Ziryab

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Abu l-Hasan ‘Ali Ibn Nafi‘ (Persian and Arabic: أبو الحسن علي ابن نافع ) (c. 789857), nicknamed Ziryab (زرياب, Arabic for Blackbird, زرياب Persian for "finder of Gold"), was a Persian [1][2][3][4][5][6][7][8] or Kurdish[9][10][11][12][13][14] poet, musician and singer at the Umayyad court in Córdoba in Spain. According to some sources, he was a former slave, possibly a Zanj of Tanzanian descent. He first achieved notoriety at the Abbasid court in Baghdad, Iraq, his birth place, as a performer and student of the great musician and composer, Ishaq al-Mawsili. Zyriab came originally from the Dasht-e Arzhan area of the Fars Province of Persia.[15]

Ziryab was a gifted pupil of Ishaq al-Mawsili. He had to leave Baghdad when his skills as a musician surpassed those of his teacher. He moved to Córdoba in southern Spain and was accepted as court musician in the court of Abd al-Rahman II of the Umayyad Dynasty (822-52).

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According to a few sources, Zyriab was a liberated black slave from the Baghdad court of Haroun al-Rashid[1]. Ziryab left Baghdad some time after the death of the Caliph al-Amîn in 813 and traveled first to Sham (Syria), then to Ifriqiyya (Tunisia), where he lived at the Aghlabid court of Ziyadat Allah (ruled 816-837). Ziryab fell out with Ziyadat Allah but was invited to Al-Andalus by the Umayyad prince, al-Hakam I. He found on arrival in 822 that the prince had died, but the prince's son, Abd ar-Rahman II, renewed his father's invitation. Ziryab settled in Córdoba, where he soon became even more celebrated as the court's aficionado of food, fashion, singing and music. He introduced standards of excellence in all these fields as well as setting new norms for elegant and noble manners. He was an intimate companion of the prince and established a school of music that trained singers and musicians which influenced musical performance for at least two generations after him. In the 9th Century he introduced the New Year celebration based on the Iranian holiday Newroz to the courts of Andalusia in Spain and thence to Europe.[16]

Ziryab is said to have improved the technique of playing the 'ud, created a unique and influential style of musical performance, and written songs that were performed in Spain for generations. He was a great influence on Spanish music, and is considered the founder of the Andalusian music traditions of North Africa and the Middle East. Zyriab is thought to have codified the disparate elements of Arab poetic traditions of qasidah, mwashah and zajal.[2]

Louie Provencal, the renowned historian of Spanish civilization says about Ziryab, "he was a genius and his influence in Spanish society of the time not only encompassed music but also all aspects of Society.” Titus Burckhardt, the German historian of Islam writes, “he was a genius musical scholar and at the same time the one who brought persian music to Spain and consequently to all of the western world. He was able to replace the primitive ways of Arabs of that time with persian elegance.”

Abd al-Rahman II was a great patron of the arts and Zyriab was given a great deal of freedom. He established one of the first schools of music, introduced the 'ud into Europe, and made changes to the structure of the 'ud adding more strings. He was supposedly a great virtuoso on the 'ud and an amazing singer. Ziryab also introduced musical instruments,-notably the Persian lute that became the Spanish guitar- as well as passionate songs, tunes and dances of Persia and Mesopotamia that later, mixed with Gypsy influence, evolved into the famed Spanish flamenco. Ziryab established a music conservator at the court of Abdel-Rahman at Cordoba. It is to Ziryab that we owe the fifth string. (The German scholarly book "Moorish Architecture" by Barrucand states that Ziryab also introduced good taste, fine court manners and even new hair cuts into Spain)

  1. ^ A Literary History of the Arabs. Reynold Alleyne Nicholson. p.418
  2. ^ Persian and Turkish Loan-words in Malay. Muhammad Abdul Jabbar Beg. 1982. p.80
  3. ^ Hispano Arabic Poetry: A Student Anthology. James T. Monroe. Gorgias Press. 2004. p.7
  4. ^ Colors of Enchantment: Theater, Dance, Music, and the Visual Arts of the Middle East. Sherifa Zuhur. 2001. p.324
  5. ^ The Holy Sword: The Story of Islam from Muhammad to the Present. Robert Payne. 1961. p.186
  6. ^ Aspects of Jewish Culture in the Middle Ages. Paul Edward Szarmach. 1979. p.55
  7. ^ The Story of the Moors in Spain. Stanley Lane-Poole, Arthur Gilman. p.81
  8. ^ Shojaedin Shafa (شجاع الدین شفا) in his book Iran and Spain (ایران و اسپانیا) goes into detail about the fallacy of claims of Ziryab's "Arab origins". His argument can be found on p.325-340 of his book. Farzad publications 2005 (نشر فرزاد). A copy of the book is located at the Perry-Castañeda Library at DS274 S523
  9. ^ Ana Ruiz, page 53, Vibrant Andalusia: Moorish Culture in Southern Spain, Published 2007, Algora Publishing, ISBN 0875865399
  10. ^ http://www.transoxiana.com.ar/0102/kurdos.html
  11. ^ http://www.elmundo.es/2001/05/08/cultura/991630.html
  12. ^ http://www.islamyal-andalus.org/publicaciones/gastronomia/cap01.htm
  13. ^ http://www.dipucadiz.es/Portada/cultura/dosorillas.pdf
  14. ^ http://www.nematollahi.org/revistasufi/leertex.php?articulo=143
  15. ^ http://www.iranian.com/Music/2002/November/Guitar/index.html
  16. ^ http://www.newrozfilms.com/ziryab.htm

  • Encyclopedia of Islam
  • al-Muqtabis by Ibn Hayyan
  • The Muqaddima of Ibn Khaldoun, Chapter V, part 31, "The craft of singing."
  • Ta'rikh fath al-Andalus by Ibn al-Qutiyya
  • al-'Iqd al-farid by Ibn 'Abd Rabbih
  • Ta'rikh Baghdad by Ibn Tayfur
  • Kitab al-Aghani by Abu l-Faraj al-Isfahani
  • Tawq al-hamama by Ibn Hazm
  • Jawdhat al-Muqtabis by al-Humaydî
  • Mughrib fi hula l-Maghrib by Ibn Sa'id

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