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Yayue (Chinese: 雅樂, literally "elegant music") is a form of Chinese classical music that was performed at imperial courts. The basic conventions of yayue were established in the Western Zhou. Together with law and rites, it formed the formal representation of aristocratic political power. Yayue has largely been lost in China, but has endured in other parts of East Asia, notably as gagaku in Japan, aak in Korea, and nhã nhạc in Vietnam.

According to tradition, yayue was created by the Duke of Zhou under commission from King Wu of Zhou, shortly after the latter's conquest of Shang. Incorporated within yayue were elements of shamanistic or religious traditions, as well as early Chinese folk music.

The Classic of Rites records a number of situations where yayue might be performed. These included ceremonies in honour of Heaven and Earth, the gods or the ancestors. There were also detailed rules on the way they were to be performed at diplomatic meetings. Yayue was also used in outdoor activities, such as aristocratic archery contests, during hunting expeditions, and after the conclusion of a successful military campaign. Yayue was characterised by its rigidity of form. When performed, it was stately and formal, serving to distinguish the aristocractic classes. It was sometimes also accompanied by lyrics. Some of these are preserved in the Book of Songs.

With the decline of the importance ceremony in the interstate relations of the Spring and Autumn period, so did yayue. Marquis Wen of Wei, for example, was said to prefer the folk music of Wei and Zheng to court music, listening to which he habitually fell asleep. Confucius famously lamented the downfall of classical music and the rites.

Contents 1 Instruments used in yayue 1.1 Silk (絲) 1.2 Bamboo (竹) 1.3 Wood (木) 1.4 Stone (石) 1.5 Metal (金) 1.6 Clay (土) 1.7 Gourd (匏) 1.8 Hide (革) 2 See also

Traditional Chinese musical instruments comprise a wide range of string instruments (both bowed and plucked), wind instruments, and percussion instruments. Traditionally, they were also classified according to the materials used in their construction.

• Guqin (Chinese: 古琴; pinyin: gǔqín) - Seven-stringed zither
• Se (Chinese: 瑟; pinyin: sè) - 25 stringed zither with moveable bridges (ancient sources say 13, 25 or 50 strings)
• Yazheng (牙箏) - Bowed zither
• Zhu (筑) - Ancient zither, struck or plucked with a stick

• Dizi (笛子) - Transverse bamboo flute with buzzing membrane
• Xiao (簫) - End-blown flute
• Paixiao (Traditional Chinese: 排簫; Simplified Chinese: 排箫) - Pan pipes
• Chi (篪) - Ancient Chinese flute
• Guan (Chinese: 管; pinyin: guǎn) - A cylindrical double reed wind instrument

• Zhu (Chinese: 柷; pinyin: zhù) - A wooden box that tapers from the bottom, played by hitting a stick on the inside, used to mark beats or sections
• Yu (Chinese: 敔; pinyin: yǔ) - A wooden percussion instrument carved in the shape of a tiger with a serrated back, played by running a stick across it and to mark the ends of sections

• Bianqing (simplified: 编磬; traditional: 編磬; pinyin: biānqìng) - A rack of hung stone tablets struck using a mallet

• Bianzhong (編鐘) - 65 bronze bells hung on a rack, struck using poles
• Fangxiang (Traditional Chinese: 方響; Simplified Chinese: 方响; Hanyu Pinyin: fang1 xiang3; Wade-Giles: fang hsiang) - A set of tuned metal slabs (metallophone)

• Xun (塤; pinyin: xūn) - Ocarina made of baked clay

• Sheng (Chinese: 笙; pinyin: shēng) - A free reed mouth organ consisting of varying number of bamboo pipes inserted into a gourd chamber with finger holes
• Yu (Chinese: 竽; pinyin: yú) - An ancient free reed mouth organ similar to the sheng but generally larger

• Gu - (鼓) - Drum

• Music of China
• Traditional Chinese musical instruments
• Aak
• Gagaku
• Dangak