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Venus of Willendorf
From Wikipedia, the free encyclopedia
Venus of Willendorf, also known as the Woman of Willendorf, is an 11.1 cm (4 3/8 inches) high statuette of a female figure. It was discovered in 1908 by archaeologist Josef Szombathy at a paleolithic site near Willendorf, a village in Lower Austria near the city of Krems.[1] It is carved from an oolitic limestone that is not local to the area, and tinted with red ochre.
Since this figure's discovery and naming, several similar statuettes and other forms of art have been discovered. They are collectively referred to as Venus figurines.
As of 1990, upon a revised analysis of the stratigraphy of its site, it is estimated to have been carved 24,000–22,000 BCE.[1] Very little is known about its origin, method of creation, or cultural significance.
The Venus is not a realistic portrait but rather an idealization of the female figure. Her vulva, breasts, and swollen belly are very pronounced, suggesting a strong connection to fertility. Her tiny arms are folded over her breasts, and she has no visible face, her head being covered with circular horizontal bands of what might be rows of plaited hair, or a kind of headdress.[2] The lack of a face has prompted some archaeologists and philosophers to view the Venus as a "universal mother."[citation needed]
The nickname, urging a comparison of this rather rotund figurine to the classical image of "Venus," causes resistance in some modern analysis. "The ironic identification of these figurines as 'Venus' pleasantly satisfied certain assumptions at the time about the primitive, about women, and about taste," Christopher Witcombe has noted[3].
The statue's feet don't allow it to stand on its own. Due to this it has been speculated that it was meant to be held, rather than simply looked at. The purpose of the carving is subject to much speculation.
Catherine McCoid and LeRoy McDermott hypothesize[citation needed] [1] that the figurines were created as self-portraits. Some theorists believe that the head, seen from a profile view, while having no distinct facial features, appears to be looking down. The common physical characteristics of the Venus figures are: a thin upper torso, greatly exaggerated breasts, large buttocks and thighs, a large stomach (possibly due to pregnancy), and oddly bent, short legs, that end with disproportionately small feet. Yet when thought of as a woman looking down at her own body, the physical features, in perspective, seem correct. There are striking similarities between such figurines and a pregnant woman when perceived from above.
Venus of Willendorf is part of the collection of the Naturhistorisches Museum in Vienna[2].
- ^ a b Venus of Willendorf Christopher L. C. E. Witcombe, 2003
- ^ "Woman from Willendorf". Christopher L. C. E. Witcombe. 2003. "The rows are not one continuous spiral but are, in fact, composed in seven concentric horizontal bands that encircle the head."
- ^ "Name". Christopher L. C. E. Witcombe, 2003.
- Christopher L. C. E. Witcombe, "Women in Prehistory:Venus of Willendorf".
- Venus figures from the Stone Age - The Venus of Willendorf
- History of The Woman of Willendorf
- The Invisible Sex: Uncovering the True Roles of Women in Prehistory by J.M. Adovasio, Olga Soffer and Jake Page, ISBN 9780061170911, gives a new 'view' of headdress as possible model for weaving a basket; Laura Miller review at Salon.com: [3]