other eight Warriors escape the melee and debate what to do. The Warriors now have a bounty on their heads, and the entire city's gang population is out hunting for them.

The Warriors begin their long journey from the Bronx back to Coney Island. The second-in-command, Swan (Michael Beck), takes charge, though the hot-headed Ajax (James Remar) openly voices his desire to be acting gang warlord. The Warriors slowly cross the dangerous Bronx and Manhattan territories, narrowly escaping police and other gangs every step of the way. In the Bronx, they pick up Mercy (Deborah Van Valkenburgh), a feisty girl who quickly becomes attracted to Swan. When the Warriors get separated from one another in Manhattan, three Warriors are seduced by members of a female gang called the Lizzies. Back at the Lizzies' apartment, the women draw weapons to kill the Warriors, but the men narrowly escape again. During the night, gang member Fox is killed in a scuffle with police, while Ajax is arrested by an undercover police officer and taken to jail.

Meanwhile, the Gramercy Riffs are visited by a Rogues member who was at the conclave - the only witness to Luther firing the gun. The Riffs realize the Warriors are innocent, and they head to Coney Island. When day breaks, the Warriors finally return home but quickly have more trouble, as Luther and the Rogues are waiting for them. The two gangs meet on the beach, where Swan suggests he and Luther fight a one-on-one duel. Luther pulls a gun, but Swan quickly throws a knife into Luther's wrist, disarming him. Before more violence has a chance to happen, the Riffs mass on the beach and acknowledge they have learned the truth of Cyrus's murder. The Riffs' new leader compliments the remaining Warriors and lets them go. As the Riffs swarm on the Rogues, the Warriors head off down the shore.

The Warriors gang is based in the western neighborhoods of Coney Island, on the edge of Brooklyn. Their gang uniform consists of a red-orange pleather vest embroidered with the Warriors' logo on the back. The gang has an overall Native American theme, and their logo consists of a death's head with an Indian war bonnet shaped like eagle wings. This theme is accented by the Indian-style bead necklaces and armbands worn by some members. Their main stomping ground and base turf is among the many amusement park areas of Coney Island, particularly the landmark that is Deno's Wonder Wheel, a now-iconic symbol synonymous with Coney Island and The Warriors.

In a deleted scene, available on the special edition DVD and also included in some televised versions of the film, Cleon mentions that the Warriors is a street family of 120 members, but only the nine chosen to go to Cyrus's meeting are shown in the film. The nine principal members in the film are:

  • Cleon (Dorsey Wright): The Warlord, leader of the gang. Named after the Ancient Greek politician. He famously wears a leopard-patterned cloth around his head as well as an Indian-style necklace. After Cyrus's assassination, Luther pins the murder on him, and he is beaten to a pulp by the Gramercy Riffs. Cleon is African-American.
  • Swan (Michael Beck): The Warchief, second-in-command of the gang. Assuming control after the loss of Cleon, Swan makes the decision for the gang to continue wearing their colors and fight their way back home, though in general his leadership is more level-headed and practical than his brothers-in-arms. After successfully leading the group back to Coney, he wins a gunfight against Luther using only a knife. During filming, the script was changed so that he ends up with Mercy. Swan is Caucasian
  • Ajax (James Remar): A cocky, loud, womanizing Warrior always up for a fight. After the loss of Cleon at the conclave, he engages in a short confrontation with Swan over who should assume command. He is said to be the strongest warrior and is certainly the most aggressive. He wears fingerless leather gloves and a black tank-top under his Warriors vest. Ajax is arrested when he tries to force himself on an undercover female police officer. He is named after the legendary Greek hero. Ajax is Caucasian.
  • Cochise (David Harris): A high-kicking Warrior who wears Native American-style jewelry, leather pants and boots. He sports an afro with a red bandanna tied around it. He is named after the Apache Chief. Like Vermin, he was scripted to die and then to be thrown into the Hudson River, though in the finished film he survives. Cochise is African-American.
  • Fox (Thomas G. Waites): The Scout, Fox is very familiar with other gangs' tactics, territory, and numbers. He dies when he's thrown in front of a speeding train while struggling with a police officer. (Mercy later tells Swan that "the cops got him" because Fox told her to run as soon as he began fighting; she was not aware he died.) In the script, Fox was originally the love interest of Mercy, but the two actors had no chemistry and the Mercy romance was transferred to Swan. The actor playing Fox left the film over this, which necessitated his being written out of the story. Fox is Caucasian.
  • Rembrandt (Marcelino Sanchez): The Writer, the gang's graffiti artist, wears the standard Warrior's vest along with a messenger bag and an afro. The youngest member, Rembrandt is far less battle-hardened and is frequently looked after by the other members of the gang. He is most likely named after the famous painter. Rembrandt appears to be of Puerto Rican descent.
  • Snow (Brian Tyler): A stoic, African American Warrior with an afro. In the script and deleted intro scene, Snow is referred to as "Snowball". A bit more reserved, he's still a talented fighter, proving his worth in the fights with the Baseball Furies and The Punks.
  • Vermin (Terry Michos): Quick with a smile and a joke, Vermin is the most cynical member of the gang but a solid soldier and extremely loyal. According to the Warriors video game, Vermin formed the Warriors with Cleon. In an early script, he was supposed to be shot and killed by the Lizzies. Vermin is Caucasian.
  • Cowboy (Tom McKitterick): A Warrior who wears a Stetson cowboy hat and a shirt underneath his vest. He is an optimistic, happy-go-lucky Warrior. Cowboy is Caucasian.
  • Mercy (Deborah Van Valkenburgh): A prostitute who is originally a member of the Orphans but finds herself aligned with The Warriors as soon as they meet. At the end of the film, she apparently quits her seedy job and pursues a relationship with Swan.

"Warriors... come out to play-ay!"
"Warriors... come out to play-ay!"

Along the way, the Warriors encounter the following fanciful gangs, from north to south:

  • The Turnbull AC's (aka Turnbulls, Bulls, or A.C.s): A gang with shaved heads, they travel in large numbers in a spraypainted bus and wear denim jackets with matching jeans and patches. Their turf is around Gun Hill Road in The Bronx. According to Rembrandt, even the Gramercy Riffs are afraid to go toe-to-toe with the Bulls.
  • The Orphans: A bottom-of-the-barrel gang, the Orphans were not invited to Cyrus's conclave, nor even told about it. Their full strength is about thirty members. They wear green shirts with "ORPHANS" stitched into the back, and blue jeans. Their turf is Tremont. Their leader, Sully, is a self-conscious coward, with a weakness for flattery.
  • The Baseball Furies (or simply The Furies): A New York Yankees-inspired gang in pinstriped baseball uniforms wielding baseball bats and wearing facial makeup similar to that of the rock group KISS, only multicolored instead of black and white. The Furies are never heard to speak. They are an intimidating presence as they chase the Warriors down but prove ineffective fighters during the ensuing brawl in Riverside Park. The Furies were created because of Walter Hill's love for baseball. In Greek mythology, the Furies were the embodiment of vengeance.
  • The Lizzies: An all-female gang, they attempt to seduce the Warriors and successfully lure some members into their Bowery apartment to kill them. The Lizzies are also one of the few gangs with firearms, though they are poor shots. Their name may double as a reference to Lizzie Borden. It may also suggest their lesbian tendencies ("lezzies" being a derogatory slang word for lesbians), which are implied by a suggestive dance scene between two of the gang members. They also represent the mythical Sirens.
  • The Punks: A gang with a leader who strolls around on rollerskates. The Warriors fight them in a men's room in 14th Street–Union Square subway station. Each member wears denim overalls over a different-colored striped shirt. The Punks are never referred to by name except in the credits. They share the Bowery with the Lizzies.
  • The Rogues: The gang that framed the Warriors for Cyrus’s assassination. They wear primarily deep-blue leathers and drive an old Cadillac hearse. The leader, Luther (David Patrick Kelly), is a small man with extremely violent and psychopathic tendencies. He possesses one of the few firearms seen in the film but is also something of a coward. The Rogues' turf is Hell's Kitchen.
  • Gramercy Riffs: A disciplined, well-organized gang from around Gramercy Park, said to be the biggest gang in the city. Cyrus (Roger Hill) was the leader of this gang before he was assassinated. After his death, the second in command, Masai, takes over. They are dressed in karate gi; at the end of the film, however, they are seen wearing black t-shirts and matching jeans. The Riffs' members seem to be entirely or almost entirely African-American.
  • The High Hats: A gang with members wearing top hats, dressed as mimes.
  • The Jones Street Boys: A gang that wears yellow and black striped jumpers in which there turf is Bensonhurst, Brooklyn. A well-known ruthless gang who are considered underated and have a fierce rivalry with The Saracens.

The film is based on Sol Yurick's novel The Warriors, which, like the film, depicts a New York City gang attempting to return to its home territory in Coney Island. The novel was loosely based on Anabasis by Xenophon, which records how the Greek mercenary company the Ten Thousand made its way through enemy Persian territory to the Black Sea after the death of Cyrus the Younger.

It should be noted that, like other book-to-film adaptations, the story of Yurick's original novel is radically different from the film version, as Yurick himself observes in his introduction to the 2003 reprint, indicating his dismay. From beginning to end, only a rough skeleton of the book is present in the movie. Significantly absent from the film version is an accurate recreation of the speech of the gang members, especially when they interact with each other. It is thought that Walter Hill changed them to fit more with the Anabasis characters, the Spartans. Moreover, the film version omits nearly all scenes where The Warriors (called the "Coney Island Dominators" in the book) struggle amongst themselves to maintain order, discipline, and a proper chain of command. Also missing from the film are two extremely violent scenes: the brutal murder of an innocent by-passer, and the gang rape of a girl taken from a rival gang.

Thomas G. Waites, the actor who portrayed Fox in the movie, left and had his name removed from the credits when he became unhappy with his role. Originally Fox and Mercy were intended to fall in love, but it was felt that the two characters had little on-screen chemistry, and a relationship between Swan and Mercy was developed instead. However Waites didn't want to be completely cut from the film, so director Walter Hill had Waites's character perish while grappling with a cop in the subway. He was replaced by a body double in the scene where Fox is tossed on to the train tracks, which becomes obvious when watching the film - when "Fox" runs in front of the camera, he is visibly covering his face.

The Warriors was filmed in 1978 in many different locations throughout New York City, including the Bronx, Manhattan, and Brooklyn. The gathering scene at the beginning of the film takes place in Pelham Bay Park in The Bronx. However, the scene was shot in Riverside Park on the Upper West Side of Manhattan.

The exterior shots of the 96th Street subway station (where the Warriors first encounter the Baseball Furies) were actually filmed at the station at 72nd Street and Broadway. The distinctive headhouse at 72nd Street was redressed with "96th St." signage for the film. The interior shots of the station were filmed at the Hoyt-Schermerhorn station in Brooklyn.

Certain locations that depict the Warriors in the Bronx and Manhattan were actually filmed in Brooklyn. When the Warriors narrowly escape from the Turnbull A.C.s, a group based in Gun Hill, the station mezzanine where the Warriors jump the turnstiles to catch a train is actually Eastern Parkway, Brooklyn, now part of the Broadway Junction station complex. In another scene, where part of the splinter group enters a stationhouse in Manhattan, followed by the camera panning upstairs to the group catching another train, we do not see the station where they enter. However, the station used is actually New Utrecht Ave-62nd Street station in Brooklyn.

The Warriors opened on February 9, 1979 in 670 theaters without advance screenings or a decent promotional campaign.[1] It grossed $3.5 million in its opening weekend. The following weekend the film was linked to sporadic outbreaks of vandalism and three killings - two in Southern California and one in Boston - involving moviegoers on their way to or from showings. This prompted Paramount to remove advertisements from radio and television completely and display ads in the press were reduced to the film's title, rating and participating theaters.[1] In reaction, 200 theaters across the country added security personnel. Due to safety concerns, theater owners were relieved of their contractual obligations if they did not want to show the film, and Paramount offered to pay costs for additional security and damages due to vandalism. Despite the film's bad reputation, most theaters continued to show the movie and enjoyed packed houses. [2] After two weeks free of incidents, the studio expanded the display ads to take advantage of reviews from reputable critics, Pauline Kael of The New Yorker and Janet Maslin of the New York Times. In its sixth week, The Warriors had grossed $16.4 million, well above its estimated $6-7 million budget.[1]

A mild commercial success on its initial release, the film was panned by many critics as exploitative and superficial. Gary Arnold, in his review for the Washington Post, wrote, "None of Hill's dynamism will save The Warriors from impressing most neutral observers as a ghastly folly."[3] In his review for Newsweek magazine, David Ansen wrote, "Another problem arises when the gang members open their mouths: their banal dialogue is jarringly at odds with Hill's hyperbolic visual scheme."[4] Sol Yurick expressed his disappointment in the film version in a Reuter's article and speculated that it scared some people because "it appeals to the fear of a demonic uprising by lumpen youth," and appealed to many teenagers because it "hits a series of collective fantasies."[1] In recent years, The Warriors has acquired the status of a cult film, along with a re-examination of its standing with some film critics. As of March 2007, the film has garnered a 92% "fresh" rating at Rotten Tomatoes.[5]

Entertainment Weekly named The Warriors the 16th greatest cult film on their "Top 50 Greatest Cult Films" list.

While itself adapted from a novel, the film has been adapted into a number of other products as well. The film's soundtrack was released in the same year as the film. In 2005, Mezco Toyz released Warriors action figures, including Swan, Cleon, Cochise, Ajax, Luther, and a Baseball Fury.[6]

The Warriors video game, based on the movie, was released by Rockstar Games in October 2005. Most of the game acts as a prequel to the film, creating backstory and elaborating on the characters from the film. The ending recreates much of the film's events. Several of the actors from the movie returned to perform the voices for their original characters.

A modern-day remake of the film is set to be directed by Tony Scott, with a tentative release date of 2008. The remake will include real gang members and try to create a modern version of the story, set in Los Angeles. [7]

  1. ^ a b c d Arnold, Gary. "The Warriors - Surly Kids Pack a Box-Office Wallop", Washington Post, March 18, 1979. 
  2. ^ Thomas, Mike. "Some gang-banging moviegoers saw 1979 flick as a call to arms", Chicago Sun-Times, October 19, 2005, retrieved August 23, 2006.
  3. ^ Arnold, Gary. "Abstracted Epic of Gang Warfare", Washington Post, February 10, 1979. 
  4. ^ Ansen, David. "Gang War", Newsweek, February 26, 1979. 
  5. ^ http://www.rottentomatoes.com/m/1023205-warriors/
  6. ^ http://www.mezcotoyz.com/products.asp?pline=war
  7. ^ http://movies.ign.com/articles/746/746394p1.html

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