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William Gibson (playwright)
From Wikipedia, the free encyclopedia
William Gibson (born 13 November 1914) is a Tony Award-winning American playwright.
Gibson's most famous play is The Miracle Worker (1959), the story of Helen Keller's childhood education, which won him the Tony Award for Best Play. His other works include Dinny and the Witches (1948, revised 1961), in which a jazz musician incurs the wrath of three Shakespearean witches by blowing a riff which stops time; the Tony Award-nominated Two for the Seesaw (1958), a recounting of which production appeared the following year in Gibson's nonfiction book The Seesaw Log; the book for the musical version of Clifford Odets's Golden Boy (1964), which earned him yet another Tony nomination; A Mass for the Dead (1968), an autobiographical family chronicle; A Cry of Players (1968), a speculative account of the life of young William Shakespeare; Goodly Creatures (1980), about Puritan dissident Anne Hutchinson; Monday After the Miracle (1982), a continuation of the Keller story; and Golda (1977), a work about the late Israeli Prime Minister Golda Meir, which in its revised version Golda's Balcony (2003) set a record as the longest-running one-woman play in Broadway history [1] on January 2, 2005.
In 1954 he published a novel The Cobweb, set at a psychiatric hospital resembling the Menninger Clinic.
Gibson married Margaret Brenman-Gibson, a psychotherapist and biographer of Odets, in 1940. She died in 2004.