Voodoo Child (Slight Return)

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"Voodoo Child (Slight Return)"
"Voodoo Child (Slight Return)" cover
Single by The Jimi Hendrix Experience
from the album Electric Ladyland
Released 1968 (album)/1970 (single)
Format 7" single
Recorded May 1968
Genre Psychedelic Rock
Hard Rock
Blues-rock
Length 5:12
Label MCA
Writer Jimi Hendrix
Producer Jimi Hendrix
The Jimi Hendrix Experience singles chronology
Izabella Voodoo Child (Slight Return) No Such Animal (Part 1 & Part 2)
Audio sample
Info (help·info)

"Voodoo Child (Slight Return)" is the last track on the third and final album by the Jimi Hendrix Experience, Electric Ladyland. The song is well known for its wah-wah-heavy guitar work, influenced by Muddy Waters' "Rollin' Stone".

"Voodoo Child" was released posthumously in 1970 as the A side on a three-track single, and reached Number 1 in the UK. Unfortunately, it was catalogued as "Voodoo Chile" (Track 2095 001), and that is the title which appears on the single and is the title referred to officially. This obviously confuses it with the 15-minute jam on the album Electric Ladyland. The B-side of the single featured two of his previous hits: "Hey Joe" and "All Along the Watchtower."

Contents

"Voodoo Child (Slight Return)"'s genesis was essentially in "Voodoo Chile", a long blues jam featuring guests Steve Winwood and Jack Casady. On May 3, 1968 (the day after "Voodoo Chile"'s recording), a crew from ABC filmed the Jimi Hendrix Experience while they played. As Hendrix explained it:

"Someone was filming when we started doing that... We did that about three times because they wanted to film us in the studio—'Make like you're recording, boys.' So it was 'OK, let's play this in E, a one, a two, a three, and then we went into 'Voodoo Child (Slight Return)'".

The song appears on the album Band of Gypsys: Live at the Fillmore East. While introducing the song, Hendrix refers to it as the Black Panthers' national anthem.


One of Hendrix's best known works and a staple for rock guitarists, it is considered by many including numerous famous guitar players of today as one of the greatest pieces of electric guitar work ever. The wah-wah intro has become a timeless example of Hendrix's style and creativity and is instantly identifiable. The kind of raw, unbridled energy and bravado he was able to display with his guitar was unheard of at that point in time, further reinventing himself and the electric guitar.

It was named the 11th greatest solo of all-time in Guitar World's 100 Greatest Guitar Solos; Guitar Legends Issue #46. Hendrix was listed 6 times, more than any other artist on the list.


In the same issue Joe Satriani listed this as his favorite guitar solo:

"It's just the greatest piece of electric guitar work ever recorded. In fact, the whole song could be considered the holy grail of guitar expression and technique. It is a beacon of humanity."

Kenny Wayne Shepherd:

"This is pretty much the guitar anthem of all time. From that amazing opening riff to the way he breaks it down in the middle and gets funky, the whole thing is incredible. There are things Jimi did on the guitar that humans just can't do. You can try all day, even if you're playing the right notes, it's not the same. It definitely seems as if he was coming from a higher place when he played."

It could also be argued that the muted wah-wah intro is one of the earliest influences on 70's funk guitar playing where the guitarist (often playing through a wah-wah) strums muted chords and un-mutes them during certain beats usually strumming in 1/8 or 1/16 note patterns. Examples of this can be heard on many Issac Hayes recordings and is infamously associated with 70's porn music.

  • The song was covered by Zakk Wylde's band Pride and Glory also featuring Slash of Guns N' Roses at an anniversary of the Gibson Les Paul
  • The song featured as a jam between Joe Satriani, Steve Vai and Yngwie Malmsteen at G3: Live in Denver in 2003.
  • The track was covered by avid Hendrix fan Stevie Ray Vaughan for his Austin City Limits debut in 1983 and for his 1984 album Couldn't Stand the Weather in a slightly extended version, though it was spelled "Voodoo Chile (Slight Return)" in both cases. Stevie played this song all throughout his career.
  • The song was also covered by Angélique Kidjo for her 1998 album Oremi.
  • Another cover was recorded by Yngwie Malmsteen on the album The Genesis and is mentioned as a "jam".
  • The song has also been covered numerous times by Ben Harper during live performances, bootlegs of which circulate around the internet are frequently but erroneously attributed to Pearl Jam.
  • The song was covered by Kenny Wayne Shepherd and released as a bonus track on his "Blue on Black" single released in 1997 and is a staple in his live setlist.
  • The song is usually performed in their concerts by the Argentinian band Divididos. The guitar player Ricardo Mollo usually does the main riffs of the song with different objects such as trainers, drumsticks, carrots, and his own teeth.
  • Voodoo Child was also covered by Rob Thomas and pedal steel maestro Robert Randolph.
  • The song appears on The Best of Top of the Pops '70 (Hallmark HALMCD 1037), one of a series of albums recorded by session musicians that contained covers of hits.

  • Experience Hendrix: The Best Of Jimi Hendrix (Liner notes), Experience Hendrix, 1997.
Preceded by
"Woodstock" by Matthews Southern Comfort
UK number one single
November 17, 1970
Succeeded by
"I Hear You Knocking" by Dave Edmund's Rockpile
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