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Thomas Hirschhorn
From Wikipedia, the free encyclopedia
Thomas Hirschhorn (Bern, 1957) is a Swiss artist. In the 1980's he worked in Paris as a graphic artist. He was part of the group of communist graphic designers called Grapus. These artists were concerned with politics and culture, displaying impromptu creations and posters on the street mostly using the language of advertisement. He left Grapus to create the hypersaturated installations he is known for today, using common materials such as cardboard, foil, duct tape, and plastic wrap. These installations are often site specific and outside the gallery, and/or interactive. Unlike much total installation work, the viewer is an observer not an actor in the spaces he creates because of the way he continues to offer messages in his work as he did with Grapus.
Quotes:
"I'm interested in the 'too much,' doing too much, giving too much, putting too much of an effort into something. Wastefulness as a tool or weapon."
"I do not want to invite or oblige viewers to become interactive with what I do; I do not want to activate the public. I want to give of myself to such a degree that viewers confronted with the work can take part and become involved, but not as actors."
He received the (2000/2001) Marcel Duchamp Prize and the Joseph Beuys Prize in 2004.
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