From Wikipedia, the free encyclopedia

Tony Macaulay (born Anthony Instone, April 21, 1944, England) is an author, composer for musical theatre, and songwriter, though it was the latter that made him a household name early in his career.

In the early 1960s he worked as a song plugger for Essex Publishing, then moved to Pye Records as a record producer. It was here that he had his first major success with The Foundations, when they recorded 'Baby, Now That I've Found You', a song he had co-written with John MacLeod, and it topped the UK charts in 1967.

Further hits came with songs such as Marmalade’s 'Baby Make It Soon' and 'Falling Apart At The Seams', and The Fifth Dimension's “(Last Night) I Didn’t Get To Sleep At All”, which he wrote on his own, as well as many with collaborators, among them Long John Baldry's 'Let The Heartaches Begin'; The Paper Dolls' 'Something Here In My Heart', and Pickettywitch's 'That Same Old Feeling', also with John MacLeod; The Foundations’ 'Build Me Up Buttercup', with Mike D'Abo; Scott Walker’s 'The Lights of Cincinnati', The Hollies' 'Sorry Suzanne', The New Seekers’ 'You Won’t Find Another Fool Like Me', and David Soul’s 'Silver Lady', with Geoff Stephens; Edison Lighthouse’s 'Love Grows (Where My Rosemary Goes)', with Barry Mason; Johnny Johnson and the Bandwagon’s 'Blame It On The Pony Express' and Andy Williams’ 'Home Lovin’ Man', with Roger Cook and Roger Greenaway.

Much of his attention in the early 1970s was diverted by a protracted legal dispute with his publishers. He won his case on appeal in 1974, in a landmark decision which encouraged other artists to challenge the terms of their contracts.[1] By this time he had begun to write for musical theatre. His first collaborations for the stage were with playwright Ken Hill on Is Your Doctor Really Necessary? in 1973, and on Gentlemen Prefer Anything the following year.

He was the music coordinator for the movie Never Too Young To Rock (1975), and wrote the music for Windy City, a musical in two acts based on The Front Page by Ben Hecht and Charles McArthur, with book and lyrics by Dick Vosburgh, which was premiered on stage in 1982. Later he turned to writing thrillers.