Wendy Carlos

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Wendy Carlos
Birth name Walter Carlos
Born November 14, 1939 (1939-11-14) (age 68)
Origin Rhode Island, United States
Genre(s) Electronica
Occupation(s) electronic musician
composer
Instrument(s) Synthesizer
Website www.wendycarlos.com

Wendy Carlos (born Walter Carlos, November 14, 1939) is an American composer and electronic musician. Carlos is one of the first famous performers of electronic music using synthesizers.

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Switched-On Bach (1968) was perhaps the first album to demonstrate the use of synthesizers as a genuine musical instrument. As an early user of Robert Moog's first commercially available synthesizer, Carlos helped pioneer the technology, which was significantly more difficult to use than it is today. Multitrack recording techniques played a critical role in the time-consuming process of creating this album. Switched-On Bach became the first classical album to sell 500,000 copies, and (eventually) to go platinum. A sequel of additional synthesized baroque music, The Well-Tempered Synthesizer followed in 1969. (Its title is a play on Bach's "Well-Tempered Clavier".) While it sold well, it did not achieve the near-legendary status that Switched-On Bach did.

1972's Sonic Seasonings pushed the envelope further. This was packaged as a double album, with one side dedicated to each of the four seasons, and each side consisting of one long track. It blended recorded sounds with synthesized sounds, without melodies, to create an ambient effect. Not as popular as some other albums, it was however very influential on other artists who went on to create the ambient genre. Also in 1972, Carlos composed and recorded music for the soundtrack of the film A Clockwork Orange. She worked with Stanley Kubrick again on the score for The Shining, although in the end, Kubrick used mostly pre-existing music cues from other composers.

In 1982, she scored the theatrical film Tron for Disney. This score incorporated orchestra, chorus, organ, and both analog and digital synthesizers. Some of her end title music was replaced with a song by the rock group, Journey, and the music that originally was composed for the lightcycle scene was dropped. 1984's Digital Moonscapes switched to digital synthesizers, instead of the analog synthesizers that were the trademark of her earlier albums. Some of the unused material from the Tron soundtrack was incorporated into it.

1986's Beauty In the Beast saw Wendy Carlos experimenting with various alternate tunings, including just intonation, balinese scales and several scales she invented for the album. One of her scales involved setting a "root note", and retuning all of the notes on the keyboard to just intonation intervals. There are a total of 144 possible notes per octave, from 12 notes in a chromatic scale times 12 different home keys. Other scales included Carlos' Alpha & Beta scales, which experimented with dividing the octave into odd numbers of equally-spaced intervals.

1987's Secrets of Synthesis is a lecture by Carlos, with audio examples (many from her own recordings), expounding on topics she feels to be of importance. Some of the material is a good introduction to synthesis, and some (e.g., a discussion of hocketing) is most useful to experienced musicians.

Beginning in 1998, all of her catalogue was remastered. In 2005, the two-volume set Rediscovering Lost Scores was released, featuring previously out-of-print material, including the unreleased soundtrack to Woundings, and music composed and recorded for The Shining, Tron and A Clockwork Orange that was not used in the films.

Carlos was born in Pawtucket, Rhode Island. Carlos's musical education began when he started playing the piano at the age of six. His formal education included Brown University where he studied music and physics, and Columbia University where he earned a MA in music. At Columbia, Carlos was a student of Vladimir Ussachevsky, a pioneer in electronic music. After graduation, he met Robert Moog and was one of his earliest customers, providing feedback for his further development of the Moog synthesizer. Around 1966, Carlos met Rachel Elkind who produced his early albums. Carlos has lived in New York since 1962.

Her first six recordings were released under the name Walter Carlos. In 1972, Carlos underwent sex reassignment surgery.[1] The last release to be credited to her as Walter Carlos was By Request (1975). The first release credited to her as Wendy Carlos was Switched-On Brandenburgs (1979). Carlos's first public appearance after her gender transition was in an interview in the May 1979 issue of Playboy magazine, a decision she would come to regret because of the unwelcome publicity it brought to her personal life. On her official site, her transition is discussed in an essay stating that she values her privacy on the subject.[2]

In 1998, Carlos sued Momus for $22 million[3] for his satirical song "Walter Carlos" (which appeared on the album The Little Red Songbook), which suggested that if Wendy could go back in time she could marry Walter. The case was settled out of court, with Momus agreeing to remove it from the CD and owing $30,000 in legal fees. This was considered by many to be an assault on the rights of free speech and artistic liberty. [4]

Carlos is also an accomplished solar eclipse photographer.[5]

(Albums released during years 1968–1975 were originally released under name "Walter Carlos". Later albums and all re-issues have been released under the name "Wendy Carlos".)

  1. ^ "Playboy Interview: Wendy/Walter Carlos" (fee required), Playboy, Playboy Enterprises, May 1979. 
  2. ^ Carlos, Wendy. On Prurient Matters. Retrieved on 2007-04-29.
  3. ^ Shepherd, Fiona. "The World Can Change in a Matter of Momus", The Scotsman, The Scotsman Publications Ltd., 1999-09-10, p. 23. 
  4. ^ Selvin, Joel; Vaziri, Aidin, Heller, Greg. "$1,000 Bought a Custom Song on Momus' Latest Album", The San Francisco Chronicle, The Chronicle Publishing Co., 1999-11-07. 
  5. ^ Carlos, Wendy. The Wendy Carlos Total Solar Eclipse Page. Retrieved on 2007-04-29.

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